Ep513: Finally, a Davey Lane Interview

Australian guitarist Davey Lane discusses his new album ' Finally, a Party Record ', joining You Am I at 18, meeting Paul McCartney & nerding out on vinyl! Listen to the new album here. Topics Include: Davey Lane discusses his new album " Finally, a Party Record " and the ironic title choice Originally titled "The Great Unraveling" but changed to something more approachable and chipper Despite upbeat title, songs deal with dark subject matter that inspires his songwriting Finding peace with mental state and place in world as he's gotten older Always includes glimmer of optimism even when writing about romantic catastrophes going wrong Makes music as compulsion, not for career goals - realistic about posthumous appreciation Big Star, Nick Drake - artists appreciated later in life Avid record collector who browses sections aimlessly rather than shopping with lists Discovers new bands like Comets on Fire by hearing them playing in record stores Vinyl is primary listening format - meditative experience that keeps him focused and level Thinks about album sequencing early, including crossfades between songs on new record Beatles were gateway drug, fascinated by production techniques on Sgt Pepper's at age seven Met Paul McCartney in 2017 backstage in Melbourne through Jimmy Barnes and Michael Gudinski Took Valium beforehand, talked about McCartney's jacket instead of asking musical questions Started transcribing You Am I songs as teenager, sent tabs to drummer Rusty Got invited on stage at 16 to play with You Am I at all-ages show Returned to high school as local hero after performing with established rock band Tim Rogers called offering solo tour opportunity, left university after two days to tour Officially joined You Am I in 1999 at age 18 after proving compatibility on tour Took years to feel like full band member rather than nervous new guy Learned importance of authenticity over networking and career-focused schmoozing in music industry Collaborated on The Rites project covering Stevie Wright's "Evie" to raise money for legend Recorded with Saints' Chris Bailey on what became his final album before passing Created experimental Dual Monophonic vinyl with Tim Rogers and King Gizzard's Stu McKenzie Each vinyl channel contains different arrangement of same song, can be heard separately Technical challenges getting proper stereo separation on vinyl pressing required multiple attempts New album on Cheer Squad Records features striking red and yellow vinyl pressing Cover art deliberately references Rod Stewart despite not particularly liking that album Record designed to catch browser's eye in record stores like albums that attracted him Interview wrap up Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide