Word In Your Ear

Old friend of the podcast Lloyd Bradley wrote Bass Culture, the defining account of reggae, and he’s now turned his attention to funk, from its deepest roots and via the jazz, arts, TV, radio and pop culture that flavoured it. The main 10-year focus of ‘Funk Has Its Own Reward’ is from James Brown’s ‘Say It Loud - I’m Black and I’m Proud’ to Michael Jackson’s ‘Off The Wall’ but free your mind and all this will follow! … … the importance of radio being “colourblind” … Cab Calloway’s Jive Dictionary and the impact of DJs Martha Jean ‘the Queen’ Steinberg and Daddy-O Daylie … how James Brown floor-tested his records and saved a fortune making them … funk’s deep roots in America’s marching bands … why jazz is funk’s closest relative and what it stole from white rock … how the Family Stone’s Larry Graham made bass the place … how solo singers gave way to the ‘funk gangs’ … how Richard Pryor gave mainstream America a window on a whole new world. … the influence of Soul Train and Sesame Street (19-year-old Nile Rodgers on guitar!) in bringing funk to the masses … George Clinton – “I can’t dance, can’t play, people tell me I can’t sing … but without me none of this would have happened!” … plus the Chambers Brothers, Herbie Hancock, Funkadelic, Bootsy, Quincy Jones, Parliament and the greatest funk record ever made. Order copies of ‘Funk Is Its Own Reward’ here: https://www.hachette.co.uk/titles/lloyd-bradley-2/funk-is-its-own-reward/9781472123411/Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Leo Sayer burst onto national telly in 1973 dressed as a Pierrot with the Show Must Go On launching a 50-year career in colourful company – songwriters, boxing legends, swindling managers, scurrilous socialites – and learning a great deal in the process. “Don’t underestimate the idiots!” is the hard-won advice. He’s touring in October and joins us here from Australia to look back at … … how he and Linda Ronstadt escaped from Trump’s gruesome penthouse … walking through Memphis dressed as a clown … seeing Lonnie Donegan invent skiffle, Dylan at the Albert Hall and Bob Marley at the Lyceum from the side of the stage … when Paul Kossoff asked him to audition for Free … designing record sleeves for Marley, Roger Daltrey, Humble Pie and Quintessence … “I’m the Forrest Gump of the music industry – nearly there!” … “working with Adam Faith was like having Marlon Brando as your acting coach” … the advice Paul McCartney gave him in 1973 … “Do you mind if I vomit in your shoe?” … and a week in a training camp with Muhammad Ali. Order Leo Sayer tickets here: https://tix.to/LeoLive26 Order the ‘Leothology’ box-set here: https://www.roughtrade.com/product/leo-sayer/leothology-the-studio-albums-1973-nowHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Chasing the shade and slapping the Sunscreen on this week’s overheated news, we pour a tinkling drink and reflect upon the following … … British people in hot weath-ah! … when rock stars you haven’t seen for 50 years pop up on Zoom … Lennon’s tooth? Timberlake’s toast? Mooney’s school report? Weird things sold at auction … Paul Horn playing in the Taj Mahal, Sonny Rollins on the Williamsburg Bridge, U2 in Slane Castle … are new vinyl albums now ‘luxury goods’ and old ones ‘antiques’? … where you can hear the Abbey Road building on the Dark Side of the Moon … the cinematic records Daniel Lanois made in an abandoned movie theatre near Santa Barbara … Summer In The City: the Lovin’ Spoonful’s road-drill and Regina Spektor’s cleavage … Cat-calming music! Gym motivation! Stress-busting songs for Spurs fans on Judgement Day! The age of the prescriptive playlist … the new dawn of instrumental music, “a public utility like turning on a tap” … and the single Sinatra recorded for Maureen Starkey (only one copy made!).Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that’s unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne’ – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno’s working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson’s Somewhere Down the Crazy River … and what Hells’ Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cathi Unsworth was a teenage Goth, enthralled as much by Joy Division and the Banshees as by the Brontës, Bram Stoker and Aubrey Beardsley. We loved her book ‘Season of the Witch’ and she’s since put together a soundtrack album, ‘Dressed In Black’, featuring the Goth divas she most admires and adores. And talks to us here about everything from murder ballads, the Industrial Revolution and Victorian literature to … … John Peel, Siouxsie, Joy Division and her teenage Goth conversion among the “hedge-goths” and “field-goths” of rural Norfolk … the phenomenal life, lyrics and mysterious disappearance of ‘Swamp-witch’ Bobbie Gentry … has Goth eaten Punk? … why BBC banned Billie Holiday’s “Gloomy Sunday” … the ‘death discs’ of John Layton, the Shangri-Las and Twinkle … how Cabaret and Julie Driscoll coloured Siouxsie and the Banshees … Shirley Collins’ Death And The Lady – “now that’s what I call a pandemic!” … did Liz Fraser speak fluent Faerie? … Nico – “if I had a machine-gun I’d kill you all!” … and how Juliette Gréco looked the devil in the face. Order copies of ‘Dressed In Black: Goth Divas From The Dark Side’ here: https://acerecords.co.uk/various-artists-dressed-in-blackHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Clem Burke joined Blondie in 1975. He started writing his memoir 20 years ago and just managed to finish it before he died in 2025, encouraged and assisted by his old friend Kathy Valentine of the Go-Go’s, “a chance to reflect on all he’d achieved”. We’re thrilled she’s joined us here to talk about his dramatic life and ‘The Other Side of the Dream’, a conversation stopping off at … … falling for her “teenage crush” when she saw Blondie on TV, the man who wore red shoes at his audition … Clem Burke, eternal fan who idolised the Beatles, Bowie and the Stooges, and the brief moment he became Elvis Ramone ... do bands talk to each other?… Blondie was not a democracy … “in fact bands are an example of how democracy doesn’t work” … Clem’s powerhouse drumming and showmanship: “you couldn’t take your eyes off him” … “the night we met we each had a limo and he introduced me to Andy Warhol” … how it felt to hear Blondie record one of her songs … how their lives connected: “we both achieved a dream and had it taken away from us” … why drummers tend to see groups differently … and life in the Go-Go’s - “married to four girls!” Order copies of Clem Burke’s ‘The Other Side of the Dream: My Life in And Out of Blondie’ here: https://lnk.to/theothersideofthedreamHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Panning for gold in the murky waters of this week’s news, we found the following … … is Sabrina Carpenter’s aunt the voice of Bart Simpson? … is punk now just a small room in the giant apartment block of Goth? … why band life was different for Ringo, Kathy Valentine and Clem Burke … Barack Obama’s songs that define America and how you can’t do the same for Britain … what you notice about the Who’s ‘Tommy’ 47 years later … the night Tom Fogerty’s widow brought his ashes to the Rock & Roll Hall of Fame … Hurrrggggh! Aah-haaaa!: the vocal trademarks of Clarence Carter, Bob Wills, James Brown and Bobby Bland … did Select magazine REALLY once give away a giant inflatable Jarvis? (spoiler: yes) … plus Shleep and Rock Bottom by Robert Wyatt and Sam Cooke humming. Sam Cooke humming:https://www.google.com/search?client=firefox-b-e&channel=entpr&q=sam+cooke+thumming+youtube+#fpstate=ive&vld=cid:7e9fec7d,vid:ZYd8DFI5CJg,st:0Order