New Books in Critical Theory

The Criminal State: War, Atrocity, and the Dream of International Justice (Princeton University Press, 2026) offers a gripping account of how law has confronted the most radical forms of state violence. Beautifully written, broad in scope, and bracingly original, it weaves history with political thought to trace the shifting legal response to state aggression and atrocities, from Leopold’s rule over the Congo to Putin’s war in Ukraine. At its heart is Lawrence Douglas’s fresh interpretation of the law’s reckoning with Nazi aggression and atrocity. He shows how the Nuremberg trials challenged centuries of thought—rooted in Hobbes and other canonical thinkers—that shielded sovereigns from legal scrutiny. Yet Nuremberg’s bid to frame aggression as the cornerstone of a new order of international criminal law largely failed, giving way to a system now centrally concerned with crimes against humanity and genocide—while leaving unresolved the legality and effectiveness of using force to stop the worst violations of human rights. Providing rare historical perspective on the dilemmas facing international courts, The Criminal State is a sweeping, provocative history of the struggle to bring perpetrators of state violence to justice. Our guest is Professor Lawrence Douglas, who is the James J. Grosfeld Professor of Law, Jurisprudence and Social Thought at Amherst College. Our host is Eleonora Mattiacci, an Associate Professor of Political Science at Amherst College. She is the author of "Volatile States in International Politics" (Oxford University Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In 1656, a young Amsterdam merchant was excommunicated by his Portuguese-Jewish community in the harshest terms it had ever used. Baruch Spinoza was accused of unspecified “horrifying heresies,” but the precise reasons for his expulsion remain a mystery. When he published his Theological-Political Treatise in 1670, which was condemned as “the most atheistic book ever written,” he began to reveal to the world what his heresies may have been. Yet ever since the eighteenth century, most readers and scholars have assumed that Spinoza was a pantheist—even a “God-intoxicated man,” as the poet Novalis put it. After all, how could a person whose books are suffused with talk of God be an atheist? In Spinoza, Atheist (Princeton University Press, 2026), Steven Nadler, one of the world’s leading authorities on the philosopher, aims to settle the question and show that that’s exactly what he was. Nadler makes a powerful case that there is no real divinity for Spinoza. God is Nature, and isn’t an object of worshipful awe or religious reverence but can only be understood through philosophy and science. There is nothing supernatural—no mystery, ineffability, or sublimity. Spinoza does speak of “blessedness” and “salvation,” but these, too, are to be understood in natural and rational terms, as the peace of mind and happiness that come from understanding ourselves and the world. Whether Spinoza believed in God is a fascinating and enduring controversy. Spinoza, Atheist promises to transform our understanding of his views and to make clear just how radical a thinker he was and remains.  Steven Nadler is Vilas Research Professor and the William H. Hay II Professor of Philosophy at the University of Wisconsin–Madison. His many books include Rembrandt’s Jews, which was a finalist for the Pulitzer Prize, Spinoza: A Life, Think Least of Death: Spinoza on How to Live and How to Die, and A Book Forged in Hell: Spinoza’s Scandalous Treatise and the Birth of the Secular Age. Abe Silberstein is a Ph.D. student in the joint doctoral program in History and Hebrew and Judaic Studies at New York University.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The N-word is one of the most perplexing, controversial and misunderstood words in the American lexicon. It’s a word that Elizabeth Pryor has not only contemplated, it’s one that she has taught and observed up close.When a white student quoted her father and blurted out the N-word in the middle of a class she was teaching, Professor Pryor’s worlds collided. In that moment, she was forced to confront the history of the notorious slur in the United States, and her complicated relationship with her father Richard Pryor, who made the word a trademark of his comedy in the 1970s.As she dives into her research, her own memories of the N-word come flooding back in unprocessed memories that she hadn’t thought about for decades. In reckoning with those memories, Elizabeth goes on a more public journey of discovery of the messy and sometimes surprising legacies of racism in the United States.A braided narrative that seamlessly integrates the history of the N-word with Elizabeth’s own story of growing up the Black Jewish daughter of Richard Pryor, Something We Said: Richard Pryor, a Notorious Word and Me (37 Ink, 2026) follows Elizabeth as she becomes a leading scholar and teacher of the very word her father put on the pop culture map. You can find Elizabeth on her website, Instagram, and TikTok. Her viral Ted talk, “Why it’s so hard to talk about the N-word,” is here. And Richard Pryor: Live in Concern (1979) can be streamed on YouTube.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The Concept of Emotional Disorder (Oxford University Press, 2025) is a philosophical and academic exploration of how society determines whether emotions are considered normal human experiences or emotional disorders. The book examines the concern that some ordinary emotions may be “over pathologized,” meaning they are increasingly treated as medical or psychiatric problems rather than understandable human responses to life circumstances. Drawing from philosophy, psychology, and mental health theory, Dr. Ayob explores how people evaluate emotions and how those evaluations shape our understanding of emotional disorder. In the author’s framing, the concept of “emotional disorder” is not simple or straightforward. It is built upon many smaller judgments we make about emotions, including whether emotions are reasonable, excessive, disruptive, socially acceptable, or connected to a person’s lived experience. Key Ideas: The book examines how emotional disorders are conceptually defined. Explores whether modern society sometimes medicalizes ordinary emotional experiences too quickly. Lived experience, personal meaning, and context all influence how emotions are understood. Encourages deeper reflection about the assumptions society makes when labeling emotions as healthy or pathological. Emotional awareness and reasoning are connected. Understanding our emotions can help us better understand ourselves and the world around us. One of the strongest ideas from the discussion was that human beings process emotions through their own lived reality and personal experiences. What may feel distressing or emotionally overwhelming does not automatically mean it is a disorder. Sometimes emotional pain is part of being human, especially during difficult life experiences, loss, uncertainty, stress, or change. The conversation also emphasized the importance of emotional self-awareness and reasoning. Being informed about our emotions may help us better understand our reactions rather than immediately viewing every difficult emotional experience through a strictly medical lens. Angela Marie Hutchinson is the author of “Create Your Yes! When You Keep Hearing No,” named a Forbes No. 4 book to advance your career. She is a podcast host for New Books Network, where she leads conversations for the neuroscience and Christianity channels. Hutchinson is also a talent and intellectual property executive, former social media professor and BBC commentator. She resides in Los Angeles with her husband and three children. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.su

