Selected Shorts
Symphony Space·Hosted by Meg Wolitzer·263 episodes
Spellbinding short stories by established and emerging writers take on a new life when they are performed by stars of the stage and screen. Listen free on your computer or mobile device. Symphony Space, the home of Selected Shorts, was founded almost 40 years ago in the belief that the arts bring people together, transcend barriers, and celebrate both our similarities and our differences. That belief remains our guiding principle and is more important now than ever. Your generosity during the Covid19 crisis will help us continue to provide great programs free of charge. Thank you for your support.
Why listen
Selected Shorts turns literary short stories into intimate audio performances, with actors from stage and screen bringing each piece to life. Episodes are curated around themes like family, chance, nature, identity, and classic authors, so you get the feeling of a live literary event without needing to know the writers beforehand. It is especially rewarding for listeners who like fiction, theater, public radio, and hearing great prose performed by skilled voices.
Episodes
Host Meg Wolitzer presents two works about being careful. The title says it all in George Saunders’ “Lars Farf, Excessively Fearful Father and Husband,” as the central character goes to greater and greater extremes to protect his family from—everything. The reader is BD Wong. And a couple tiptoe towards love in Lily King’s “Five Tuesdays in Winter,” read by Justin Kirk. A brief interview with King is included.
Host Meg Wolitzer presents two works about losing something, but finding something revealing to take its place. In “Light,” by Lesley Nkeka Arimah, parents differ about how to raise a strong-willed daughter. The reader is Crystal Dickinson. And in Taryn Bowe’s “Camp Emeline,” performed by Edie Falco, a family struggles after a loss, but grief leads to self-discovery for the determined narrator. This lovely work also introduces SELECTED SHORTS’ first-ever on-air book club. Wolitzer joins a lively mother/daughter group to talk about Bowe’s work and how they related to it.
In this program, created in collaboration with Waterwell and the New York Immigration Coalition, guest host Arian Moayed takes listeners through a live performance of thirteen stories and one song that vividly bring to life the vital role immigrants play in New York City's past, present and future. Here are their names: Mary Twomey, Sara M., Zead Ramadan and Andy Eng, Mónica Carrillo, Sabelo Narasimhan, Sadie Frowne, Gulnahar Alam, Fred Amram, Mohmoud Widdi, Tien “Johnny” Nghe, and Kofi, and Hassan Iqbal. Readers include Moayed, and, in order of content, Jayne Houdyshell, Roberta Colindrez, Simu Liu, Pej Vahdat, Camila Cano-Flavia, Sunita Mani, Micaela Diamond, Sepideh Moafi, Kathryn Grody, Laith Nakli, Tramell Tillman, and Justin H. Min. Near the middle of the program, a Korean folksong, “New Arirang,” is performed by Ruthie Ann Miles. Listeners should note that Gulnahar Alam’s moving story, which begins at 36:56, includes a brief description of domestic abuse near the beginning of her narration.
Host Meg Wolitzer presents three works from an evening with New Yorker author and cartoonist Roz Chast, inspired by Chast’s book I Must be Dreaming. “The Wife on Ambien,” by Ed Park, is a sort of late-night fever dream. It’s read by John Fugelsang. In Tessa Hadley’s “Bad Dreams,” images than begin in dreams envelop a family in real life. The reader is Rita Wolf. Tom Barbash’s “Stay Up With Me” charts the rocky path of an old love affair. It’s read by Jason Ralph. And stay tuned for Chast’s own weird dream life, some of which she shares in this episode.
Host Meg Wolitzer presents two O’Henry Prize-winning stories, from the volume guest edited by Edward P. Jones. The Prize was created in honor of the 19th-century writer best known for slyly humorous stories like “The Ransom of Red Chief” and “Gift of the Magi,” but contemporary selections range wide. In “Rosaura at Dawn,” by Daniel Saldaña París, a woman searches for new life, and a new home. The reader is Sonia Manzano. And “Countdown,” by Anthony Marra, is a darkly comic look at life in modern Russia. The reader is Morgan Spector.