copies of David Hepworth's new paperback 'Hope I Get Old Before I Die' here:https://www.amazon.co.uk/Hope-Get-Old-Before-Die/dp/1804991996Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Damned are – yes! - 50 years old with three of the originals still onboard. And just starting a world tour. In this immensely funny and touching podcast, Rat Scabies (who’s smoking!) points up the repercussions of life in a band. He looks back at their first shows, their devoted audience, “old-fashioned rules”, highlights, regrets, the value of friendship, “putting on the black suit again” and how it felt to rejoin after 30 years on the outside. And all this too … … playing drums in an Essex panto while pelted with boiled sweets … Dave Vanian when he was a grave-digger … punk rock strongholds the world over – “South America was like being in the Beatles” … Mexico and other places you can still torch a drumkit … Mr Scabies, aged 70. “Even my mother calls me Rat. The name’s done me well over the years” … going to the Isle Of Wight aged 14 (with the Danish nanny) and running a hot-dog stand during Hendrix … supporting the Pistols at the 100 Club: “like letting a greyhound out of a trap” … Tim Burton, the Goth revival, the Young Ones, steampunk and other factors that keeps the Damned in motion … “One band’s an oddity, two’s a fashion, three’s a movement” … rejoining the Damned after 30 years – “like a great stain had been lifted” … Green Day, algorithms and how they acquired a whole new following. Order Damned tickets here: aegp.uk/the-damnedHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A whole new age of psychedelia kicked off in the mid-‘80s, of dream-weavers and glorious underachievers, a complete rejection of the standard rock approach to stagecraft, sound and self-promotion. Simon Reynolds was at the heart of it, writing for Melody Maker and piping aboard the pioneering noise-mongers aiming to entrance and disorientate, as recalled in his new book ‘Still In A Dream: Shoegaze, Slackers and the Reinvention of Rock 1984-1994’. He looks back with us here from his home in Los Angeles at its key bands, events and spiritual godfathers, these among them … … the return to childhood via Syd Barrett and Jonathan Richman to Sarah Records  … is ‘feeble little horse’ the most Shoegaze band name ever?  ... what it was about Morrissey that made Smiths singles sink after Top Of The Pops  … the reason Bowie formed a band  … charming/infuriating interviews with the Cocteau Twins: “words only have any meaning when they’re sung” … how Britpop brought down the curtain of the wall of sound   … Shoegaze, Dreampop, Lovelynoise, Wide-Brimmed Hat Music and the rock press attempt to impose order: “if a band was on the cover they could double their fee”  ... the divine arrogance of Lawrence of Felt who “didn’t want ordinary people buying my records” … the ever-extending “noise chasms” of My Bloody Valentine …  “shattering quartz”: reviewing music that’s about sound not words  … Shoegaze DNA in the 21st Century ... and the greatest album of that decade, “each track like a session beer”. Order copies of ‘Still In a Dream’ here: https://www.waterstones.com/book/still-in-a-dream/simon-reynolds/9781399618373Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week’s news gets a thorough shake-down to see what falls out of its pockets. Which includes … … cupcakes, mobiles, rubber ducks, a dead swan: weird things thown at rock stars … “polka-dotted micro-tonal space-rock from the planet Zog”: Alex gets the Angine de Poitrine live experience! … is Shoegaze the Adrian Mole of pop? … “Hands off my Husker Du!” Joint record collections and who gets what when you split … Sun Studios, the Albert Hall stage, the Savile Row roof: places where we’ve shivered with excitement … why don’t they put an old phonebox back in Heddon Street so Bowie fans can take pictures? … Ocean Blue, Washed Out, Skimming Stones, Pelt: Dreampop band or Farrow & Ball paint colour? … Physical Graffiti, Anticipation, New Boots and Panties: album sleeve tourist locations … plus burning wedding photos, when uncles gave you cash and the house Jackson Browne’s grandpa built.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

For nearly 60 years, Brian Eno has been a “proud non-musician” who changed the way people thought and sounded while inventing whole new ways of recording. We loved reading the updated edition of ‘On Some Faraway Beach’ which examines his staggering catalogue of avant garde experiment and wonders if there’s anyone remotely like him. Author David Sheppard looks back with us here at … … a life of great good fortune: “luck is being ready” … the rivalry with Bryan Ferry sparked by his getting more attention … and girls ... where you can hear the effect on his Oblique Strategy cards on the Bowie recordings ... the ingenious way he made U2 make up their minds … his first experience of immersive sound via the organ his granddad built in the family home … why Wire’s Colin Newman calling him “a Class A Bullshitter” was a compliment … Bono: “We didn’t go to art school, we went to Brian Eno” … was Coldplay “a Rubicon he should never have crossed?” … the appeal of the sculptured sound of early ‘70s synths to someone who couldn’t play keyboards … his greatest record, Another Green World, and the time he heard Music For Airports playing in an airport Order copies of On Some Faraway Beach here: https://www.amazon.co.uk/Some-Faraway-Beach-Times-Brian/dp/1399605712/ref=tmm_pap_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Cheap tickets, warm beer, draughty halls and refectories, a whole new cobbled-together rock circuit was born in the ‘60s for an audience who watched and listened intently. Which allowed the music to take a different route. Paul Sexton spoke to Mark Knopfler, Nick Mason, Justin Hayward, Phil Manzanera and many others to piece together ‘Rock Goes To College: the Campus Music Scene That Shaped A Generation’ and talks to us here about the fans and amateurs who ran it and the lost world of motorway caffs and Ford Transits, stopping off at … … Hendrix, Fairport, Free, Queen, Dire Straits: tales of the campus gig foot-soldiers … no security, no lightshow, no seat, no stage: how the idea of live entertainment changed in 50 years   … Pink Floyd not being allowed front-of house in Top Rank theatres without a tie … the Stranglers and the Damned refusing to play college shows “unless townies were allowed in” … the “chart clause” - £50 extra if a band’s in the Top 3! … the Stones playing an Oxford ball … bands market-researching songs before recording them … why Leeds could afford the Who and Leonard Cohen … what Harvey Goldsmith, Paul Conroy and Chris Wright learnt from booking bands … why Wings chose the college circuit … and the arrival of DJs and disco that put a nail in the college gig coffin, “a golden age with nothing like it before or after”. Order ‘Rock Goes To College’ here: https://www.amazon.co.uk/Rock-Goes-College-campus-generation/dp/0008722412/ref=tmm_hrd_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.EWpbXfJjfIq6DOGDGU8HMQMTbZ6fxtMSFJLLqnswcYo.7mGYWOOBglb6F5p42gs88d1lJ0uLxzWS4w3W0vPrwN0&qid=1775764128&sr=1-1Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

It’s polling day for this week’s news and these are the stories that got our vote … ... Pussycat Dolls, Meghan Trainor and how ‘Blue Dot Fever’ is wrecking ticket sales … how can you judge a songwriter with eight collaborators? … Dylan’s ‘Judas’ moment 60 years later … is everything becoming binary: thumbs-up or thumbs-down? … Grandmaster Flash, Augustus Pablo, George McRea, Tangerine Dream and the times brand new music was invented … when certain dances got you arrested … Alice in Sunderland? See You In My Drums? Shadows’ song titles rebooted … the hilarious self-positioning of the NME critics’ poll… plus jazz pioneer Buddy Bolden and thrill of imagining the sound of acts who were never recorded.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mass commercial nightlife began in a Japanese Pleasure Garden in 1657 and it’s blossomed ever since – via Victorian Vauxhall, cabaret Paris, jazz-driven New Orleans, flappers, speakeasies, moonshine, Studio 54 and the rave palaces of the 21st Century. Imogen Willetts tracks its riotous evolution in ‘Up All Night: A History of Going Out’ and wonders if the invention of the iPhone has burst the balloon. She talks to us here about … ... the Tango, the Can-Can: dances that got you arrested … how bourgeois French ‘slummers’ found a taste of danger … the heady allure in the Vauxhall Pleasure Gardens as an escape from Victorian squalor … how Anita Berber’s chloroform ballet shocked and delighted Weimar Berlin … when dancing was a mating ritual and the impact of Dating Apps   … democracy on the dancefloor: the unrepeatable mix of punters and celebrities at Studio 54 … and how the invention of the electric light got people going out and the iPhone made them stay home Order ‘Up All Night’ here: https://www.weidenfeldandnicolson.co.uk/titles/imogen-willetts/up-all-night/9781399617093/Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Andy Earl helped create the new dawn of colour photography in the ‘80s pop video age and went on to shoot a series of unforgettable portraits, album sleeves and magazine covers, many featuring in his new exhibition in Bankside Yards, London. He looks back here at some of his subjects and the analogue days when you flew halfway round the world for the right light and backdrop and every prop in the picture was real. Along with … … that controversial BowWowWow shoot and how he got the job … Johnny Cash in a cornfield near Melbourne and the dogs he called “Hell” and “Redemption” … Duran Duran (and a mysterious nun) in Sri Lanka … “my job was to create a look” … why the age of digital photography brought a loss of control … the Robbie Williams Life Thru a Lens “law court” shoot … “he couldn’t have been more eccentric”: Prince in Monte Carlo and the confiscated camera … Pink Floyd’s Delicate Sound of Thunder for Hipgnosis: where Dali met Magritte … “in Monument Valley with a truckload of giant prosthetic eyeballs”: the Cranberries’ Bury the Hatchet cover … how covers changed when the CD arrived  … and Madonna opening the hotel window and inhaling the sound of screaming fans: “I just need my hit!” Andy’s show at Bankside Yards runs from May to August and is free to enter. Details here: https://banksidelondon.co.uk/events/andy-earl-x-bankside-yards/Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Talk Talk made just five albums, all written and recorded unconventionally and no-one’s entirely sure how they did it. And in the last two decades of his life Mark Hollis released only 92 seconds of music. Lifelong admirer Graeme Thomson explores the band’s endless mysteries in his memoir ‘In Another World: the Four Seasons of Talk Talk’, and looks back here at the last hurrah of the days of studio extravagance, which includes … … why Traffic in 1967 was the Mark Hollis Holy Grail … “25 per cent of him never appeared above the surface” … the Talk Talk ‘human sampling’ method – eg a few seconds of Danny Thompson, Steve Gadd or Larry Klein woven into the mix … “music made with the blindfold on” … the ‘80s press reaction to Mark’s eulogies about Miles Davis, Stockhausen and Shostakovich … where you can hear Talk Talk in the music of Kate Bush … making records the way Kubrick made films … head music: how Spirit of Eden suits the rebirth of headphones … band lynchpin Tim Friese-Greene, producer of the Lion Sleeps Tonight! … what unlimited time and choice does to a studio bill … and the 92 seconds of music he made for the Kelsey Grammer TV series Boss. Order ‘In Another World: the Four Seasons of Talk Talk’ here: https://www.simonandschuster.co.uk/books/In-Another-World/Graeme-Thomson/9781917923613Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Penny Kiley moved to Liverpool in 1976, ran into punk rock and “became the person I’d never been allowed to be”, as vividly remembered in her memoir, Atypical Girl. It’s a moment of liberation mapped out by records, nights at Eric’s and the big personalities in the city’s Second Coming, the beat she later covered for Melody Maker. She looks back here at some unconquerable moments, among them … … the impact of Marc Bolan and David Cassidy - and later Patti Smith, Siouxsie, Pauline Murray and Poly Styrene … punk’s “bad taste aesthetic” and the clothes she wore … boomtown Liverpool in the late ‘70s – “everyone had a film script or a demo tape” … how Boy George stole Pete Burns’ act … the Clash, Talking Heads and the Ramones at Eric’s … why her book is “like an historical novel about the way journalism changed”  … first reviews, front covers and life as Melody Maker’s Liverpool correspondent, “which could be awkward with friends in bands” … Orange Juice and the ground-breaking NME C81 tape … and the adjustment to the ‘80s – “the Royal Wedding, Live Aid, Duran Duran, yuppies, a decade where I didn’t feel I fitted in” Order a copy of Atypical Girl here: https://birlinn.co.uk/product/atypical-girl/ https://www.waterstones.com/book/atypical-girl/penny-kiley/9781846976919Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In the 70s Paul Charles wrote lyrics for an Irish prog band. Now he writes mystery novels. Inbetween he’s been agent for Tom Waits, Nick Lowe, Van Morrison, Hothouse Flowers and many others and has forgotten more about live shows than most of us will ever know. Here he talks about:•⁠ ⁠hearing the Beatles for the first time through the family radio•⁠ ⁠meeting Tom Waits in a queue at Tower Records in Hollywood•⁠ ⁠why he likes to watch the way bands take the stage•⁠ ⁠the changes he’s seen in the live music landscape•⁠ ⁠why everybody suddenly wants to tour•⁠ ⁠what will change about ticket prices and what probably won’t•⁠ ⁠why the artist doesn’t want to see his agent in the bar after the show•⁠ ⁠what it’s like when Jackson Browne plays you his new record•⁠ ⁠why his latest McCusker mystery is called “Hi Love, You Just Dropped Your Glove”Order “Hi Love, You Just Dropped Your Glove”: https://www.amazon.co.uk/gp/aw/d/B0GTC3M9CW/ref=tmm_hrd_swatch_0Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week’s news stories charge out onto the pitch but which are heading for promotion? In the running at the final whistle … … “a ghoulish, soulless cash-grab”: the multiple disasters in the making of the Michael biopic … how spectacle is replacing music … which do we prefer, the truth or the myth? … did Steve Reich re-invent music? … when the Dalai Lama appeared at Glastonbury … how does it feel to perform to a sea of non-clapping motionless mobile phone users? … the remodelling of Coachella … “producers are in the business of creating of high-profile communal rights” … Vilma Jaa: “like Sandy Denny making music with Massive Attack” … how festivals are all about special guests and social media … the 1974 Diana magazine quiz: “how tall is Alvin Lee?” … 20 year-old Word in Your Ear podcast unearthed! ... plus Luciano Berio, Slow Club and “the bawdy harridan and her jive muse”.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Be glad for the pod has no ending! Now in our 20th year and, this week, ruminating fondly on the following … … the “underhand” selling of Geese … Morrissey’s absurd whinge about the Salford Lads Club photo … Jay Leno’s $50 ruse to get comedy gigs … when bands “didn’t even know what a hotel was” … radio sessions in Andy Kershaw’s flat … what’s the point of the Rock & Roll Hall of Fame? … when has any aspect of the entertainment business EVER been “fair”? … “Four eyes, one vision!” Elvis Costello busking in Park Lane … the great Supremes records after Diana Ross … Focus, 10cc, Devo, Zappa, the Shadows and other musical dead-ends ... Ronnie Wood and … Beverley Knight? …. “Shove off, Phil Collins! And have you got your Barley Sugars?” … and birthday guest Stephen Lambe about why Focus are largely forgotten.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Take your protein pills and put your helmet on as we voyage to the far side this week to take a picture of … … the Kanye West & Wireless ding-dong … Springsteen with Tom Morello, Pet Shop Boys with Johnny Marr: the fine art of the ‘special guest’ … when Time Magazine invented Swinging London … Gregg Allman and the judge’s wife … Fake Plastic Trees! Pressure Drop by the Clash! Waka Waka (This Time for Africa)! Politicians trying to be hip … a primal howl from the Troggs written by the son of a golf professional from Westchester County (Chip Taylor RIP) … why all bands should have ‘membership’ gigs ... Back Home! This Time We’ll Get It Right! Are we still making World Cup anthems? … never drive a car listening to the Mahavishnu Orchestra followed by the Sun Ra Arkestra and Trout Mask Replica … plus birthday guest Chuck Loncon is listening to every record he owns.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Howard Devoto and Pete Shelley read a review of the Sex Pistols in February 1976, borrowed a car, drove to London, asked the NME where they’d find the band and were told ‘try a sex shop in the King’s Road’. The events that followed changed both the culture of Manchester and the course of rock history, a story mapped out in David Nolan’s excellent ‘I Swear I Was There’, a book as much about the audience as the band. His theory: “If the Pistols hadn’t played the Lesser Free Trade Hall … no Buzzcocks, Joy Division, Factory Records, ‘indie’ scene, Smiths, Fall, Nirvana, Blur, Oasis, Radiohead or Prodigy.’ As the 50th anniversary looms, he talks to us here about … … those who claimed to be there and the ones who actually were … the contrast between myth and reality … the letter Morrissey sent the NME: “Maybe the Pistols will be able to afford some clothes which don't look as though they've been slept in” … punk metaphor: Howard Devoto asking a tailor to narrow his trouser legs and being told, “there’s no going back” … North/South crowd violence: “a battle with a gig breaking out in the middle” … the three reels of home-movie and the photos that turned up 36 years later … Sister Rosetta Tharpe, ‘Judas’ at the Free Trade Hall, Stones In The Park and other landmark Manchester moments ... the pioneering impact of Granada TV   … “if you look at Manchester now, its media, its skyscrapers, its cultural prosperity, none of that would have been happened without those Pistols gigs” … “Sheffield would have admired them, Manchester thought: we can do better!” … and various bit-part players – Tony Wilson, Peter Hook, Paul Morley, Jordan and Jon the Postman. Order ‘I Swear I Was There’ here: https://www.amazon.co.uk/Swear-Was-There-Pistols-Manchester/dp/1786060159 Book promotions at Walthamstow Rock Nudie, Manchester – 28 May; Central Library, Manchester - 11July: https://www.eventbrite.co.uk/e/david-nolan-i-swear-i-was-there-tickets-1985356197832?utm_experiment=test_share_listing&aff=ebdsshios&sg=0713ff5cbb20ee739ec0a8803927c4228f74fda0c5bac9785b11548a1e5b7c04ba91c0af5267ba677dfafa61163636f97633016b86ba8be02a78ecdb7f234740f0be4f90136c5fd636905d294bHelp us to keep the conversation going: <a href="https://www

The life of Keith Moon can be seen as Animal from the Muppets or as a dark, psychological odyssey. And the two co-exist in Tony Fletcher’s magnificent ‘Dear Boy’, first published in 1998, never out of print and now ‘remastered’ with new pictures, updates, epilogues and a foreword by Mandy Moon who “has to keep reminding myself this person was my father”. Tony looks back here at events along the way, many of which now seem unimaginable. Among them … … fact versus fiction: his fudged birthdate, his hidden marriage, the Roller in the swimming-pool … Tony’s meeting with Moon two months before he died … the letters to his wife Kim when touring America   … Mel Gibson, Mike Myers, Jason Schwartzman, all once in line to play Keith onscreen … “I killed a man”: the terrible incident with his chauffeur … the legs in the bath, the head in the bed, the loudspeaker in the bushes: the punchline of all his pranks was “someone’s going to suffer” … “working-class rock stars who conquered the world like pirates without a map” … would things have been different if he’d been hailed as a pioneering drummer? … the times he met Larry Hagman and Oliver Reed … do book publishers look down on drummers the way musicians do? … to Golders Green with Viv Stanshall in German uniforms and an open-topped car: #DifferentTimes … and a sad and telling moment on the Stardust film shoot. Order copies of ‘Dear Boy’ here: https://omnibuspress.com/products/dear-boy-the-life-of-keith-moon-omnibus-remastered?_pos=1&_psq=dear+boy&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Dominic Mohan saw Britpop on the inside from the showbiz desk of the Sun in the days when it sold 4.5m copies, a series of heated memories recorded in ‘1996: My Backstage Pass to the Wildest Year of Britain’s Wildest Decade’, a lost age of hedonism, stupidity, drunkenness and creativity. He makes a compelling case in this very funny and colourful podcast which stumbles into … … the advice David Hepworth gave him when he was 16 … Euro 96 and headlines you couldn’t run now … how the deaths of Kurt Cobain and John Smith changed the picture … doorstepping Phil Collins’ ex-wife … the wreath for Noel Gallagher “the fat dancer from Take That” sent to the Sun … Cool Britannia and that brief love affair between music and politics  … on the dancefloor at the Labour Conference with Mo Mowlam, John Prescott and Chris Evans … Knebworth 1996, the perfect marriage of alternative music and club culture with a £250,000 bar bill … the debt Pulp, Oasis and Blur owe Ray Davies - “less the Godfather of Britpop, more a concerned uncle” … is it hard to identify a new zeitgeist when people don’t congregate as much? … the ‘reverse-ferret’ from American culture towards bespectacled blokes from Sheffield … the shameless age before people public apology … how the post-Spice Girls TV talent shows soaked up the budgets and column inches … and Madonna dancing with Dennis Hopper. Order copies of ‘1996’ here: https://www.amazon.co.uk/1996-Backstage-Wildest-Britains-Decade/dp/B0FZBZHPNR The Barbican Show curated by Dominic: https://www.barbican.org.uk/whats-on/2026/event/1996-a-celebration-of-the-wildest-year-of-britains-wildestHelp us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A seasonal egg-hunt in the rock and roll backyard finds the following conversational confectionary … .. Wild Bill Hickok? Valentino? Bob Dylan’s bizarre new media manoeuvre … Liza Minnelli, Peter Sellers, Harrison Ford, Aaron Paul: people born to play one part … how to spot writers using AI … “dried-up old prune”? Trump’s pot-kettle war against Springsteen … what BBC DJs must think when they see ‘Woo’ Gary Davies in reception … “Neil Young looks like an unmade bed” … when invincible ignorance meets invincible confidence: the stupidest thing we’ve ever done … do most rock stars eventually get ‘work’ done? … plus the Jungle Brothers, De La Soul, the Roots, Daisy Age hip-hop and our link with the Hatton Garden heist.