Soundtracking with Edith Bowman

Our latest guest on Soundtracking marks the cinematic event of the year thus far, as Christopher Nolan joins us to discuss his latest masterpiece, The Odyssey. Boasting a stellar cast, Chris's retelling of Homer's classic poem has been selling out cinemas in seconds and even crashing ticketing sites - and we can assure you if you're one of the people who's booked, you're in for an absolute treat. The Odyssey is scored by friend-of-the-show, Ludwig Goransson, and Christopher goes into great depth about the nature of their process.

Our latest guests on Soundtracking join us to chat about season 5 of comedy-drama Trying, which is streaming now on Apple TV. First up is star of the show, Rafe Spall, followed by Orla Gartland, who is the latest in a line of fantastic musicians to provide original music for the show. For those who don't know, Trying tells the story of Jason and Nikki - played by Rafe's real-life partner, Esther Smith - who struggle to conceive before deciding to adopt, which presents its own set of problems for them to deal with.

Our latest episode is a special double header on Enola Holmes 3, which is streaming now on Netflix. First up is friend of the show, Philip Barantini, who directed the film, before we hear from his regular composers Aaron May and David Ridley. Starring Millie Bobbie Brown, Enola Holmes 3 tells the story of the world-famous detective's sister, who heads to Malta to get married only to be embroiled in and investigate Sherlock's mysterious kidnapping.

Our latest guests on Soundtracking are composers Isobel Waller-Bridge and Hania Rani, who joined Edith in conversation at a very special event organised by Dirty Soup Music, live at Soho House in London. A previous guest on the show, Isobel is responsible for scoring the likes of Emma, The Phantom Of The Open and Wicked Little Letters. Hania, meanwhile, topically provided British broadcaster ITV with their theme music for the England men's football team, and won the European Film Award for Best Composer for her score for Sentimental Value. Speaking of which, you can check out my chat with the direct and star of that film, Joachim Trier and Stellan Skarsgaard respectively, at edithbowman.com

Our latest guest on Soundtracking - and boy have we had some crackers recently - is none other than Jodie Foster, who joins us to discuss her starring role in psychological thriller, A Private Life. Speaking French (it's a French film), Jodie plays a renowned psychiatrist who launches a private investigation into the suicide of one of her patients, who she believes was murdered.We also discuss Bugsy Malone, Taxi Driver and Silence Of The Lambs.

We have a couple of Pixar legends for you on our latest episode of Soundtracking. We're thrilled to welcome writer / director Andrew Stanton and producer Lindsay Collins to the podcast on the much-anticipated release of Toy Story 5. Toy Story 5 has the band back together but facing an existential threat as Bonnie's interest in them wanes as she is introduced to technology. In a beautiful stroke of creative circularity, Toy Story 5 is scored by Randy Newman, who also provided the music for the first film.

Slightly later than billed, our latest episode sees a welcome return to Soundtacking to the utterly charming Finneas O'Connell, who joins us to discuss his score for Beef 2. We've already spoken to Sonny Lee, creator and showrunner of the hugely acclaimed and successful Netflix show, so please do listen to that if you haven't already. But it's always such a joy to take a deep musical dive with Finneas, who speaks so eloquently about his craft. We get into Bond and Barbie too!

In a last minute change of plan, our latest guests on Soundtracking are Daniel Pemberton and Brian May, who join us to discuss their musical collaboration on Masters Of The Universe.  Based on the classic cartoon, Masters Of The Universe tells the story of Adam, who returns to his home planet of Eternia to take his destiny as He-Man and confront his nemesis Skeletor.This is a fascinating insight into Daniel and Brian's process, not to be missed by score enthusiasts.

We bring you Edith's conversation with Craig, recorded at the Byre Theatre in St Andrew's in front of an audience. Craig goes into great depth about his storied career, his process, and the relationships he's formed with the various luminaries he's worked with.

Our latest guests on Soundtracking are director Olivia Newman and composer Dickon Hinchliffe, who join me to discuss Dickon's score for Olivia's Netflix film, Remarkably Bright Creatures. Based on the international bestseller of the same name by Shelby Van Pelt, it tells the story of an elderly cleaner at an aquarium who takes a young drifter under her wing, all under the watchful gaze of a giant octopus, who deepens and solidifies their connection.

Our latest guest is Kristin Scott Thomas, who joined Edith in front of an audience for our Soundtracking Film Club at Everyman Whiteley's to discuss her new film My Mother's Wedding - which she has co-written and directed, and also stars in. This is the first of our events in partnership with Range Rover, a brand synonymous with mastery in all its forms, championing those who push boundaries, define standards and create enduring impact. Both Soundtracking and Everyman align naturally with Range Rover’s core principles relating to leadership, cultural authority and creative excellence, so we're absolutely thrilled they have chosen to support our podcast, which was recorded live in front of an audience following a screening of Kristin's film.

Our latest guest on Soundtracking features as part of our Soundtracking Film Club, with writer and showrunner Neil Forsyth joined Edith at Everyman Whiteley's to discuss the Netflix drama Legends. Featuring a wonderful ensemble cast - Tom Burke, Haley Squires and Steve Coogan among them - Legends tells the based-on-truth story of a small, poorly-resourced group of customs officers who went undercover to infiltrate some of the most notorious drug-trafficking gangs in the UK.

Our latest guest on Soundtracking is, as Edith mentions at the start of our chat, someone we owe a huge debt of gratitude to. For the impossibly likeable Jon Favreau was the very first guest she interviewed for the podcast, literally a decade ago! Back then, Jon discussed his take on The Jungle Book; today, he is with us to talk through the music of The Mandolorian & Grogu, which is scored by friend of the show, Ludwig Goransson

Our latest guests on Soundtracking are Dominic Treadwell-Collins and Elliot Hegarty, respectively the writer and lead director of the Disney + TV series, Rivals, season 2 of which is streaming now. Based on the novel by Jilly Cooper, it's cheeky, nostalgic, raunchy, full of twists and turns and also incredibly funny. As well as featuring tonnes of classic 80s needle-drops, Rivals comes with a fantastic score - courtesy of Natalie Holt and Jack Halama.

Our latest guest on Soundtracking is Richard Gadd, creator of the phenomenon that is Baby Reindeer, who joins us to discuss his new project Half Man, which you can watch now on the BBC iPlayer and HBO Max. Starring Richard and Jamie Bell as non-blood-related brothers, it tells the story of a reunion at a wedding that leads to all manner of chaos, and deals with issues relating to toxic masculinity, family and identity.

It's bonus time! And our bonus for you is a man much discussed on this podcast but making his debut as a guest. Composer Theodore 'Teddy' Shapiro joins us to discuss his work on The Devil Wears Prada 2, but also Severance, Dodgeball and much much more.

Finally, we bring you the second part of our conversation with the inimitable Oliver Coates, brought to you from St Luke's Church in partnership with our very good friends at Milan Records.

Our latest episode of Soundtracking is one of our faves, as David Lowery returns for a fourth time to discuss the music of Mother Mary - recorded at a special event hosted by our good friends at Spotify. Starring Anne Hathaway and Michaela Coel, it tells the story of a iconic popstar whose reunion with a former costume designer forces her to confront her past. Mother Mary features several original songs, which David put together with the help of FKA Twigs, Charli XCX and Jack Antonoff. Regular co-collaborator, Daniel Hart, meanwhile provides the score. We also hear from Billie Elish and James Cameron, in an interview you can watch in full at our Youtube channel, Soundtracking Extra.

It's a very special episode of Soundtracking, as we bring you the first part of our live recording with composer Oliver Coates, recorded at St Luke's Church as part of the London Soundtrack Festival in partnership with our very good friends at Milan Records. We cannot tell you how much work Oliver put into the event - going way above and beyond the expectations for an average Q&A. So it is that you'll hear him breaking down cues, deconstructing clips from films he's worked on and whipping out (and performing on) his beloved cello.

It's bonus time, folks, as writer / director Alice Winocour joins us to discuss her film, Couture, which is available to watch right now on home entertainment platforms. Starring Angelina Jolie, it tells the story of an American filmmaker in Paris during the chaos of fashion week, whose troubled path crosses those of a veteran makeup artist and newly discovered young model, and explores themes relating to cancer that are very close to Edith's heart.

Our latest guests on Soundtracking are writer/director Charlotte Regan and composer Patrick Jonsson, who join us to discuss their collaboration on BBC crime/romance drama, Mint. Mint tells the story of a Scottish crime family and a budding romance between Shannon, played by Emma Laird, and Arran, played by Ben Coyle-Larner, two young lovers from rival firms.

Our latest guest on Soundtracking is Lee Sung Jin, aka Sonny Lee, creator of and driving force behind the multi-award winning Netflix comedy drama, Beef. Sonny joins us ahead of season two, which streams on Netflix from Thursday 16th April and boasts an entirely new cast including Oscar Isaac and Carey Mulligan. Sonny LOVES his music, and we go into many of the needle drops which are such an integral feature of the show, as well as Fineas O'Connell's score.

It's a welcome return to Soundtracking for David MacKenzie, who joins us to discuss his heist Thriller, Fuze. Starring Theo James, Gugu Mbatha-Raw, Aaron Taylor-Johnson and Sam Worthington, Fuze sees an unexploded bomb discovered on a busy London construction site and follows the unfolding chaos that ensues.

The Soundtracking Everyman collaboration has had a fruitful couple of weeks, and we're bringing you another conversation recorded in front of a live audience with actress, Catriona Balfe. Catriona joined me Everyman Whitley's to discuss the final season of Outlander, in which she plays a former World War II military nurse transported back to 1743 Scotland, where she becomes embroiled in the Jacobite rising. It's available to stream exclusively on MGM+

We have another of our Soundtracking Everyman Film Clubs for you, after Iain Forsyth, Jane Pollard and Beth Orton joined us to discuss the Marianne Faithful documentary, Broken English, in our previous episode. Now it's the turn of Stephen Graham, who returns to the podcast in front of a live audience Everyman Whitley's to discuss his new black comedy thriller The Good Boy. Also starring Andrea Riseborough and Anson Boon, it tells the story of a married couple who abduct a 19-year old criminal and try various unconventional methods to rehabilitate him.

We're bringing you another of our Soundtracking Everyman film club interviews, recorded at Screen On The Green in Islington following a screening of the Marianne Faitfull documentary, Broken English. Edith's guests are directors Iain Forsyth and Jane Pollard, and Beth Orton, who is just one of a number of illustrious contributors to the film.

Our latest guest on Soundtracking is the writer and director of DJ Ahmet, Georgi M. Unkovski. Set in North Macedonia, it tells the story of a 15-year-old boy who discovers music, falls in love for the first time, and struggles to come to terms with the conservatism of the rural village in which he lives.

It's bonus time ... and what a fine bonus we have for you this Spring Friday. After director Tom Harper joined us in our previous episode to discuss Peaky Blinders: The Immortal Man, Edith hooks up with Tommy Shelby himself, Cillian Murphy, and one of the film's composers, Antony Genn, in New York (thanks to our very good friends at Netflix).

Our latest guest on Soundtracking is Tom Harper, director of Netflix's Peaky Blinders: The Immortal Man. Set amid the chaos and turmoil of World War II, it sees Tommy Shelby return from self-imposed exile to do some seriously anti-heroic work to foil a Nazi plot, among many other things. As you'd expect from a Peaky project, the music is sensational, and we take a deep dive with Tom.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

It's a very happy return to Soundtracking to one of our very faves, Hildur Guðnadóttir, who joins us to discuss her work on Hedda, 28 Years Later: The Bone Temple and, most recently, The Bride!. Both Hedda and The Bone Temple were directed by Nia DaCosta, who has been a guest twice on the show, while The Bride! is the latest offering from Maggie Gyllenhall.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

Our latest guests on Soundtracking is Oliver Laxe co-writer and director of Sirat. Sirat sees Luis and his son travel through Morocco from party to party in search of Luis's daughter, who has been missing for five months having last been seen at a rave in the desert. It features an incredibly immersive score by French techno wizard, Kangding Ray.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

Our latest guests on soundtracking are a couple of firecrackers, as Kristen Stewart and Imogen Poots, who join us to discuss Kristen's debut as a writer and director, The Chronology Of Water. Based on Lidia Yuknavitch's acclaimed memoir, it tells the story of a woman who reclaims ownership of her life following an abusive childhood by becoming a competitive swimmer among many other things.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

After Bradley Cooper netted his hat-trick a couple of weeks back, Emerald Fennell becomes the latest guest to take the Soundtracking match ball home, as she joins us for a third time - on this occasion to discuss her thrilling adaptation of Wuthering Heights. Based on Emily Bronte's classic novel, it stars Margot Robbie and Jacob Elordi and has all the wit and subversiveness one has come to expect from Emerald's work.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

Our latest guests on Soundtracking are Bart Layton and composer Benjamin Power - AKA Blanck Mass - who join us to discuss their collaboration on Bart's new film Crime 101, which he wrote and directed. Featuring a star-studded cast, it tells the story of a jewel thief operating along the 101 freeway on the west coast of America, the relationship he forms with an insurance broker, and the cop out to get him.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

Now we know Edith said we are going easy on the bonus episodes in 2026, but like all the best new year resolutions, that's gone right up the swanny. Because ... there are simply too many great movies and wonderful creatives around. Case in point - Pillion - written and directed by our latest guest, Harry Lighton. Starring Harry Melling and Alexander Skarsgard, it tells the story of a timid gay man who enters into an adventurous queer relationship with an enigmatic biker.Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

Our latest guest on Soundtracking is, finally, Bobby Krilic, who we've been promising you for weeks now, but has been pushed back due to last minute bookings with directors and actors of new releases. Bobby - aka The Haxan Cloak - joined Edith to discuss his work on two cinematic gems, Anemone and Eddington.

Our latest guest on Soundtracking is Bradley Cooper, completing his hat-trick by joining me to discuss his new film Is This Thing On, which he co wrote, directs and also appears in. Loosely inspired by the life of comedian John Bishop and starring Will Arnett as Alex, a dad who takes up comedy in the wake of his amicable separation from his wife Tess, played by Laura Dern. Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

It's bonus time here again on Soundtracking, as actor Claire Foy joins us to discuss her starring role in H Is For Hawk. Based on Helen Macdonald's incredibly moving memoir, it tells the story of how they cope with the grief of losing their beloved father by forming an unlikely friendship with a stubborn goshawk called Mabel.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

Our latest guests on Soundtracking are Oliver Hermanus, Paul Mescal and Josh O'Connor, respectively the director and leading men in Oliver's beautiful new film, The History Of Sound. Based on two short stories by Ben Shattuck, who also wrote the screenplay, it follows the story of two men who meet at the New England Conservatory Of Music in 1917, and subsequently travel together recording the folk songs of their compatriots in 1920's America.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

New year, new raft of bonus episodes, as those stellar guests just keep on coming. And it's a speedy return to Soundtracking for Nia DaCosta, who joins us to discuss her follow-up to 28 Years Later, The Bone Temple. Starring Ralph Feinnes, Jack O'Connell, Alfie Williams and Erin Kellyman, it picks up the story on the mainland, as our young hero from the previous film, Spike, is taken in by a crazed gang of psychopathic zombie hunters - aka The Jimmys! Friend of the show Hildur Guðnadóttir scores in typically magnificent fashion.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On YoutubeBe In The Scene

Our latest guest on Soundtracking is Hikari, co-writer and director of the heartwarming comedy drama, Rental Family. Starring Brendan Fraser, it tells tells the story of an American actor based in Japan, who takes a job with an agency that provides stand-in family members for strangers. Rental Family is score by Jonsi & Alex Somers of Sigur Ros fame - and quite beautifully too!SocialsSoundtracking On InstagramEdith's InstagramSoundtracking Extra On Youtube

We have a Hamnet special for you on Soundtracking, as first writer / director Chloe Zhao and stars Paul Mescal and Jessie Buckley join Edith. Based on Maggie O'Farrell's novel - who also worked on the script - it tells the story of how the horrendous tragedy that strikes Shakespeare and his wife, Agnes, inspires him to write Hamlet. Hamnet is scored by friend of the show Max Richter, and we'll hear plenty of his music throughout the episode.SocialsSoundtracking On Instagram Edith's Instagram Soundtracking Extra On Youtube

Our last guests on Soundtracking are Will Sharpe and Paul Bettany, who join us to discuss Amadeus. Available to watch on Sky and Now TV, it’s a reworking of Peter Shaffer’s classic play, in which the precocious composer arrives in Vienna and soon makes an enemy of court composer Salieri.SocialsSoundtracking On InstagramEdith's InstagramSoundtracking Extra On Youtube

As promised, we have a second episode of Soundtracking for you this Boxing Day, as Joachim Trier and Stellan Skarsgard join us to discuss Sentimental Value, which is on general release in the UK as of now. Addressing themes of intergenerational trauma, nepotism and suicide, Sentimental Value follows a fractured relationship between an acclaimed director and his two estranged daughters, which becomes even more complicated when he decides to make a personal film about their family history.This was our last Everyman Soundtracking Film club of the year, where we screen a movie and Edith speaks to person or persons connected to it afterwards. You can find every single edition of our partnership at edithbowman.comMore ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On Youtube

It’s a Boxing Day bonus, as we bring you not one but two episodes of Soundtracking in the spirit of festive cheer. First up is Josh Safdie, co-writer, producer and director of Marty Supreme, the film which has been wowing critics across the globe with five star review after five star review. Then, after you've polished off your Christmas Day leftovers, we'll hear from Joachim Trier & Stellan Skarsgård, who joined Edith live on stage as part of our Everyman Soundtracking Film Club to discuss Sentimental Value.But we begin with Josh and Marty Supreme. Starring Timothée Chalamet and loosely based on a true story, the narrative follows an up-and-coming table tennis star who gets embroiled in all manner of scrapes to achieve his dream. It's beautifully scored by Daniel LopatinMore ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On Youtube

Our latest episode of Soundtracking sees a welcome return to the podcast for the legend that is Warren Ellis, who joins us to discuss his score for The Death Of Bunny Munro, which he composed with Nick Cave. Based on Nick's novel, The Death Of Bunny Munro stars Matt Smith as a salesman who takes his son on a road trip around Sussex after his wife's suicide at the same time a serial killer is operating in the area.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On Youtube

Our latest guest on Soundtracking is Nia DaCosta, who joins us to discuss her film Hedda, which is streaming now on Amazon Prime as well as other home entertainment platforms. Based on the Henrik Ibsen play, Hedda stars former Soundtracking guests Tessa Thompson and Tom Bateman among a fine cast, and centres around a lavish party in which personal and professional tensions simmer. Hildur Guanodottir's score is predictable fabulous.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On Youtube

We're very excited to be bringing you this latest episode, recorded in front of an audience as part of our Everyman Soundtracking film club. Edith was joined on stage by Kathryn Bigelow, Noah Oppenheim, Greg Shapiro, Rebecca Ferguson and Volker Bertelmann after a screening of Kathryn's Netflix film, A House Of Dynamite. Told non-chronologically and from multiple perspectives, the narrative follows the responses of different US government and military officials after an unknown adversary launches a single intercontinental ballistic missile at a North American city.More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On Youtube

Our latest guests on Soundtracking are Alex Russell and Archie Madekwe, who join us to discuss Alex's debut feature, Lurker. Archie stars as Oliver, a rising pop musician who is befriended by a fan who infiltrates Oliver's inner circle, becoming an evermore disturbing presence. More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On Youtube

Our latest episode of Soundtracking involves a lovely conversation between Kate Winslet, her son Joe Anders, composer Ben Harlan and music supervisor James Taylor, who join us to discuss Kate's directorial debut Goodbye June, which Joe wrote. Goodbye June tells the story of a family who gather around their dying mother at Christmas, confronting themes of grief, reconciliation and love. The ensemble cast is magnificent, with Kate, Toni Collette, Timothy Spall, Andrea Risborough, Jonny Flynn and Helen Mirren all delivering stellar performances (as usual).More ...Edith's websiteSoundtracking On InstagramEdith's InstagramSoundtracking Extra On Youtube