Wide ranging interview with Dr. Ronald L. Jackson II, Professor and Department Chair of Communication Studies, the University of Miami. Interview explores Dr. Jackson's pioneering scholarship in Black Masculinist Thought, its contribution to Black Studies, its intercultural conversations with Black Feminist Thought, the State of Black Men's Studies and its relationship to Black Women's Studies, its interface with the public spheres of Manosphere and Womanosphere, as well as the future of Black Masculinist Thought Scholarship and Black Gender Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The thinkers of the Scottish Enlightenment have often been claimed for sociology. But, what does it mean to say these thinkers were sociologists, or at the very least precursors to the subject? Does it, for example, mean that intellectuals of 18th Century Scotland had the same concerns as we do today? Alternatively, does it mean we should think of sociology as an elite discipline, developed by men who were attached to power, albeit with some often critical insights? In turn, if we accept these thinkers as doing something distinct, how can this sociologically be explained? These are the questions which animate Alex Law’s The Roots of Sociology: Scottish Enlightenment and the Civilising Process (Routledge, 2026). Structured around two sections, Sociology and the Scottish Enlightenment, as well as Sociology of the Scottish Enlightenment, Law sees these thinkers as thinking through what Elias would later call the civilising process. He so doing he explores how questions of state formation, violence and emerging commercial society structured their interest and how the particular position of Scotland, a stateless nation experiencing rebellion, provided the space for what he calls their ‘pre-sociology’. In our podcast we discuss how Law’s attempt to see the Scottish Enlightenment thinks as concerned with the civilising process differs from other attempts to claim them for sociology, the legacy of the Act of Union for these writers and how one became a thinker in these times. We also discuss why Adam Smith is, for Law, an ‘ambivalent’ figure for sociology and what we can learn from these writers about the scope and historical insight sociology should have. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (Palgrave Macmillan, 2024) and co-editor of The Anthem Companion to Henri Lefebvre (Anthem Press, 2026) along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Is food porn a vibrant and democratic new expression of modern food culture or a superficial addition to an image-saturated world? Tracing its origins from the 1970s to today, this timely book examines the evolution of food porn as a desire-inducing aesthetic practice and a visually extravagant food spectacle. Through discussions on class, gender, sexuality and national identities, Food Porn: Food Aesthetics in a Digital Age (Bristol University Press, 2026) by Dr. Jonatan Leer & Dr. Stinne Gunder Strøm Krogager questions whether food porn reinforces social hierarchies or empowers individuals. Also exploring anti-food porn aesthetics, this book is essential reading for anyone seeking to understand the deeper social implications of food’s digital allure. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead (University of California Press, 2026), Gary Hoover asks the reader a simple question: Is our economy a ladder or a lottery? Are people able to control their position on the economic spectrum by their actions? Some argue that, in our market-based economy, if you play by certain rules and make certain choices, you'll achieve upward mobility no matter what economic position you were born into. Drawing on his vast economic expertise, Hoover explores what this "social contract" requires of its citizens, and what it offers in return. Hoover shows how civil unrest is often directly related to broken society-level promises, exploring protest movements such as Occupy Wall Street, the Tea Party, the Arab Spring, and student debt forgiveness as case studies. He also predicts where future protests can be expected if results promised are not results delivered. This insightful and data-driven book tackles challenging issues around income inequality, health care, and artificial intelligence, and ultimately equips readers to answer these pressing questions: Is our social contract a ladder to higher economic standing, accessible to all no matter where they start? Or rather a lottery in which many will buy a ticket but only a few will find success? And how can we best align social promises with our lived economic realities? Gary Hoover is Executive Director of the Murphy Institute, Professor of Economics, and Affiliate Professor of Law at Tulane University. Dr. Zachery Williams is an Adjunct Professor in the Department of African and African American Studies at LSU. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In The Door of No Return: Being-As-Black (Temple University Press, 2026), Michael E. Sawyer presents a bold work of speculative theory and philosophy that explores how Black people bring the future into being—and what existence in that future looks like. He considers what people of African descent face and the proper response to the situation. He introduces the idea of Being-As-Black as a response and questions the overarching ethos that will be the guide to a beneficial resolution. Using critical theory and philosophy, Sawyer decouples Black identity and Black philosophy from White and Western frames by building on Toni Morrison’s ideas of Black Thought and encouraging an understanding of Black Self-Consciousness and Black Self-Identity on Black terms. The Door of No Return uses music, literature, visual art, and a variety of physical disciplines to imagine a world that differs from one that confounds the positive formation of Black Self-Consciousness under the coercive regime of white supremacy and Anti-Black racism. Michael E. Sawyer is Professor with Tenure of African American Literature & Culture, and Director of Graduate Studies in the Department of English at the University of Pittsburgh. Brigid Wallace is a graduate student at Lehigh University whose research focuses on the French Atlantic and Latin American world during the 18th and 19th centuries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What was life like for young people in twentieth century Britain? In We Have Come to Be Destroyed: Growing Up in Cold War Britain (Yale University Press, 2026), Dr Laura Tisdall, a Senior Lecturer in Modern British History at Newcastle University tells the story of this era through the eyes of children and young people, offering a radical reinterpretation of Britain’s Cold War age. The book offers a wide range of perspectives, from young people’s hopes and anxieties for the future, through popular culture during the Cold War, to changes in schools and the education system. The analysis also draws on detailed engagements with feminist and gay rights campaigns, and highlights the experiences of young people of colour, blending microhistories of individual experience with a broader narrative that transforms our existing knowledge of the Cold War. The book will be essential reading across the arts and humanities, as well as for social science scholars and anyone interested in knowing more about recent British history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A serene beach. The classroom of an elite private school. The still nights in an upscale residential neighborhood. An acclaimed poet with a quiet, dignified mode of address. The sonic etiquette and experience of quiet is integral to each of these scenes. The Quiet Zone: Caribbean Expressive Cultures and the Feminist Aesthetics of Disturbance (Rutgers UP, 2026) examines what the emergence of quiet as an elite aesthetic, privilege, and entitlement means for minoritized people who are often narrated as loud, disruptive, and disturbing, sonically, visually, and otherwise. Taking the Caribbean and its diasporas as its key sites of study, the book explores what we can learn from efforts to transform the region into the quintessential site of quiet leisure, in part, through the enactment of regimes of sonic discipline and surveillance directed against its majority Black population. Analyzing the work of Afro-Caribbean artists that catalog and critique sonic surveillance, the book questions the ways that quiet gets produced both as a regulatory ideal of racial, gender, sexual, national, and civilizational belonging and as a universal object of desire. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It is a compulsion of the human race to find a way to memorialize those we have lost and why we have lost them, from a gravestone of a loved one to war monuments that honor thousands who died in battle. In Audible Loss: New Music and the Crisis of Memory (Fordham UP, 2025), Andrea Zarafshon Moore examines how contemporary music has been used to memorialize three recent crises in the United States: the AIDS crisis, 9-11, and ongoing anti-Black violence. Moore reads these crises and the music that memorializes them to reveal the ways the are methodologically and ideologically similar to and different from each other. She explores the broader debates and discourses through which commemoration is always filtered and the ways interpretive consensus has been constructed and articulated in both musical and other memorial forms. Moore weaves close musical analysis with a wide-ranging discussion of how Americans memorialize, who Americans memorialize, and what memorials are meant to accomplish. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Glitter (Bloomsbury, 2022) by Dr. Nicole Seymour reveals the complexity of an object often dismissed as frivolous. Dr. Seymour describes how glitter's consumption and status have shifted across centuries-from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory-along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity.Glitter is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Published by Temple University Press in 2026, The Heartland of US Empire: Race, Region, and the Queer Filipinx Midwest examines Filipinx cultural representations in the Midwest since the early twentieth century. In it, Dr. Thomas Xavier Sarmiento shrewdly considers the impact of American exceptionalism and U.S. imperialism in a region where white, middle-class, heterosexual, and Christian is the norm. He employs a queer, decolonial Filipinx methodology that traces how narratives of America’s heartland position Filipinxs in the region as non-normative due to their racial, gender, sexual, and national statuses. As a result, The Heartland of US Empire locates queer Filipinxs in the geographic center of the nation and at the center of cultural narratives, thereby mapping alternative images of diasporic Filipinx identity and experience alongside U.S. regional and national identities, histories, and realities. Tom Sarmiento is an associate professor of English and Gender, Women, and Sexuality Studies at Kansas State University. He specializes in Filipinx American and queer literature and culture and teaches courses in Asian American literature, Cultural Studies, film adaptation, and Gender, Women, and Sexuality Studies. His works have appeared in MELUS: Multi-Ethnic Literature of the United States, The SAGE Encyclopedia on Filipina/o/x America Studies, Asian American Literature Discourse and Pedagogies, and in a special issue he guest edited for American Studies. In addition to his work in Literature & Cultural Studies, he is invested in helping students see writing as a nonlinear process and as a tool for social change. Donna Doan Anderson is an assistant professor in History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A central paradox of democracies is that they are always ruled by elites. What can democracy mean in this context? Today, it is often said that a populist revolt against elites is driving democratic politics throughout the West. But in Elites and Democracy (Princeton University Press, 2026), Hugo Drochon argues that democracy is more accurately and usefully understood as a perpetual struggle among competing elites—between rising elites and ruling elites. Real political change comes from the interaction between social movements and elite political institutions such as parties. But, although true democracy—the rule of the people—may never be achieved, striving towards it can bring about worthwhile democratic results. At the turn of the twentieth century, Gaetano Mosca, Vilfredo Pareto, and Robert Michels put forward “elite” theories of democracy and gave us terms such as the “ruling class” and “elites” itself. Drawing on their work and tracing the history of democratic thought through figures such as Joseph Schumpeter, Robert Dahl, C. Wright Mills, and Raymond Aron, Elites and Democracy reveals that this fundamentally elitist basis of democracy—democracy understood as competition between elites—was there all along. The challenge is to think it anew. Moving away from procedural or principled conceptions of democracy, Elites and Democracy develops a dynamic theory of democracy, one grounded in movement. With current politics defined by a populist backlash against elites, dynamic democracy offers the tools we urgently need to understand our contemporary predicament and to act upon it. Hugo Drochon is an Associate Professor in Political Theory at the University of Nottingham. He is a historian of modern political thought, with interests in Nietzsche's politics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What explains the rise of religious populism in contemporary Turkish politics and society? How does industrialization help to explain change and continuity in social and religious life in Muslim majority countries? In his new book Industrial Islamism: How Authoritarian Movements Mobilize Workers (University of California Press, 2025), Utku Balaban examines Turkey’s rapid post-Cold War industrialization and argues that the answers to these questions lie in a class analysis centered on the relationships between employers and employees situated within larger contexts of globalization and historical Islamization. Political and religious transformations occurring in the 1980s and 1990s are not the result of a cultural backlash to or rejection of “Westernization,” or a nostalgia for an idealistic past. Rather, Balaban argues they are related to the rise of a socio-economic-political class he calls the “faubourgeosie” that strategically employ Islamic populism as a method of protecting their interests against other primary class actors. These changes are internal to the mechanics and logics of capitalism as shifts in the traditional relations of production produced new alliances and networks based on small-scale capital accumulation. Balaban’s Turkish case study can be applied to other Muslim-majority countries in which small-scale industrialists similarly dealt with economic anxiety and aspirations through recourse to popular Islamist rhetoric not as a specifically moral strategy, but as a political one. Industrial Islamism recently received the best new book in the category of international political economy from the International Studies Association. Dr. Utku Balaban is an Associate Professor of Sociology at Xavier University. He is the author of A Conveyor Belt of Flesh: Urban Space and the Proliferation of Industrial Labor Practices in Istanbul’s Garment Industry (2011) and Social Inclusion Practices in Turkey (2015). Dr. Jaclyn Michael is an Associate Professor of Religion at the University of Tennessee at Chattanooga (USA). She is the author of several articles on Muslim cultural representation, performance, and religious belonging in India and in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Why have moral philosophers largely ignored colonialism? In Moral Philosophy and De-Colonialism: The Irrationality of Oppression (Bloomsbury Academic, 2026), Shyam Ranganathan tells the story of moral philosophy and colonialism and reveals the benefits of drawing from a colonized tradition to a create a rigorous logic-based ethics. This is a timely exploration of the the ways in which Western colonialism has structured moral theorizing to insulate itself from criticism. In his account of the domination of the European tradition and the suppression of questions of its colonialism, Ranganathan covers the evolution of metaethics, normative ethics, and applied ethics in ancient European, Chinese, and Indian traditions of philosophy. We see the presence of white supremacy in the writings of J.S. Mill, Marx and Engels, and the importance placed on autonomy and sovereignty in Hobbes and Kant. The European influence of interpretation on our peer review of historical philosophy is evident throughout. Using South Asia as an example Ranganathan examines how colonizers are able to erase moral philosophical history and redefine cultures as religions, judged in terms of their conformity to, or deviation from, the Western tradition, which is treated as secular. His acknowledgment of Yoga as a basic ethical theory introduces us to thinking that recognizes persons as a diverse group, traversing sex, gender, race, sexual orientation, and species. Through this analysis of colonized traditions and ethics, Ranganathan is able to de-colonize moral philosophy by looking outside the colonizing tradition. If we want sophisticated and inclusive ways of thinking about how to live we must turn towards indigenous thought. Shyam Ranganathan is a member of the Department of Philosophy and York Center for Asian Research at York University, Toronto, Canada, and founder of the Yoga Philosophy Institute. Dr. Raj Balkaran is a scholar of Indian mythology and seasoned online educator. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom where he delivers original courses applying Indian wisdom teachings to modern life. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood’s recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry’s nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie’s Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