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Tony Visconti left Brooklyn for London in 1967, began working with the Move and Marc Bolan and formed a life-long friendship with the teenage David Bowie, playing on his first two albums and producing 10 of ones that followed. And in 2014 he formed Holy Holy with Woody Woodmansey, a live celebration of Bowie’s music from 1970 to Blackstar. They’re touring again in September with Glenn Gregory as lead singer – “you can’t mourn forever.” He talks to us here about … … the gig they played the night Bowie died … life at Bowie’s commune at Haddon Hall – “I kept my door firmly locked!” … Marc Bolan at Middle Earth, “a hundred spellbound kids sitting cross-legged on the floor” … hearing Flowers In The Rain (which he arranged) as the first record on Radio One … “A little chinwag?” How Bowie broke the news about his illness … his dislike of Space Oddity, “I told him it was novelty, a sell-out” … producing The Man Who Sold The World and the emotional Blackstar … the night he met the teenage Bowie and they wound up in a Chelsea cinema … “Why are you doing this?” Bowie’s reaction to the first Holy Holy tour in 2014 … his time as the red-caped Hypeman and Ronson and Woody’s resistance to make-up, “macho boys from Hull” … walking round New York with a cassette of secret The Next Day album in his pocket … and the big emotional moments in the Holy Holy set list Order Holy Holy tickets here: https://www.ticketmaster.co.uk/holy-holy-tickets/artist/2096354Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Matt Johnson’s life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident’ traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band’s CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen’s premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident’ here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

When he was 19, New Yorker Brian Cullman covered the London music scene for Crawdaddy, landing at the birth of folk-rock and the singer-songwriter boom and watching its leading lights from unimaginably close quarters - Sandy Denny, Nick Drake, John Martyn among them. He even played on the same bill as Drake at Les Cousins club, all this recorded in his book ‘How To Prepare for the Past: Travels in Music and Time’. He talks to us here about that golden age and the American stars he met later, stopping off at … … Ed Sullivan at the shoe-shine: “in six months the Beatles will be lucky to be playing a bowling alley!” … Nick Drake in the same clothes he wore on the cover of Five Leaves Left … Sandy Denny: “She knew she was extraordinary but didn’t know if she was any good” … Jackson Browne, onstage from the age of 12 … being hired by rock encyclopaedist Lillian Roxon, “my fairy godmother” … Tim Hardin making Bird On A Wire, “so wasted they followed him round the room with a microphone” ... and “14 hotdogs”? The cavernous appetite of Big Joe Turner. Order ‘How To Prepare for the Past’ here: https://www.amazon.co.uk/How-Prepare-Past-Travels-Music/dp/B0FTS8ZPTW Or here: https://www.zebooks.com/books/how-to-prepare-for-the-pastHelp us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Whooping, whistling, punching the air, standing on the arm-rests and generally adding our voice to the sound of the crowd this week involves … … the creepy way Google eavesdrops our conversations … the cleverly positioned “secret” on McCartney’s new album … why a knackered piano made Keith Jarrett’s Cologne Concert a success … Daryl Hannah, Mick McCarthy, Ray Manzarek: people who hated the way they were played in biopics … Pectoralz? The Rain? Tony Flow and the Miraculously Majestic Masters of Mayhem? Abandoned band names moratorium … how movies are still revolve around white-hat heroes and black-hat villains … “Festival Seating” and the days when suffering was part of the entertainment … why Zappa thought bands exploited live audiences … “Jackson Browne In Concert”: when going to gigs was like going to the movies … plus Blink 182, Big Audio Dynamite and the days when the Marquee had two front rows of plastic seating.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Gorman, author and curator, has put together fascinating maps of the London haunts of Bowie and the Stones and just published one about the Clash built around key locations in the network that formed them and helped them to flourish. It’s a beautiful thing: buy one and take the walking tour! He talks to us here about … … how an Agit-Prop alternative West London emerged with links to Oz, IT and San Francisco counter-culture … kindred spirits meeting in Rock On, Compendium Books and the dole office in Lisson Grove … how their artwork and black and white photos linked them to the past .. the days when corrugated iron and fly-posters were part of the London vernacular … Guns On The Roof: how the band and press ramped up an element of danger ... the art school background that gave them control of their visuals … “Big Audio Dynamite was the band the Clash could have been!” … Nick Lowe’ theory that everyone is either funny or not funny: “The Clash? Not funny” … Kosmo Vinyl’s attempt to get their triple album released for the price of a single … their connections to the Slits, Bernie Rhodes, Patti Smith, Pennie Smith, Hawkwind and Heathcote Williams …and the moving story of Joe and Mick’s last meeting. Order the Clash map here: https://www.herblester.com/products/london-calling-the-clash-in-the-capital Paul’s Slits walking tour here: https://www.eventbrite.co.uk/e/slits-are-girls-walking-tour-with-paul-gorman-tickets-1985048002010Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A milky tea, a jam sponge and this week’s news served on a tin tray with a steam train painted on it points our very English conversation towards the following … … what connects the Monkees and a British Prime Minister? … when are you too old for Indie? … A Certain Je Ne Sais Quoi? A Bar on The Piccolo Marina? Noel Coward or Neil Tennant? … the Move, the Streets, the Kinks, ELO, Ian Dury, Anthony Newley, the Jam, Herman’s Hermits, Cat Stevens, Arctic Monkeys and other acts with a sense of Englishness … Girl in the Thunderbolt Suit: when Marc Bolan went science fiction … how London Zoo could have put the tin lid on the Beatles … the daft story of Randy Scouse Git … how Michael Caine cooked up the name Harry Palmer ... the most English pronunciation of a songword ever … Black Crowes, Byrds and the allure of misspelling … Roxy, 10cc, the Hollies, Manfred Mann, Human League and other original line-ups we want to reform … plus Angine de Poitrine, Kaleidoscope rebooted by Jimmy Page and birthday guest Jonny Wren.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Neil Tennant co-wrote a musical at Primary School and soon decided that “learning other people’s songs was hard work compared with making up your own”. He’s chosen some from the Pet Shop Boys’ 40-year catalogue, hits and obscurities, in ‘One Hundred Lyrics and a Poem’, just out in paperback, and added fascinating notes about their context and composition. This very funny and revealing conversation lands on the following … ... the first song he ever wrote … auditioning for Rocket Records in 1975 … does songwriting have rules?  … how Chris Lowe tamed his inner “musical snob” … rap, Brecht-Weill, Betjeman, Noel Coward, My Fair Lady and the art of “speak-singing” … the decades of lyrics stored in our brains … the Songwriting Bootcamp that produced What Have I Done To Deserve This? … the essence of melancholy (and the chord that expresses it) … “the sound of words is often more important than the sense” … whether Dylan deserved the Nobel Prize for Literature … West End Girls and whether to rap in English or American … the writing of King's Cross, Cricket Wife, Odd Man Out and I Made My Excuses And Left … “Robert Maxwell stole my pension!” … and the “geology of my life” in diaries that one day might make a memoir. Order ‘One Hundred Lyrics And a Poem’ here: https://www.faber.co.uk/product/9780571397891-one-hundred-lyrics-and-a-poem/ And ‘Pet Shop Boys: Volume’ here: https://shop.petshopboys.co.uk/gb/pet-shop-boys-volume/9780500027479.htmlHelp us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

At the age of four, Steve Nieve drew pictures of piano keys and pretended to play them. He joined Elvis Costello & the Attractions when he was 19, the start of a life that involves having to find a flight case for a Steinway Grand. He talks to us here from his Paris apartment about Stiff package tours, recording remotely, his upcoming shows with the French singer Kessada and … … being a teenager as fond of Stravinsky as Alice Cooper and the Carpenters … playing in a mid-‘70s Top Forty covers band … the ad for a “rockin’ pop combo” that changed his life … touring with Costello and Ian Dury and how he got his stage name … playing the Thunderbirds theme as a chat show bandleader on the Last Resort … a giant Klavins piano “that has stairs leading up the seat” … working on Morrissey’s Kill Uncle … the 40,000 audience that watched his online Lockdown shows … unreliable stage pianos and the story of Keith Jarrett’s Köln Concert. Tickets here: https://www.tickettailor.com/events/westhampsteadartsclub/2059256 The “About Love” album: https://music.apple.com/gb/album/about-love/1834791707 Steve’s new album: https://stevenieve.hearnow.com/piano-night-2026 Steve’s Instagram: https://www.instagram.com/steveprofessornieve/ Kessada’s Instagram: https://www.instagram.com/iamkessada/ www.stevenieve.comwww.kessada.comHelp us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See a

Watering the scented hedgerows of news to see if any green shoots appear. And they do, in the form of … … the most effective protest song ever written … the commendable box-ticking life of Country Joe McDonald … the Timothée Chalamet ding-dong: is it still safe to voice an opinion? … Harry Styles’ 67 dates in just 7 locations: how ‘Destination gigs’ throttle the competition … was Wings a worse name than the Beatles? And McCartney as a shepherd: discuss … what makes a song work as a football chant? ... the most unusual things we've heard sung by crowds …. Stormfront, Gothic Serpent, Midnight Hammer, Rolling Thunder … album title or US military campaign? … why we love improv theatre … when Champion Jack Dupree lived in Halifax and Kid Creole in Rotherham … plus barrelhouse blues piano, ‘inflicting’ music on people and birthday guest Avi Chaudhuri & rock music as community singing.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Pointing the scanner of inquiry at the baggage carousel of news to see what gets the lights flashing, which this week includes … … we know what’s making Morrissey miserable … bands that can get a whole stadium singing … the rock star who misses the music press most … “a Likely Lads for the rave generation”, anyone? … the speed at which news now travels … Loudon Wainwright and Richard Thompson, Ben Sidran and Boz Scaggs, Paul Whitehouse and Bob Mortimer, Steve Martin and Martin Short … in praise of inseparable old pals! … Anfield Rap (Red Machine in Full Effect)! Lift it High (All About Belief)! Whatever happened to football singles? … I Started Out with Nothin and I Still Got Most of It Left, Musta Notta Gotta Lotta, Trouble Over Bridgewater: albums you bought because you liked the title … “English radio stations won’t play new music!” Really? Plus birthday guest Adrian Ainsworth on the Sensual World, Us, Monster, the Rhythm of the Saints and other great experimental sequels to big-selling albums.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A gorgeous and lavish new publication tells the story of the Kinks in the ‘60s via the key events in their unsteady trajectory plus concert bills, letters and ephemera assembled by Andrew Sandoval, the kind of non-digital research that’s filled his archive with yellowing back numbers of Disc & Music Echo. It’s “nirvana for any fan”, the title hinting at the level of detail – ‘The Kinks: All Day and All of the Night, the Day By Day Story Part 1: 1940 – 1971’. He joins us here from Los Angeles to talk frock coats, deathless tunes and own-foot-shooting setbacks, and what he learnt about the band from compiling it. Which involves … … their magical run of 16 hits from 1964–68 (by a sole songwriter) … the five people who ran and managed the band and what they had to put up with … the last chance saloon backstory of You Really Got Me and the Jimmy Page rumours … the Kinks’ alleged black-listing on the American tour circuit … Ray’s “unauthorised autobiography” and perpetual self-sabotage … Granada TV’s record of Alan Bennett and John Betjeman as possible co-writers for Arthur ... the 12,000 miles required to re-record three seconds of “Lola” … the ways Reprise, Pye and Marble Arch sold the Kinks catalogue   … and Ray and Dave’s live debut as “the Kelly Brothers”. Order copies of ‘The Kinks: All Day and All of the Night’ here: https://beatlandbooks.myshopify.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Author and broadcaster Samira Ahmed used to watch A Hard Day’s Night once a week and she’s just written an enthralling account of the shoot and its impact for the BFI’s Classic Films series. A movie, she points out, that celebrates Britishness and suburbia made largely by immigrants that broke every Hollywood rule, a film made to capture the essence of the Beatles before the bubble burst “which turned out to be the start of something not the end”. She talks to us here about … … the film’s connections with the Goons, the Young Ones, Dr Strangelove, Star Wars, Billy Liar, It’s Trad Dad and the Nouvelle Vague … and its influence - from the Dave Clark Five’s Catch Us If You Can and Paul Jones’ Privilege to Charlie XCX and the Moment … how the train sequence for I Should Have Known Better invented pop video … the play John and Paul wrote (Pilchard!) that was a homage to its scriptwriter Alun Owen … Paul’s two-day solo shoot with Isla Blair and other (mercifully) deleted scenes ... Profumo, pirate radio, the changing Britain of 1964 … Pattie Boyd, Anna Quayle, Alison Seebohm and other stand-out female stars … Wilfred Brambell’s gigantic fee and how badly his part has aged … why George and Ringo emerged as the stars … surely the greatest scene? – “She's a drag, a well-known drag. We turn the sound down on her and say rude things” … “hair that moved!”: the film’s impact in the USA … “beat-up and depraved in the nicest possible way” … and how the dubbed-on dialogue about Ingmar Bergman made the German version “a film for cineastes”. Order Samira’s book here: https://www.bloomsbury.com/uk/hard-days-night-9781839029394/Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World’. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan’s early shows and the humour of the Beatles’ early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive   … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in ’66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon’s I Want You was a direct response to Dylan’s song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob’s touching low-key visit to Lennon’s childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World’ here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mark Lewisohn began his Beatles’ trilogy in 2003, the first volume appearing ten years later. He’s hoping the second, Turn On, which covers 1963 to 1966 and every recording session, might be ready by 2031 and working “nine days a week to achieve it, assembling a framework and then sliding it together”. Further good news – his lecture about their life in 1962, Evolver62, is now available on film! “No matter how deep you dig, there’s gold there”. He talks to us here about … … how you research such an infinite subject and know when to stop … the one-in-a-million coincidence in the story of I Saw Her Standing There … the attractive world of telegrams, postage and showbills from the days “when the Beatles were still like us” ... how AI has muddied the waters and misinformation (like “Woodbine’s Boys”) becomes established fact … “people are reshaping the Beatles’ story as what they want to believe” … those perilous moments when their career seemed in the balance … the Beatles v Shakespeare and which has the greater agency … the Lewisohn work schedule - “6am til bedtime, nine days a week” … the “rank amateurs” Decca signed the year they turned down the Beatles … James Brown’s invented spat with Beatles and the struggle to separate fact from fiction … Paul’s private battle with Nik Cohn … and the US merchandise disaster, “a book in itself” https://www.marklewisohn.net/ Order Evolver:62 on these links:UKhttps://amzn.to/4bP7bGSUS and Canadahttps://apple.co/46m6L7xhttps://bit.ly/4qsUXHyhttps://bit.ly/45SSvTuhttps://amzn.to/4pXf4gLDVDhttps://bit.ly/3Zap37FAnd copies of the Tune In book here:https://www.ama

Spinning sides at the conversational disco to see what fills the dancefloor, which this week includes … … Jerry Garcia had seven fingers! Brian Jones had seven children! Morrissey worked for the Inland Revenue! … the most terrifying villain in the history of cinema   ... is pop music becoming inbred? … when Neil Sedaka made records with 10cc (and Abba) … Happy? Get Lucky? Crazy In Love? What was the last hit single the whole world seemed to be singing? … Noddy Holder, Kim Wilde, Robert Wyatt, Gary Numan: what makes you a National Treasure? … rock and roll puns and double-entendres … “drawn from the national conversation”: the divine Englishness of the Pet Shop Boys … the Gilded Palace of Sin, In The Court of the Crimson King and other records we bought because of the title … and acts wiped out by the Beatles “like corn before the sickle”.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Glenn Tilbrook wrote an album with Chris Difford about a futuristic nightclub when they were teenagers and, 52 years later, they’ve recorded it and are performing it on the upcoming tour. He looks back here at the partnership that once wrote 200 songs in three years, the first gigs he saw, his recent decision to take control of the group and what’s changed the way they sound. Among the highlights … … what he learnt from watching Radiohead and Doechii … when you walk into a teashop and Tír na nÓg are playing … T. Rex and screaming girls at the Lewisham Odeon – “comfortable, confident, thrilling” … Terry Reid, Traffic, Bowie and darker memories of Glastonbury 1971 … “that age when Pickettywitch are as engaging as the Rolling Stones” … the song that came to him in a dream … constructing “a knockout set that’ll slay any audience” … winning a talent contest at Butlins in Clacton, aged 12 – “a week’s free holiday!” … “the breadth and depth of what we can do now outstrips the way we were”. Order the ‘Trixies’ album here: https://squeeze.lnk.to/trixies And Squeeze tickets here: https://www.squeezeofficial.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Stuart Adamson co-founded the Skids and Big Country but was profoundly ill-suited to the spoils of his success. Author Scott Rowley unpacks his passage from Dunfermline to Nashville and Hawaii to get a sense of his demons and what drove and inspired him. He talks to us here about his compelling new memoir ‘Stay Alive: the Life and Death of Stuart Adamson’ and touches on … … hints of troubled family life in his early lyrics and the shadows of his father and grandfather … that famous three-word review: “More crusading porridge!” … the guilt of his success when he returned to his Dunfermline roots … why learning to sing is unwise! … how Big Country were saved by Steve Lillywhite and the resentment about their being sold as a pop group … Nick Drake, Sinead O’Connor … “people who should never have been given a record contract” … insurmountable friction with Richard Jobson … how Nevermind made the old rock landscape look outmoded … “guitars that sounded like bagpipes!” and other hoary old clichés … “empty, breast-beating, bombastic!”: the rigours of the rock press consensus … and how Big Country nearly played Live Aid. Order ‘Stay Alive: the Life and Death of Stuart Adamson’ here: https://www.simonandschuster.co.uk/books/Stay-Alive-The-Life-and-Death-of-Stuart-Adamson/Scott-Rowley/9781917923538Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Our ‘big air’ manoeuvres on the rock and roll ski jump this week land the following tricks … … why don’t we re-use old protest songs instead of writing new ones? … “a temple of music and gothic lust:” would YOU buy Jim Steinman’s unsellable home? … when Madness played on the Buck House roof … Ptolomaic Terrascope? Aquarium Drunkard? Real and made-up music magazines … “too complicated, not catchy, like a high-minded think-piece”: U2’s Days Of Ash EP … when the Ramones invaded the London library … Rod, Elton, Adele, Noel, Ed … do they cut it as National Treasures? … “the best sport still works with the sound off” … what links Steely Dan to American College Football? … plus the Bishop of Ramsbury, Robyn’s “dream doner” and birthday guest Keith Adsley with a quiz about American college football walk-out music.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Some shared stages. Some made records and films together. Some had love affairs. Matt Thorne is fascinated by stars’ collaborations and what they reveal about them. He talks here about 14 musicians who collided and the discoveries he made in the six years spent writing ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip’, with all this high in the mix … … Frank Sinatra’s ‘Welcome Home Elvis’ TV Special and how threatened he felt by rock’n’roll … “Chuck Berry thrived on tension in exactly the way Mark E Smith controlled the Fall” … what you’ll find in Lou Reed’s archive at New York’s Library for the Performing Arts … McCartney at “the showbiz event of the year”, January 1968, at a rare low ebb in the Beatles’ fortunes … the mystifying One Trick Pony where Paul Simon inexplicably chose to play a failure, and his comic turn on Saturday Night Live … Bowie’s and Tina Turner’s TV ad and love affair … what Chuck Berry tried to hide about his studio trickery and the “psychological terrorism” of what played on his TV sets … “all musicians are obsessed with the idea that they’re on the way out” … why a book like this would have been impossible 30 years ago … and Dave Stewart’s vision of Lou Reed as a piece of pasta on a motorcycle. Order copies of ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip’ here: https://www.waterstones.com/book/famous/matt-thorne/9781474616386Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Rees fell in love with AOR when it began with Boston in 1976, the polished, ramped-up hits that were briefly the music of the American heartland. His book ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986’ remembers the age when records were launched via car stereos, their eternally appealing sound and the preposterous lives of the people who wrote and played them – Bon Jovi, Pat Benatar, Asia, REO Speedwagon, Don Henley and Toto among them. “It’s happy music,” he points out. “Music that makes you raise a quizzical eyebrow.” In the mix … … the original AOR sound: “Led Zeppelin hard rock with Eagles harmonies and a stratospheric high-tenor voca|” … the absolute power of producers like Mutt Lange (a man raised on radio jingles) … Pat Benatar, the former married bank clerk who wanted to be Robert Plant in a leotard … “AOR stars were all salesmen who talked in quotes” ... the many reasons Don Henley fired people on a whim  … Def Leppard’s vision of America built on AOR and cowboy movies … “Chicago and the Tubes never played on their records” … “he ended up butterball-naked in a cocaine threesome sting with two disguised police women” … the producer who had his trout pond realigned as he couldn’t work looking at a garden that wasn’t symmetrical … the story of Toto’s Africa: “tape loops strung round chair-backs and a quick flick through a geography book” … “if this record’s a hit I’ll run naked down Sunset Boulevard”. Order a copy of ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986’ here: https://www.amazon.co.uk/Raised-Radio-Paul-Rees/dp/1408721112 Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

After 40 days of relentless rain, you need our little ray of sunshine. And here we all are! Sitting in the rock’n’roll rainbow this week you’ll find … ... the Wuthering Heights instagram gold-rush … licensing Foreigner and Lynyrd Skynyrd: when is a band not a band? .. what Michael Jackson asked the Superbowl promoter … one long video for Charli XCX: “if that film was playing in my back garden I’d draw the curtains” … Bob Dylan & Kurtis Blow, Kate Winslet & ‘Weird Al’ Yankovic: a brief history of weird duets … a walk-on forest, 300 extras, 29 hidden messages: how can you top Bad Bunny? (“Disgusting!” – D Trump) … what a 1969 Rock Encylopedia said about “the poets and minstrels of our time” … “biopics are designed for people who don’t know the subject” ... Paul Anka did Smells Like Teen Spirit? The Flaming Lips did Kylie Minogue? … whippets, flat caps, bottles of stout: begone hoary old Yorkshire clichés! … “that’s the biggest power station in Western Europe – and I know the manager!”: our love for Alan Bennett  … plus Top Gear, M*A*S*H, Twins Peaks, Arena (by Brian Eno) and birthday guest Paul Monaghan on great TV theme tunes.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Andy Bown found the 20 year-old recordings of “a deep-space love story” he’d written with the sci-fi author Russell Hoban and he’s just reworked and released them. He talks to us here about “Out There” and life in the Herd, Judas Jump and Status Quo, which involves … … playing the Three Tuns in Beckenham with Bowie … “Foot gun, gun foot. I always tell the truth.” … Peter Frampton when he was The Face of ‘68 … “we were earning £225 a night and got £15 a week. Where did the money go?” … Quo’s Whatever You Want and how co-writing works   … David’s memories of the Herd supporting Chuck Berry in 1968 … opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: “you could feel the heat” … Judas Jump, Don Arden, the huge advance and the “appalling” album … sessions with Jerry Lee Lewis who played the solo with his foot  … early days in Status Quo when he played behind a curtain and how they got to be Live Aid’s opening act … “You’d think John Fogerty would be pleased about Rockin’ All Over The World. Au contraire!” Order ‘Out There: A Deep-Space Love Story’ here: https://andybown.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The album has had 25 years of being hammered by other formats – Napster, iTunes, Spotify, TikTok – and not only survived but thrived. For Keith Jopling it’s the irreplaceable way to hear music and to measure the people who make it. His new book Body Of Work celebrates its battle-scarred trajectory from the beating heart of pop culture to 21st Century affordable luxury, and stops off at … … growing up in the age of cassettes … his lifelong devotion to a Police album left on his doorstep … Adele’s battle with Spotify to get records played in sequence … how albums are how you calibrate a career, from the Beatles to Taylor Swift … has anyone ever loved a CD the way they love an album? … how parents used to despair of their kids loafing in bedrooms listening to records but now try and persuade them to do it … pictures of equipment: rock porn! … the swingback to Listening Parties and analogue recording … records as shining examples of the packaged goods business … “we need to regain control of our attention” … and the iTunes launch party and why Smashing Pumpkins thought they’d seen the future. Order Body Of Work in the UK here: https://www.roughtrade.com/product/keith-jopling/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture And in the USA here: https://repeaterbooks.com/product/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture/Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Unredacted exchanges about the rock and roll underworld this week highlight the following … … real or made-up stars’ kids’ names: Speck Wildhorse? Blue Ivy? Everly Bear? Motorhead Michelob? … man plays drum solo with his head! … Olivia Dean, Lola Young, FKA Twigs: what do today’s ‘professionals’ learn at the BRIT School and what happened to the age of the amateurs? … why Joni Mitchell’s life was even more extraordinary before she was famous … Three Dog Night, Kiss, Grand Funk Railroad, Linda Ronstadt: American acts that never broke Britain … rude, racy, naughty, delightful: our love of old pulp paperbacks   … “Go to your room, young lady, and play a Nick Drake album in its entirety!” … and when Dandelion became Angela. Plus birthday guest Paul Higham and why most stars’ stories need a lively biographer.Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bowie’s early years have been scrutinised repeatedly but people tend to speed through the last act, from the early ‘90s to his death in 2016. Alexander Larman’s ‘Lazarus: The Second Coming Of David Bowie’ looks at his resurrection and the mystery of his final days in Manhattan in attractively honest detail, a book that’s as fondly critical of his artistic decisions as it’s celebratory. Under discussion here … … ‘David Bowie was a fictional invention and much of his life an act’ … how wrong so many album reviews turned out to be … “he liked to be liked and he put a lot of effort into being liked” … Eno, Tony Visconti, Nile Rodgers, Pet Shop Boys and his endless search for collaborators … the Lucian Freud incident at the Dorchester … Scott Walker’s taped message: “I see God in the window” ... “he trusted in the idea he was a genius” … the sharp contrast been his public image and private life … how his Lord’s Prayer at the Freddie Mercury tribute was a deliberate attempt to steal the show … the piercing question Tin Machine were asked on ‘Wogan’ … and the struggle to find anything sincere in his interviews. Order ‘Lazarus’ here: https://www.amazon.co.uk/Lazarus-Second-Coming-David-Bowie/dp/1917923449Help us to keep the conversation going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.