Host Meg Wolitzer presents two unconventional love stories, one classic, one contemporary, that avoid the usual tropes of “meet cute,” “opposites attract,” or “happily ever after” but are still engaging. In “Love in the Slump,” by Evelyn Waugh, clueless upper-crust newlyweds are sent on a comic odyssey. The reader is Jane Kaczmarek. And Esther Yi’s “Moon” explores something we often mistake for love—obsession--as a young woman is drawn farther and farther into K-Pop fandom. The story was selected by guest editor Min Jin Lee for Best American Short Stories 2023. It’s read by Hettienne Park. And we hear Lee’s and Park’s thoughts about the story.
In the second of two programs created with the podcast Death, Sex, and Money and our live event host Anna Sale, we explore issues of happiness. Host Meg Wolitzer introduces a satirical romance by Oscar Wilde (did he write any other kind?). “The Model Millionaire” is read by Peter Francis James. In Kevin Brockmeier’s “Space,” a grieving widower and his son try to get past their loss, looking for light in the darkness. The reader is Michael Stuhlbarg.
In the first of two programs created with the podcast Death, Sex, and Money and host Anna Sale, we explore issues of identity and connection. In “Sacrament of Confession,” by Ernie Wang, a man struggles with a messy past that is affecting the present. The reader is Richard Kind. And in a touching do-over, a man meets his wife for the first time—again. Amy Ryan reads Seth Fried’s “You Again.”
Host Meg Wolitzer presents four stories, recorded at the Getty Center in Los Angeles, in which characters shape their expectations and dreams to a manageable size. So if you’re “Medusa,” as in our first story, by Tania James, you try to figure out how to live in the world instead of turning it to stone. The reader is Constance Zimmer. Parents in our second story, “We Only Wanted Their Happiness,” by Alexander Weinstein, make a tactical choice about technology. It’s performed by Randall Park. The narrator of Honor Levy’s “Good Boys,” read by Annie Hamilton, understands that infatuation is a phase. And a man and a woman sidestep romance in “Arrangements” by Charlie Watts, performed by Laura Harrier and Will Harrison. The program was created in cooperation with Belletrist, an online book club created by Emma Roberts and Karah Preiss.
Host Meg Wolitzer presents three stories about social occasions for introverts and extroverts alike, curated with the Belletrist Book Club, founded by actor Emma Roberts and producer Karah Preiss, and recorded at the Getty Center in Los Angeles. Humorist Samantha Irby asks “Please Invite Me to Your Party,” but we’re not sure she means it. The reader is Richa Moorjani. Victoria Lancelotta’s “The Anniversary Trip,” performed by Judy Greer, is, and is not, about the married couple making the trip. And Jen Spyra takes to extremes what it takes to get to the altar in perfect shape in “The Bridal Body,” performed by Erinn Hayes.
Host Meg Wolitzer presents two stories about characters who find themselves in a place in which they need to make a choice, something that will affect them for the rest of their lives. In Ursula K. Le Guin’s classic, “Direction of the Road,” an ancient being has to make hard choices in its role as a guardian and a force of nature. The reader is Nikki M. James. In Helen Schulman’s “The Shabbos Goy,” a divorcee and a rabbi develop an interesting relationship around their mutual love of poetry. The reader is Jessica Hecht.
Host Meg Wolitzer presents four works in which nature and the out-of-doors drive both plots and character. Humorist Jenny Allen does battle with her stubborn plants in “Garden Growing Pains,” read by Kirsten Vangsness. The majestic Canadian border separates an Indigenous family in Thomas King’s “Borders,” read by Kimberly Guerrero. A housewife masters one of the elements in “Flying,” by Alyce Miller. The reader is Kirsten Vansgness again. And a sudden storm creates a sense of abandon in the Kate Chopin classic “The Storm,” read by Jane Curtin. “Garden Growing Pains,” “Borders,” and “Flying,” were presented in cooperation with CacheArts and Utah Public Radio, KUSU-FM.
Host Meg Wolitzer celebrates Jane Austen’s 250th with works by, and inspired by, the enduring romance novelist. Ann Harada performs an early Austen piece, “Edgar and Emma;” Sophie Carmen-Jones reads a letter from Austen to a mentor, James Stanier Clarke. Then things get playful in the T.C. Boyle parody “I Dated Jane Austen,” performed by Wyatt Cenac. And Hugh Dancy reads from an Austen classic, “Persuasion.”
Host Meg Wolitzer presents two works with unusual family dynamics. In Zadie Smith’s “Grand Union,” the mother-daughter bond transcends death and brings with it a whole family history. The reader is Kaneza Schaal. And Richard Bausch’s “What Feels Like the World,” read by James Naughton, explores the bond between a grandparent and a grandchild.
Host Meg Wolitzer presents three works about scaling the outsized real world down to manageable proportions. A couple brings the Papal seat home in Ben Loory’s “The Vatican,” read by Santino Fontana; In “I Love Betty,” by Kaitlyn Greenidge, communication problems invite interesting solutions, in a story read by Nathan Hinton. And in Shirley Jackson’s “The Beautiful Stranger” a wife and mother wonders if she’s in the right life, but tries to fit into it. It’s read by Maggie Siff.
Host Meg Wolitzer presents three works that crossed the boundaries between fiction and film for our collaboration with this prestigious New York film Festival. An eerie game has unexpected consequences in Richard Matheson’s “Button, Button,” performed by Marin Ireland. Michael Stuhlbarg gives a rousing performance of Lewis Carroll’s “Jabberwocky;” and Andrea Martin reads the story that inspired the Hollywood classic All About Eve—Mary Orr’s “The Wisdom of Eve.”
Host Meg Wolitzer presents two stories from the volume Best American Short Stories 2025, selected by guest editor Celeste Ng. In “An Early Departure,” by Jessica Treadway, a family relationship is altered in a moment at the train station. The reader is Cynthia Nixon. In “Third Room,” by Julian Robles, an apartment, and its mysterious tenant, take on lives of their own. The reader is Ivan Hernandez.
Host Meg Wolitzer presents two humorous stories about marriages not made in heaven. In James Thurber’s classic “The Breaking Up of the Winships,” a long-married couple fall out over Donald Duck. The reader is Kristine Nielsen. And in Louise Erdrich’s “The Big Cat,” read by Keir Dullea, two powerful wives, a bemused husband, and a symphony of bone-jarring snores. The program also features an interview with Erdrich.
Host Meg Wolitzer presents two stories with unlikely scenarios, rare events that have, at least fictionally, come to pass. Naomi Kritzer uses the idea of “The Little Free Library”—one of those impromptu structures that facilitate the swapping of books—to imagine an exchange of quite a different sort. The reader is Melora Hardin. And Ling Ma imagines how winning the lottery—292.2 million to one—actually plays out. “Winner” is read by Cindy Cheung.
Host Meg Wolitzer presents three stories in which reality contrasts with the dreams, perceptions, and actions of the characters. In “The Leap,” by Louise Erdrich, a mother’s unusual skill set changes the outcome of events. The reader is Elizabeth Reaser. In “Death and the Lady,” by Ben Loory, even the Grim Reaper harbors illusions. And his parents’ damaged marriage haunts an adult child in Delmore Schwartz’s “In Dreams Begin Responsibilities.” Both the Loory and the Schwartz are read by multi-talented actor Denis O’Hare, and Wolitzer talks to him about his craft.
Meg Wolitzer Talks with Denis O'Hare by Symphony Space
Host Meg Wolitzer presents two stories by the extraordinary Japanese writer Haruki Murakami that demonstrate the breadth of his emotional imagination over a career of 35 years. In an early story, “The Window,” a professional letter-writer recalls an intimate encounter with a woman, and a hamburger steak. The reader is Mike Doyle. In the later story, “Kahu,” read by Jennifer Ikeda, a woman goes on a blind date, only to be blindsided. Both stories were recorded at the Japan Society in New York City, as part of an ongoing collaboration with Selected Shorts.
This week on SELECTED SHORTS, guest host DeRay Mckesson presents four works that consider the Black experience in America from bold perspectives. Former Congresswoman Shirley Chisholm recalled her historic victory in her essay “Unbought and Unbossed.” An excerpt is read by Crystal Dickinson. James Baldwin’s powerful letter to his nephew, “My Dungeon Shook,” is read by Christopher Jackson. Poet Sonia Sanchez recalls a life-altering encounter with Malcolm X in “Homegirls on St. Nicholas Avenue,” read by Marsha Stephanie Blake, and Percival Everett turns the tables on Southern racists in “The Appropriation of Cultures,” read by Wren T. Brown.
This week on SELECTED SHORTS, host Meg Wolitzer presents three stories about problems without solutions. In Elif Batuman’s “The Board,” read by Cindy Cheung, the protagonist has found the perfect apartment, but he has to satisfy a Kafka-esque co-op committee. Jesse Eisenberg imagines an irritating sibling with problems of global proportions in ““My Little Sister Texts Me with Her Problems,” read by real-life sisters Lacey Lamar and Amber Ruffin. And a patient is drawn to her therapist—but is this a bad thing? in Esther Freud’s “Transference,” read by Claire Danes.
Host Meg Wolitzer presents two stories that demonstrate the ways in which characters—like all of us—can play many different roles in one another's lives, and in the world around us. Cherline Bazile’s “Tender,” which guest editor Min Jin Lee included in Best American Short Stories 2023, reflects the contradictory nature of friendship. It’s read by Anna Uzele. And our second story, Grace Paley’s “The Contest,” reflects the contradictory nature of courtship, as the bewildered narrator is alternatively flattered and bullied by a girl with way more on the ball than he has. He tells us so himself, in the voice of actor Justin Bartha.
perils of sharing your troubles with a stranger. In “Therapy,” by J. Robert Lennon, the patient follows a recursive loop of doubt about the whole process. The reader is Troy Iwata. In “Fable,” by Charles Yu, the issues that arise in therapy sessions morph into a revealing personal fairy tale. The reader is BD Wong. With comments by comedian Gary Gulman, who hosted the live show where these stories were presented.
Host Meg Wolitzer presents three stories about characters who try an end run around trouble, sometimes doing more harm than good. In Joe Meno’s “Animal Hospital” a well-meaning father is surprised by his kids response to “let’s play doctor.” The reader is Becky Anne Baker, and an interview with Meno is featured in the show. In “The Silk Handkerchief,” by Sait Faik Abasiyanik, a thief and a night watchman have a moment of rapport. It’s read by Amir Arison. And Margaret Atwood’s recurring couple Tig and Nell try to stave off the inevitable by taking a “First Aid” class. The reader is Maggie Siff.
Host Meg Wolitzer presents two stories about sudden interventions that change lives. In Stephen King’s “The Fifth Step” a beguiling stranger asks for help. The reader is David Morse. In “Blessed Deliverance,” by Jamel Brinkley, a neighborhood oddball may be its salvation. The reader is Teagle F. Bougere.
Host Meg Wolitzer helps a great documentarian celebrate a great American author. Cather is the of author of novels like My Antonia and O Pioneers! And Ken Burns hosted a live evening of her shorter works to celebrate her sesquicentennial—her 150th birthday, in 2023. On this program, we feature “The Way of the World,” in which an imaginary town’s young “citizens” are rife with romance and rivalry. The reader is Sonia Manzano. And a weary farmer’s wife recaptures her long-dormant passion for music at “A Wagner Matinee,” read by David Strathairn.
Host Meg Wolitzer presents two stories about characters wrestling with their roles in life. In “The Ugly Sister,” by Joanne Harris, a fairy-tale villainess tells her side of the story. The reader is Jayne Atkinson. And a young wife struggles to find her place in a close-knit family in “Underwater,” by Hannah Kingsley-Ma, read by Marin Ireland.
Host Meg Wolitzer presents three stories about finding solutions to complex problems, and to simple ones. T. C. Boyle tackles evolution and government intervention in “Top of the Food Chain,” read by Zach Grenier. In Matthew Ryan Frankel’s “Carapace,” a young boy struggles with feelings at a family funeral—with the help of some crabs. The reader is Philip Estrera. And a young woman traveling between two worlds and two families has to deal with what to put in “The Suitcase” by Meron Hadero. The reader is Renée Elise Goldsberry. The show also includes an interview with Hadero.
Meg Wolitzer presents three unexpected stories that let us see the holidays’ associations—family, friends, food, gifts, and goodwill—in different ways. Amy Krouse Rosenthal presents a playful encounter with the Almighty in “Interview with God,” performed by Jayne Atkinson and James Naughton. In Sherrie Flick’s “Heidi is Dead,” read by Adina Verson, a second wife tries to tune in with her in-laws. And John Cheever’s “Christmas is a Sad Season for the Poor” is a richly comic and warmhearted look at giving and receiving. Teagle F. Bougere reads.
Host Meg Wolitzer presents two provocative stories that address the idea of communing with something “other”. In Etgar Keret’s “Polar Bear” an AI program, and a lonely widow, commune. The reader is Michael Imperioli. And Mom is close by—and full of unwanted advice—in “The Acorn” by Elizabeth Stix, performed by Dylan Baker.
Host Meg Wolitzer presents stories about characters coping with pre-existing difficulties, large and small—and then encountering someone or something ready to change everything. In “Shoulder-Top Secretary” by Shinichi Hoshi, performed by Thom Sesma, a door-to-door salesman unveils the must-have technology of the future. In “It Had Wings” by Allan Gurganus, performed by Marian Seldes, a celestial being offers up a possible remedy for the aches and pains of life. And our final story, “The Toynbee Convector,” is a Ray Bradbury classic in which a time machine delivers a hero to our tumultuous present. It’s read by Mike Doyle, with whom we also spoke backstage on the night of his performance.
Host Meg Wolitzer presents three imaginative and funny reworkings of classic stories. In Ginny Hogan’s “Phantoms and Prejudice,” Jane Austen’s Bennet sisters learn about ghosting. The reader is Sara Bareilles. Anthony Marra invents a plausible reason for murder in his reworking of Poe’s “The Tell-Tale Heart,” read by Mike Doyle. And Michael Cunningham turns Jack into an entrepreneur in “Jacked,” read by Jim Parsons.
Host Meg Wolitzer presents two stories about the nature of time and how it shapes our lives. In Helen Phillips’ “The Knowers,” a woman chooses to learn a vital fact about her future, while her husband does not. Stockard Channing reads this thought-provoking fantasy. In Anita Felicelli’s “Time Invents Us” a chance encounter turns the clock back for an aging artist. It’s read by Kirsten Vangsness.
On this SELECTED SHORTS, host Meg Wolitzer presents two stories in which characters are faced with unexpected revelations that alter their lives. In “A Fable with Slips of White Paper Spilling from the Pockets,” by Kevin Brockmeier, performed by Geoffrey Arend, a thrift purchase comes with unusual fringe benefits. In “Lady Tigers,” by Nick White, performed by Michael Urie, the bus driver of a girls’ softball team encounters a storm, and a secret.
On this SELECTED SHORTS, host Meg Wolitzer presents three stories about self-deception. In “Participation Trophy,” by Simon Rich, the author is taken to task by a discarded relic of childhood triumphs. The reader is Colton Dunn. Japanese playwright and novelist Betsuyaku Minoru creates an Industrial Age fable in “Factory Town.” The story was translated by Royall Tyler and is read by Suzy Nakamura. And a college student falls in love with the idea of love in Lauren Pruneski’s “Mama, Mama,” read by Kirsten Vangsness.
On this SELECTED SHORTS, host Meg Wolitzer presents three stories that cross generations. In Justin Torres’ “Trash Kites,” performed by Coleman Domingo, teens find beauty in scarcity. A daughter’s aging parent links her past and present in “The World with My Mother Still in It,” by Kathryn Chetkovich, performed by Phillipa Soo. And a tutor tries to create a bond with her privileged student in “Ancient Rome,” by Kyle McCarthy, performed by Tavi Gevinson.
Meg Wolitzer presents three stories about our relationship with man’s best friend, from an evening of dog stories hosted by Saturday Night Live alum Ana Gasteyer. Emma Brewer’s “Think You Deserve Companionship? Apply to Adopt a Dog Today,” pokes fun at the bureaucratic hurdles involved in getting a new friend. It’s performed by Gasteyer. Wizard of Oz author L. Frank Baum offers a up a tale of romance, transformation and machinations, in “The Glass Dog,” performed by Jeremy Shamos. And David Means’ “Clementine, Carmelita, Dog,” tells the tale of one dog with two names—and two families. It’s performed by Javier Munoz.
On this SELECTED SHORTS, host Meg Wolitzer presents three stories about moving out of familiar territory into new spaces and new understanding. In Meron Hadero’s “The Thief’s Tale,” read by Teagle F. Bougere, an émigré can’t leave some of his old ways behind. “The Tallest Doll in New York City,” by Maria Dahvana Headley, imagines what happens when two iconic skyscrapers fall in love. It’s read by Becca Blackwell. And summer trip yields unexpected treasures in Anne Tyler’s “The Feather Behind the Rock,” read by Jane Curtin.