At the heart of the fiercest international conflicts is the struggle for the future of globalization. In the wake of a pandemic that tested economies and societies, geopolitical conflict has taken on a new intensity. The Rest and the West: Capital and Power in a Multipolar World (Verso, 2024) locates the origins of this development in the turbulent dynamics of the capitalist world market. Rather than reducing global conflict to a matter of great power rivalries or the process of economic decoupling, Sandro Mezzadra and Brett Neilson investigate the increasing centrality of war to capital operations and to the transformation of capitalism. The goal is to forge a theory of imperialism adequate to a world in which the ‘rest’ no longer provides a putative unity that defines and opposes the ‘West’. Brett Neilson is professor and deputy director at the Institute for Culture and Society, Western Sydney University. In the last decade, his work has centered on issues of migration, borders, and globalization, logistics and digitalization, contemporary capitalism, geopolitics, and automation. Apart from writings with Sandro Mezzadra, he has published many articles and books, including Free Trade in the Bermuda Triangle … and Other Tales of Counterglobalization (Minnesota, 2004). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Most of us today would assume that morality and ethics, being value propositions, are questions for inspired leaders, religious creeds, poets—in other words, for the humanities. But what if I told you that we can construct a system of ethics and morality by studying math—more specifically: the laws of thermodynamics? That’s what Professor Drew M Dalton argues in his latest book. Dalton traces a line of metaphysical inquiry from Kant through Spinoza, Nietzsche, and others up to today to show how we get from E=mc2 to a full-throated call to resist evil and alleviate suffering to our very last breath. By overturning our assumptions about the nature and value of reality, The Matter of Evil: From Speculative Realism to Ethical Pessimism (Northwestern UP, 2024) presents a provocative new model of ethical responsibility that is both logically justifiable and scientifically sound. Dalton argues for “ethical pessimism,” a position previously marginalized in the West, as a means to cultivate an account of ethical responsibility and political activism that takes seriously the unbecoming of being and the moral horror of existence. Drew M. Dalton is a professor of English at Indiana University, having received his Ph.D. in Philosophy from the University of Leuven in Belgium. His research focuses on the normative implications of different metaphysical systems and, specifically, he’s interested in how questions of right and wrong, good and evil, beauty and pleasure are framed within aesthetics, literary theory, ethics, and political philosophy. He is the author of Longing for the Other: Levinas and Metaphysical Desire (Duquesne University Press, 2009), The Ethics of Resistance: Tyranny of the Absolute (Bloomsbury, 2018), and The Matter of Evil: From Speculative Realism to Ethical Pessimism (Northwestern University Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

MacArthur Fellow and National Humanities Medalist Rebecca Newberger Goldstein, author of Plato at the Googleplex and The Mind-Body Problem, returns with a revelatory book about the primal drive that in our species alone has been transformed into one of our most persistent and universal motivations: the longing to matter. Drawing on biology, psychology, and philosophy, in The Mattering Instinct: How Our Deepest Longing Drives Us and Divides Us (Liveright Publishing, 2026) Goldstein argues that this need to matter―and the various “mattering projects” it inspires―is the source of our greatest progress and our deepest conflicts: the very crux of the human experience.Goldstein brings this profound idea to life through unforgettable stories of famous and not-so-famous people pursuing their unique mattering projects: the ragtime genius Scott Joplin, whose dedication to his ignored masterpiece, Treemonisha, ended in tragedy; the pioneering psychologist William James, who rose above the depression of his young adulthood to become perhaps the first great theorist of mattering; an impoverished Chinese woman who rescued abandoned newborns from the trash; and a neo-Nazi skinhead who as a young man dealt racial violence to feel he mattered but ultimately renounced that hateful past after realizing that mattering isn’t a zero-sum game. These portraits illuminate how our instinct for significance shapes identity, relationships, culture, and conflict―and they point the way to a future where we all might see that there is, fundamentally, enough mattering to go around.Deeply revealing and insightful, and decades in the making, The Mattering Instinct is a must read for those curious about why we seek to matter to ourselves and others―and how this insatiable longing that drives us apart may be the key to finally understanding each other. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

“Parental rights” is a rallying cry for today’s American conservatives, signaling opposition to mandatory vaccination and “woke” public school curricula. In Every Man's Home a Castle: Parental Rights and the Makings of Modern Conservatism (Princeton UP, 2026), Dr. Julia Bowes traces the origins of the modern parental rights movement to the nineteenth century, when the introduction of compulsory schooling laws, child labor regulations, and vaccine requirements provoked a resistance rooted in the presumed right of white men to govern their homes. A wide-ranging coalition—including Irish Catholic immigrants in Illinois, Mormon enclaves in Utah, and Protestant clergy in Virginia—believed that the state had usurped the “natural rights” of parents and “invaded the home.”Dr. Bowes shows how, by the turn of the century, those disparate voices had coalesced into national conservative movements. Anti-vaccinationists, alternative medical practitioners, and parents who opposed compulsory school medical exams joined forces to form the National League for Medical Freedom. Deciding a case brought by conservative Catholic lawyers, the Supreme Court declared parental rights a “fundamental liberty” protected by the Fourteenth Amendment. And the Sentinels of the Republic, a conservative citizen’s lobby, mobilized a campaign to defeat the proposed federal Child Labor Amendment, bringing together pro-family and free-market politics with far-reaching consequences.Exploring the emergence of parental rights as an antistatist ideology through legal cases, legislative debates, and political movements, Dr. Bowes argues that the expansion of state power over children provoked such fierce opposition because the paternal rights of white men—considered the “rights-bearing” individuals of American democracy—were widely viewed as the mark and measure of their independence. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Can art change the contemporary world? In Feminism, Art, Capitalism Angela Dimitrakaki, a Professor of Contemporary Art History and Theory at the university of Edinburgh, offers a Marxist Feminist perspective on a variety of issues in both society and the cultural sector. Engaging with a huge range of examples, as well as theorising key issues such as work and labour, the long modern, communing practices and technology, the book offers a global perspective on the contradictions that feminism faces under capitalist culture. A rich examination of the book will be of interest across the humanities, as well as for anyone interested in the importance of art today. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today we think of land as the paradigmatic example of property, while in the past, the paradigmatic example was often a slave. In this seminal work, James Q. Whitman asserts that there is no natural form of ownership. Whitman dives deep into the long Western history of this transformation in the legal imagination – the transformation from the ownership of humans and other living creatures to the ownership of land. This change extended over many centuries, coming to fruition only on the threshold of the modern era. It brought with it profound changes, not only in the way we understand ownership but also in the way we understand the state. Its most dramatic consequence arrived in the nineteenth century, with the final disappearance of the lawful private ownership of humans, which had been taken for granted for thousands of years. James Q. Whitman is the Ford Foundation Professor of Comparative and Foreign Law at Yale Law School. He earned his B.A. and J.D. from Yale University and Law School and also holds an M.A. in European History from Columbia University and a Ph.D. in Intellectual History from the University of Chicago. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The New Racial Regime begins by interrogating the backlash against critical race theory and explains how the so-called war on woke can be used against educators or to curtail struggles challenging settler colonialism. Alana Lentin grounds her analysis with an engagement of the ideas making up the Black radical tradition and explicates the work of Cedric Robinson in particular. She builds a historically situated analysis of ‘race’ as inherently unstable and explains that the racial regime requires constant recalibration to maintain hierarchies of dominance within global systems of white supremacy and heteropatriarchy. Exposing the limitations of liberal anti-racism, Lentin’s analysis explores how racialism is embedded in social institutions and can inhibit a clear understanding of antisemitism, as well as anti-Indigenous and anti-Black racism. The New Racial Regime is an insightful and principled response to present-day struggles over culture, education, and politics. Alana Lentin is a Professor of Cultural and Social Analysis at Western Sydney University. Genevieve Ritchie is a lecturer in the School of Social Sciences at Western Sydney University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Media Rurality (Duke UP, 2026), edited by Darin Barney and Patrick Brodie, investigates the centrality of rural places and people within the media systems and technologies that shape daily life in and across rural and urban settings alike. Edited by Darin Barney and Patrick Brodie, from the boglands of Ireland to data centers in the Oregon countryside to the homemade media systems of rural Tanzania, the contributors to this volume show how rural territories are highly mediated, technologized spaces profoundly enmeshed with global capitalism and colonialism. Approaching the study of rurality through a materialist lens that foregrounds infrastructure, this collection shows how rural spaces often bear the environmental brunt of capitalist development while being relegated to the economic and cultural periphery.Contributors: Christopher Ali, Patrick Bresnihan, Patrick Brodie, Darin Barney, Jenna Burrell, Jordan B. Kinder, Burç Köstem, Cindy Lin, Emily Ng, Lisa Parks, Anne Pasek, Esther Peeren, Nicole Starosielski, Ishita Tiwary, Hunter Vaughan, Ayesha Vemuri, Megan Wiessner, Assatu Wisseh.  This episode features a conversation with host Sadie Couture, editors Patrick Brodie and Darin Barney, and contributors Burç Köstem and  Megan Wiessner.  Sadie Couture is a PhD candidate in Communication Studies at McGill University, and an incoming Postdoctoral Research Fellow at the Smithsonian Institution's National Museum of American History. https://www.sadiecouture.com/ Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about slavery. Many of the sights and sounds that Americans associate with slavery are rooted in this grandiose historical myth. The image of the Big House, sitting atop carefully manicured rolling green hills, is in large part, a fantasy, as is the idea of the plantation as an expansive family home to chivalrous planters and content slaves. Jason R. Young explores the persistence of these myths and the historical memory of slavery by focusing on the elite white mythmakers who helped shape our understanding of slavery. Examining literature, art, and performance, Young interrogates both the power and the folly of these ideas. In uncovering their origins, The Mask of Memory: White Racial Fantasy After the Civil War (UNC Press, 2026) resists these racial fantasies and challenges their stubborn resurgence in our own time. You can find Jason Young at the University of Michigan website. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A major new look at Africa’s influence on European culture and how colonization remade Africa in the image of a medieval Europe.Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas’s Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil’s Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt’s, Libya’s, and Carthage’s influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.Atlas’s Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world. D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the decades before the establishment of a Jewish state in 1948, native and immigrant Jews in Palestine mediated between Jewish and Arab cultures while navigating their evolving identities as settler colonists. Hebrew Orientalism: Jewish Engagement with Arabo-Islamic Culture in Late Ottoman and British Palestine (Princeton UP, 2025) challenges the conventional view that Hebrew thinkers were dismissive of Arabo-Islamic culture, revealing how they both adopted and adapted elements of it that enhanced Zionist aims.Drawing on a wealth of sources ranging from Arabic medieval chronicles, travel narratives, and poetry to modern Hebrew geography and botany texts, Mostafa Hussein provides a nuanced understanding of Hebrew orientalism by focusing on the practical activities of Hebrew writers, such as recuperating the Jewish past in the East, constructing Jewish indigeneity, consolidating Jewish ties to Palestine’s landscape, enhancing understanding of the Hebrew Bible, reviving Hebrew language, and undertaking translation projects. Through the lens of a diverse group of Jewish intellectuals—ranging from Palestine-born Sephardi/Oriental and Ashkenazi Jews to Eastern European immigrants—he unveils the complex realities of cultural exchange and knowledge production, highlighting the dual role of these intellectuals in connecting with the East and promoting Zionist aspirations. Hussein offers fresh insights into the role of scholarly practices in advancing new perspectives on the region and its peoples and forging a modern Zionist Hebrew identity.Illuminating the intricate and often contradictory engagement of Hebrew scholars with Arabo-Islamic culture, Hebrew Orientalism informs contemporary discussions of postcolonialism and settler colonialism and enriches our understanding of the historical dynamics between Jews and Arabs in Palestine. Mostafa Hussein is assistant professor of Jewish-Muslim studies at the Jean and Samuel Frankel Center for Judaic Studies at the University of Michigan. He is the editor (with Brahim El Guabli) of Remembering Jews in Maghrebi and Middle Eastern Media. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

This episode introduces a special issue on food and philosophy. Robert T. Valgenti, of Gastronomica’s Editorial Collective, talks with Andrea Borghini about the increasing attention to food within philosophy over the last three decades and shares the inspiration behind their special issue. They discuss how this issue of Gastronomica engages with different disciplines and formats by bringing together short essays and reflections on the field of philosophy from scholars around the world. By attending to ethics, value, and aesthetics through a range of topics that include art, taste, hunger, sustainability, food waste, and bioethics and GLP-1s, the special issue highlights different perspectives on how food can enter philosophical practice. Gastronomica’s special issue on food and philosophy was published in Fall 2025 (25.3) and is available online here. Andrea Borghini is an associate professor of philosophy and the director of Culinary Mind, a research center for the philosophy of food, at the University of Milan. Learn more about his work here and about Culinary Mind here. Robert T. Valgenti is a professor of liberal arts and food studies at The Culinary Institute of America. A philosopher and translator, he works on the philosophy of food, Italian philosophy, and hermeneutics and is a member of the Editorial Collective at Gastronomica. Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica’s podcast feed to stay updated on the newest episodes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can lives and things that are rendered invisible be crucial to identity, politics, and the future? Drawing on experimental ethnographic research in northeastern Estonia, this book offers vivid answers. The Future of Hiding: Secrecy, Infrastructure, and Ecological Memory in Estonia's Siberia (Cornell UP, 2025) analyzes the territorial dimensions of secrecy and how concealment occurs in relation to energy infrastructure and identity politics in eastern Estonia. It shows that secrets and hiding places are intrinsic to human affairs, while reconsidering the possibilities of relating ethnographically to what appears to be the extraneous. Francisco Martínez highlights how basements, garages, bunkers, holes, and cottages favor alternative forms of sociality, allowing local residents to redesign the terms of their public selves. Shadow spaces in this liminal region, at the border with Russia, are created against the institutional demand to be knowable. People engage in ordinary forms of ambivalence and refusal to negotiate a sense of loss and the consequences of a century of extractive activities. The Future of Hiding invites cross-disciplinary dialogue on topics like mining, transparency, belonging and cultural landscapes, offering insights into infrastructure's reproduction and destruction, recolonizations, and the ecological memory of a sacrificed area. Francisco Martínez is an anthropologist dealing with contemporary issues of material culture through ethnographic research. His work is known for its critical insights and experimental style. He was awarded with the Early Career Prize of the European Association of Social Anthropologists and currently works as a Ramón y Cajal Senior Research Fellow at the University of Murcia, Spain. His email address is [email protected]. Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this special student edition of High Theory, Andrew Bennett, Jo Hoffman, Kai North, and Ally Sullivan tell us about Rugged Individualism, a concept they link to Marxist theory. They made this episode for an assignment in Professor John Linstrom’s course on Theory and Criticism at Centenary College of Louisiana. The students provided the show notes below. The baby theorist pictured in the fetching onesie is John's newest daughter, and not a member of the theory class that produced this episode. The transcript of the episode lives here as a WordDoc and here as a PDF. Show Notes 1. First minute or so is spent in the introduction of each speaker, being Centenary senior Andrew Bennett and Centenary junior Jordan Hoffman, Andrew starts off with name dropping the podcast name, being High-Theory student version. 2. The discussion is first spent in going over the origins of rough individualism and what encourages it, which is mostly due to monetary stability. 3. Rugged individualism was seen most utilized during American expansionism during the mid to late nineteenth century, as citizens who moved to the frontier had little to no government to assist them and their families. The discussion later follows up into its more referenced era during the economic boom of the 1920’s under President Herbert Hoover and his take on rugged individualism. 4. First question: Socioeconomic status quo 5. Under the modern era, rugged individualism has been viewed as a negatively impacting idea, especially with lower economic citizens. That is not to say that there aren’t examples of individuals succeeding; however, it is not common. It is a system to keep the poor poorer and the rich richer. This shift started to fully come into view within the Reagan and Clinton administrations from the 80’s to the 90’s and even still in the present day. 6. If we were to compare the American lifestyle to other communities that center around having a community life, they would view it as a form of self-destructiveness. 7. Second question: How to utilize rugged individualism and Marxist, feminist theories 8. Rugged individualism can only work in a true meritocracy with definable gender structures, given the eras it could be said rugged individualism was properly utilized, at least before it was subverted by the wealthy's schemes for power. 9. Third question: Understanding Rugged Individualism in saving the world 10. Having the lower classes become aware of the system that holds them from achieving success for the rich. 11. The discussion begins to arrive to its end as the speakers dwell on how the rich scheme away to keep their advantage, as well as comments regarding gender roles that

From the author of Work Won't Love You Back, a stirring examination of how collective grief can ignite powerful change. Our era is one of significant and substantial loss, yet we barely have time to acknowledge it. The losses range from the personal grief of a single COVID death to the planetary disaster wrought by climate change, in an age of unraveling hopes and expectations, of dreams curtailed, of aspirations desiccated. This is capitalism's death phase. It has become clear that the cost of wealth creation for a few is enormous destruction for others, for the marginalized and the vulnerable but increasingly for all of us. At the same time, we are denied the means of mourning those futures that are being so brutally curtailed. At such a moment, taking the time to grieve is a political act. Sarah Jaffe shows how the act of public memorialization has become a radical statement, a vibrant response to loss, and a path to imagining a better world. When we are able to grieve well the ones we have lost, the causes they fought for, or the examples they bequeathed us, we are better prepared to fight for a transformed future. Sarah Jaffe is a journalist and labor reporter who writes about work, inequality, and social movements. Her work has appeared in major publications such as The Nation, The Washington Post, and The Guardian. Jaffe has long reported on labor struggles and worker organizing, including movements like Occupy Wall Street and the Fight for $15 campaign. She is also the author of Necessary Trouble and Work Won't Love you Back. She is co-host of the labor podcast Belabored. Her writing focuses on how economic systems shape everyday life and workers’ experiences. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the middle decades of the nineteenth century, imperial powers around the world came into direct confrontation with local resistance in the form of maritime raiding. From the Atlantic basin to the western Mediterranean Sea, the Persian Gulf and the east coast of Africa, and Southeast Asia and China, imperial powers claimed that progress was being held back by the barbarity and greed of pirates, who repeatedly attacked imperial vessels. The suppression of piracy, justified under the banner of spreading civilization and free trade and abolishing slavery and the slave trade, provided both western and non-western powers with a back door for territorial expansion and the enforcement of imperialist agendas. In Pirate Imperialism: Trade, Abolition, and Global Suppression of Maritime Raiding, 1825–1870 (Yale UP, 2026), Professor Manuel Barcia tells the story of these conflicts, showing how imperialist powers frequently used anti–maritime raiding efforts as excuses to cement western supremacy in various parts of the world, while simultaneously resorting to violent means that were indistinguishable from the methods of those they accused of being pirates. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Our Recall This Buck series began by speaking with Christine Desan of Harvard Law School about how key ideas—and the actual currency, physical coins and bills— underlying the modern monetary system get “invisibilized” with that system’s success, so that seeing money clearly is both harder and more vital. Today, illustrious Princeton historian Peter Brown narrates the … Continue reading "42 Recall This Buck 2: Peter Brown on wealth, charity and managerial bishops in early Christianity (JP)" Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: [email protected]. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Described by Voltaire as “perhaps a man of the most universal learning in Europe,” Gottfried Wilhelm Leibniz (1646–1716) is often portrayed as a rationalist and philosopher who was wholly detached from the worldly concerns of his fellow men. Leibniz in His World: The Making of a Savant (Princeton UP, 2026) provides a groundbreaking reassessment of Leibniz, telling the story of his trials and tribulations as an aspiring scientist and courtier navigating the learned and courtly circles of early modern Europe and the Republic of Letters.Drawing on extensive correspondence by Leibniz and many leading figures of the age, Audrey Borowski paints a nuanced portrait of Leibniz in the 1670s, during his “Paris sojourn” as a young diplomat and in Germany at the court of Duke Johann Friedrich of Hanover. She challenges the image of Leibniz as an isolated genius, revealing instead a man of multiple identities whose thought was shaped by a deep engagement with the social and intellectual milieus of his time. Borowski shows us Leibniz as he was known to his contemporaries, enabling us to rediscover him as an enigmatic young man who was complex and all too human.An exhilarating work of scholarship, Leibniz in His World demonstrates how this uncommon intellect, torn between his ideals and the necessity to work for absolutist states, struggled to make a name for himself during his formative years. Audrey Borowski is a Leverhulme Early Career Fellow and Isaac Newton Trust Fellow at the University of Cambridge working on the philosophy of AI. She received her PhD from the University of Oxford and is a regular contributor to The Times Literary Supplement and Aeon. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Humanities Theory (Oxford UP, 2026) pioneers a new topic: the theory of the humanities. It is an urgent topic right now because the humanities face a suite of forceful new challenges and are in a period of significant change. For these reasons, it has become important to analyse and understand what the humanities are as a whole, beyond disciplinary divisions and yet without resorting to simplistic notions of their worth. Remarkably little attention has been paid to this topic. Most discussions of the humanities have been polemical if not defensive. This book argues that there exists a global humanities world which not only transcends disciplinary divisions but joins the professional academic humanities to a thriving amateur public humanities. This world has no essence, it is plural. Nevertheless, powerful, if contested, ethical orientations run through it and help shape it, including a will to truthfulness, a will to openness and generosity, a will to examine values.In their essays Simon During and Amanda Anderson each bring different emphases to their shared orientation towards a large plural humanities world:During analyses how key disciplines—sociology, philosophy and history—might be used to think about the humanities as a whole and, on this basis, offers some predictions of the future awaiting the humanities.Anderson analyzes media representations of the humanities and considers the general conceptual frameworks through which the humanities focus on value and proffer critique. She analyses a series of examples of contemporary critical engagements in the humanities to press a case for value pluralism in the humanities and the university more broadly. Amanda Anderson is Andrew W. Mellon Professor of English and Humanities and Director of the Cogut Institute for the Humanities at Brown University. She is the author, most recently, of Psyche and Ethos: Moral Life after Psychology (Oxford, 2018) and Bleak Liberalism (Chicago, 2016). She previously served as the Director of the School of Criticism and Theory at Cornell and serves on the advisory board of the international Consortium of Humanities Centers and Institutes (CHCI). Simon During, educated in New Zealand and at Cambridge, has taught at the University of Melbourne and Johns Hopkins University. He is the author of pioneering work in post-colonialism, cultural studies, and the history of entertainment but in recent years has concentrated on thinking about literature and the humanities under their difficult contemporary conditions Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Ch

Political theorist Alisa Kessel (University of Puget Sound) has an important and impressive new book, Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Kessel’s research grew out of her work on questions of consent and how consent is embedded within the social contract structure. Initially the plan for the research was to critique this concept of “rape culture” which had found its way into popular discourse as well as academic work and was somewhat unclear in terms of application and understanding. Kessel notes in the book and in our conversations that her thinking about the idea of rape culture owes a great deal to black feminists who had been writing about and discussing the underlying issue at the heart of rape culture, which is not just about violence against women, but more broadly about the political, societal, and cultural dimensions of domination, victimhood, and human value. Rape Fantasies develops this understanding and provides fascinating examples of this intersectional concept. One of the key claims of the book is that sexual violence is not accidental, it is not necessarily based on physical urges that just cannot be controlled; it is, instead, based in the dynamic of political domination thus making rape itself a political act. Part of the unexamined problem with rape is that it is built around an entitlement to dominate, which also makes the threat of sexual violence a political act. Rape Fantasies traces this idea through a number of different case studies that unpack the dimensions of this threat of sexual violence in a variety of circumstances and situations, tied, inevitably, to the duality of domination and subordination or victimization, which is also wrapped up with questions of who is deserving of protection and who is not as deserving. Kessel explains that in examining sexual violence, what she found was multifaceted reflections and refractions, since the issue and the individual’s experience with sexual violence are neither simple nor linear. And the examples and case studies that make up the thrust of the book present this multidimensional nature of sexual violence. This multifaceted thinking about sexual violence also integrates an intersectional analysis, drawing on work from indigenous studies, feminist and women’s studies, feminist theory, black feminism, political theory and other connected schools of thought. The interrogation of rape and rape culture, particular in context of the political valence, “occurs across multiple axes of oppression, including white supremacist, heteropatriarchal, cisgender, settler colonial, and capitalist axes.”<a href="https://newbooksnetwork.com/admin/entries/episodes

Decolonization has long been debated across the social sciences, but the economics discipline has so far avoided such critical engagement. Decolonizing Economics: An Introduction (Polity, 2024) provides a much-needed intervention.Dutt, Alves, Kesar, and Kvangraven uncover the deeply Eurocentric foundations that shape how economists study the world today. These have rendered the discipline ill-equipped to tackle critical questions, such as structural racism, uneven development, the climate crisis, labour relations, and how structural power shapes economic outcomes. Decolonizing economics entails challenging the norms of neutrality and objectivity that economists claim to speak from, while fostering alternative ways of understanding the economy that take seriously structural power relations and contemporary processes of economic development. Readers will come to understand the political stakes of decolonization and the wide range of scholarship that already exists that can help us grasp economics from non-Eurocentric perspectives. Through such scholarship, we can gain an enriched understanding of capitalism and its relationship to exploitation, colonialism, and racialization. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Over the last twenty-five years, the concept of per-sonhood has become central to many contentious debates. Corporations have won free speech protections, as if they were individuals. The right to life or freedom has been claimed on behalf of fetuses, trees, and elephants. The fund of human rights is spilling over into the nonhuman.Lisa Siraganian’s The Problem of Personhood: Giving Rights to Trees, Corporations, and Robots (Verso, 2026) reveals the unsettling consequences of granting rights to imagined persons, such as Sophia the robot citizen or New Zealand’s Whanganui River. Synthesizing the political and phil­osophical debates on personhood and drawing on a varied cast of thinkers that includes Simone Weil, Hannah Arendt, and Dr. Seuss, Siraganian un­covers the disturbing impact of this contemporary development. Awarding rights to robots and rivers all too easily becomes a legal tool to turn people into capital. When robot Sophia is made a citizen, “she” is transformed into a subject in the law without the corre­sponding legal duties that protect us from her.At the root of this trend is the US Supreme Court’s Citizens United ruling that grants First Amendment rights to corporations as if they were individuals. The result has not been the transformation of things into humans so much as humans into things, when animals and the environment would be better protected with reference to our humanity rather than to theirs. Lisa Siraganian is the J. R. Herbert Boone Chair in Humanities and Professor in the Department of Comparative Thought and Literature at Johns Hopkins University (Baltimore, Maryland, USA). Her work has won multiple awards and has been supported by fellowships from the American Academy of Arts and Sciences, the National Endowment of the Humanities, the American Council of Learned Societies, and the Andrew W. Mellon Foundation. Siraganian has written award-winning scholarly monographs that bridge literary criticism, art criticism, and legal and philosophical scholarship. More recently, she was the Editor of the Norton Anthology of American Literature, 10th edition, Volume D (1914-1945) (2022). Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supporting

Revolutions: A New History (Verso Books, 2025) is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. Revolutions will change how you think about the transformative moments in history, both big and small. Revolutions is a sparkling account of political upheaval and the power of history. We think of revolutions in terms of fleeting events, such as the fall of the Bastille or the storming of the Winter Palace. In reality, they take decades to burn out, if they ever do.Historian Donald Sassoon takes the long view of some of the most famous upheavals: the English Civil War, the American War of Independence, the national uprisings that unified Italy and Germany, and the French, Russian and Chinese revolutions. This is a history rich in irony and surprises. As Sassoon shows in this tour de force account, revolutions usually catch revolutionaries themselves by surprise, and the consequences are difficult to fathom at any remove. Revolutions will change how you think about the transformative moments in history, both big and small. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Tuesday, April 7, 2026—Confronting disenfranchisement, legal segregation, and terrorist violence in the aftermath of the Civil War, Black Americans challenged white supremacy in word and deed in a prolonged struggle to create a better, more just nation. Join Tyina L. Steptoe, editor of the new two-volume LOA edition of writings from the Jim Crow era, and historians Keisha N. Blain and Manisha Sinha for a conversation about courageous voices and revelatory firsthand documents that bring this crucial period to life and speak powerfully to the present. Hosted by Max Rudin Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac’s words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman’s “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac’s book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period’s historiography from a south-to-north directionality while inventing p

How might a twenty-first-century revolution against class society succeed? Communism comes from the future, but its hopes haunt our past. Reading revolutionary history from the Paris Commune to the George Floyd Uprising by the light of communist theory, from Marx to C. L. R. James, The Future of Revolution: Communist Prospects from the Paris Commune to the George Floyd Uprising (Verso Books, 2025) illuminates the possibilities for overcoming class society in the twenty-first century.When Marx wrote that the Paris Commune of 1871 showed that “the working class cannot simply lay hold of the ready-made state machinery, and wield it for its own purposes,” he identified a principle that will remain true as long as capitalism and its class antagonism persist. Historical revolutions reveal essential features of our communist horizon, which would-be revolutionaries, then as now, must negotiate one way or another. In chapters that move from a critical history of the workers’ council to a reading of Marx’s theory of value as an inverted description of communism, Jasper Bernes synthesizes from a history of failure the key criteria for success. He defines for our present moment the urgent mission of the world proletariat. Jasper Bernes lives in Oakland and teaches in the English Department at the University of California, Berkeley. A regular contributor to the Field Notes section of the Brooklyn Rail, he is the author of The Work of Art in the Age of Deindustrialization and two books of poetry, We Are Nothing and So Can You and Starsdown. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Panini’s Ashtadyayi is one of the most famous works in Sanskrit, a so-called “linguistic machine” that, through its 4,000 words, allows someone to generate words and grammar. Generations of commentators have tried to figure out exactly how to best interpret the work and explain its various contradictions and overlapping instructions. Then, in 2022, Rishi Rajpopat, a PhD student at Cambridge, said he’d figured out how to unravel Panini’s work to create a cohesive set of rules–and potentially wiped away centuries of commentary. The announcement made headlines (and led to some grumbling among other Sanskrit professors). That work is now a book—Panini's Perfect Rule: A Modern Solution to an Ancient Problem in Sanskrit Grammar (Harvard UP, 2025)—and Rishi joins us today to talk about it.  Rishi Rajpopat is Research Assistant Professor in the Department of Philosophy and Religious Studies at the University of Macau. His research on Pāṇini’s grammar has been covered by the BBC, Daily Mail, The Telegraph, the Times of India, The Hindu, and other global news outlets. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Panini’s Perfect Rule. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film (Edinburgh UP, 2025), Leslie Barnes examines the ambivalences that mark Southeast Asian sex industries under global imperialism. She explores the multi-layered subjectivities of sex workers, procurers and clients, and interrogates the frameworks in which discourses surrounding sex work circulate. Engaged with debates concerning the status of transactional sex, Sex Work in Southeast Asia explores the symbolic force and concrete conditions of sex work in Cambodia and Vietnam, considering how these debates and the figures they ensnare are mediated by fiction and creative nonfiction. The book’s scenes of ambivalence show how the aesthetic treatment of sex work stretches the paradigms we use to make sense not only of sex work, but also of art, the evidentiary status of testimony and the spectacles of pleasure and suffering. Contesting essentialism and authenticity, and working to suspend judgement, these scenes encourage a re-examination of what we think we know about sex work, how we know it and what we do with that knowledge. Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Altered states of consciousness – including experiences of deprivation, pain, hallucination, fear, desire, alienation, and spiritual transcendence – can transform the ordinary experience of selfhood. Unselfing: Global French Literature at the Limits of Consciousness (U Toronto Press, 2022) explores the nature of disruptive self-experiences and the different shapes they have taken in literary writing. The book focuses on the tension between rival conceptions of unselfing as either a form of productive self-transcendence or a form of alienating self-loss. Michaela Hulstyn explores the shapes and meanings of unselfing through the framework of the global French literary world, encompassing texts by modernist figures in France and Belgium alongside writers from Algeria, Rwanda, and Morocco. Together these diverse texts prompt a re-evaluation of the consequences of the loss or the transcendence of the self. Through a series of close readings, Hulstyn offers a new account of the ethical questions raised by altered states and shows how philosophies of empathy can be tested against and often challenged by literary works. Drawing on cognitive science and phenomenology, Unselfing provides a new methodology for approaching texts that give shape to the fringes of conscious experience. Guest Dr. Michaela Hulstyn is Associate Director of the Structured Liberal Education Program at Stanford University. Her research interests include philosophy and Literature; 20c and 21c French and Francophone African thought, cognitive approaches to aesthetics; global phenomenology; intermediality; decolonization; narrative. In addition to her monograph, she has published articles related to a number of these topics in forums such as Modern Fiction Studies, Philosophy and Literature, and Contemporary French and Francophone Studies: Sites.Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Andrew Lister's Justice and Reciprocity (Oxford University Press, 2024) examines the place of reciprocity in egalitarianism, focusing on John Rawls's conception of "justice as fairness." Reciprocity was a central to justice as fairness, but Rawls wasn't explicit about the different forms of reciprocity, nor the diverse roles reciprocity played in his theory. The book's main thesis is threefold. First, reciprocity is not simply a fact of human psychology or a duty, but a limiting condition on other duties. Second, such conditions are a natural consequence of thinking of equality as a relational value. However, third, we can identify limits on this conditionality, which explains how some duties of justice can be unconditional. The book explores the ramifications of this argument in a series of debates about distributive justice: productive incentives, duties to future generations, unconditional basic income, and global justice. In each domain, thinking about reciprocity as a limiting condition helps explain otherwise puzzling aspects of justice as fairness, in some cases making the view more plausible, but in others underlining limits that will be unappealing to egalitarians of a more unilateral bent. Lister ultimately shows that reciprocity involves more than returning benefits, and that limiting justice with reciprocity conditions need not make justice implausibly undemanding. In this way, the book rehabilitates reciprocity for egalitarianism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel’s website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and <a href="https://bookshop.o