On this Selected Shorts, host Meg Wolitzer presents two stories about the risks and rewards of making things “better.” In Kim Fu’s “Fair,” a Selected Shorts commission, a woman’s envy of her neighbors takes a dramatic turn. The reader is Julie Benko. In Kristen Iskandrian’s “Quantum Voicemail,” a long-distance friendship is tested by a bold move. The reader is Lauren Ambrose.
On this Selected Shorts, host Meg Wolitzer offers up stories about limited viewpoints and larger visions. In “You Can Find Love Now" by Ramona Ausubel, performed by Amy Ryan and Martin Short, an unusual character drops into the dating pool; in “The Weave,” by Charles Johnson, performed by Arnell Powell, a heist gets hairy; and in J. Robert Lennon’s “Blue Light, Red Light,” a child's fears find his family seeking tech support. It’s performed by Fred Hechinger.
Meg Wolitzer presents three stories about the attraction and perils of reinvention. In “Kerosene,” by Simon Rich, timing is all in matters of invention. The reader is Santino Fontana. Attentive parents want to keep their baby safe at all costs in “The Cage,” by Tania James, read by Nicole Kang. And a widowed man looks for love—with some guidance from his late wife--in “The Dark,” by Jess Walter, read by Jason Alexander.
Host Meg Wolitzer presents three stories about those moments, those situations, those people that pull you in and won’t let you go. These works focus on unexpected encounters that end up affecting a character's life in some unusual or enduring way. “Missed Connection—M4W” by Raphael Bob-Waksberg takes the idea of “chance encounter” to its limits. It’s performed by Richard Kind. “My Years of Living Dangerously” by Danielle Henderson explores the idea of sin and redemption. It’s performed by Karen Pittman. And in Melissa Banks’ ruefully comic “Run Run Run Run Run Run Run Away,” performed by Julianna Margulies, one sibling makes a bad choice the other has to live with.
Meg Wolitzer presents two stories about neighbors and the unexpected relationships that can develop between people who live adjacent to one another. In Tess Gallagher’s “Mr. Woodriff’s Neckties,” a famous novelist lets his neighbor in on a secret. The reader is Dion Graham. In “Hoodie in Xanadu,” by Ann Beattie, a woman discovers that her shy neighbor possesses creative genius. The story is performed by Kirsten Vangsness.
Meg Wolitzer presents stories celebrating a quarter century of clever, funny, playful, weird, and literary writing, in print and online, showcased by the powerhouse indie publisher McSweeney’s. These include a comic fantasy, “Poor Little Egg-Boy Hatched in a Shul, by Nathan Englander, performed by Ophira Eisenberg; an unusual mother/son story, “Crumb Cake,” by Etgar Keret, performed by Andy Richter; and unlikely heroism at the amusement park in “Stay Brave, My Hercules,” by Ernie Wang, performed by BD Wong.
Host Meg Wolitzer presents perfect mismatches. In “The Man and the Moose” by Ben Loory, performed by Michael Cerveris, a man’s best bud has antlers. In “Red Dirt Don't Wash” by Roger Mais, performed by Brandon J. Dirden, a young man’s courtship is at risk—she doesn’t like his shoes. And a piano lesson is out of tune in “The Piano Teacher’s Pupil” by William Trevor, performed by Kathryn Erbe.
Meg Wolitzer presents three works about squabbles between people who love one another most. Jenny Allen’s “In the Car” chronicles the European road trip of a long married couple—and he won’t ask for directions. The reader is Alysia Reiner. In Jade Jones’ “Your Aunt Thinks She Ramona Africa,” a close family doesn’t know what to do with a nonconformist. Crystal Dickinson reads. And in “CobRa,” by Katherine Heiny, the methods of uncluttering guru Marie Kondo almost tidy away a marriage. Peter Grosz reads.
Meg Wolitzer presents three stories featured in the anthology A Century of Fiction in the New Yorker. The magazine celebrates its 100th birthday, and this is the second of two programs this season in which we join the party. Robert Coover’s “Going for a Beer” begins with a date and a drink, but you’ll be surprised where it ends up. The reader is SELECTED SHORTS’ late founder and host, Isaiah Sheffer. Cynthia Ozick’s moving story “The Shawl” pulls grace from the worst of circumstances in a powerful reading by Lois Smith. And V.S. Pritchett turns a ladder into a sly symbol of marital discord in our third tale. “The Ladder” is performed by Cynthia Nixon.
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