Working Class Audio

In this return visit to Working Class Audio, Matt welcomes back Dante Fumo — freelance sound designer, writer, and the creator behind Harmonic Content, a screen-printed audio zine now in its seventh issue. Dante talks about building a sustainable freelance life that spans independent film post-production, writing for Vintage King and Pro Sound Effects, and self-publishing a physical zine inspired by the Tape Op compilations he read as a college writing tutor. The conversation covers the realities of DIY publishing — screen printing, saddle-stitching zines at home, and the economics of Patreon — alongside the craft of mixing short films in Dolby Atmos, delivery specs for the festival circuit, building a sound library, and why low cost of living might be the most underrated career decision a freelancer can make.In This Episode, We Discuss:The Origin of Harmonic Content Zine How Tape Op Inspired the Whole ThingThe Economics of Self-Publishing a Physical ZineScreen Printing, Saddle-Stitching, and DIY Production WorkflowWhy Ink Cartridges Are a Scam (and What Dante Uses Instead)Building a Sustainable Patreon as a Small Independent CreatorBalancing Freelance Writing, Sound Design, and PublishingWriting for Vintage King and Pro Sound EffectsHow Dante Gets Independent Film Clients — All Word of MouthThe Life Cycle of an Indie Short Film: Festivals to YouTubeMixing Everything in Atmos Even for Non-Atmos DeliverablesNetflix Home Entertainment Spec as a Loudness BaselineLoudness for Short Films vs. Feature Films vs. MusicCalibrating Your Monitors With Pink NoiseOverhead Fold-Down Settings When Bouncing Atmos to StereoSound Design vs. Mixing: What Dante Loves MostField Recording for Ambiences vs. Buying LibrariesSoundCue — A Free Sound Effects Organizing Tool from Pro Sound EffectsGDC Free Sound Library and Other Ways to Build a Collection for FreeGeorge Vlad and Watson Wu — Field Recording HeroesTonebenders Podcast as the WCA of Post-Production SoundWhy Dante Stepped Back From Recording Everything HimselfThe Case for Not Having All Your Eggs in One BasketADHD and Freelancing: Finding Work You Can Actually Stay Engaged WithLow Cost of Living as a Freelance StrategyAES Nashville and the Press Pass QuestionWhat the Next Five Years Look LikeMatt's RANT!: SchoolDiscount Codes:WCA25OFF — 25% off a zine at harmoniccontentzine.comLinks and Show Notes:Harmonic Content ZineDante Fumo — Su

In this episode of Working Class Audio, Matt welcomes a panel of four guests united by a common cause: Tinnitus Quest, a patient-driven nonprofit pushing to fund and accelerate tinnitus research. Tchad Blake — 7-time Grammy Award-winning producer, mixer, and engineer with credits including Paul Simon, Peter Gabriel, Paul McCartney, and Pearl Jam — opens up about living with tinnitus since age eight or nine, the result of childhood exposure to rifle fire, and how he has mixed some of the most acclaimed records of the past four decades with significant hearing loss in one ear. Neuroscientist and consultant neurologist Dr. Will Sedley of Newcastle University breaks down what the brain is actually doing when tinnitus occurs, from central gain theory to predictive coding, gating mechanisms, and why the brain's compensation strategies can misfire. Hazel Goedhart, co-founder and Executive Board Member at Tinnitus Quest, shares her own tinnitus journey and how it led her to leave a career in financial services and fundraise her own salary to work for the cause full-time. And Jack Rubinacci, musician, songwriter, and Head of PR at Tinnitus Quest, explains how the organization is working to change the narrative around tinnitus the same way the mental health conversation shifted over the past generation — because that narrative shift is what unlocks funding, and funding is what drives research.In This Episode, We Discuss:What Tinnitus Quest Is and Why It Was FoundedThe Scale of the Problem: 750 Million People, Almost No Research FundingTchad's Tinnitus Since Age Eight or Nine: Childhood Rifle FireMixing Iconic Records With Significant Hearing LossTinnitus as a Potential Creative SuperpowerHow the Brain Compensates for Hearing Loss and Generates Phantom SoundCentral Gain Theory and Neural Noise AmplificationSynchrony: How Neurons Fire Together and Make Tinnitus LouderGating Mechanisms and Why Some People's Brains Filter Tinnitus OutThe Predictive Coding Model: Why Tinnitus Embeds Itself in the BrainHair Cell Damage vs. Synaptopathy: Two Different Types of Noise TraumaRecruitment: A Frequency-Specific Amplification PhenomenonWhy Tinnitus and Hearing Loss Don't Always CorrelateWhy Some People With Hearing Loss Never Get TinnitusSudden Sensorineural Hearing Loss: A Medical EmergencyTinnitus Spikes: What Causes Them and What the Evidence Says About SteroidsTinnitus as a Canary in the Coal Mine for Stress and OverexposureFleeting Tinnitus: The Brief Episodes Most People ExperienceLow-Frequency Tinnitus and "The Hum"Musical Tinnitus and Musical HallucinationsWho to See: ENT vs. Audiologist vs. NeurologistCBT, Acceptance and Commitment Therapy, and Mindfulness for TinnitusTchad's Personal Coping Strategies, Including Exposure Therap

In this episode of Working Class Audio, Matt welcomes back producer, mixer, and engineer Will Kennedy. Will shares an update on his journey since his last appearance, focusing on his partnership with Matt Wallace and their deep dive into immersive and Dolby Atmos mixing from their Los Angeles studio. They discuss the strategic decision to sell off their traditional recording gear, the evolution of the immersive audio market, and the amusing discovery of a hidden Starbucks inside a Jaguar dealership. The conversation also explores the unique, ongoing challenges of adapting rock and roll production techniques for the Atmos format.In This Episode, We Discuss:Biking With Brad WoodHuman Powered VehiclesPartnership With Matt WallaceDolby Atmos Mixing FocusLos Angeles Studio LocationHorseless Carriage DinerJaguar Dealership StarbucksSelling Traditional Recording GearKeeping Essential Overdub SetupOffloading Full Band TrackingEarly Adopter Atmos StrategyBecoming Premium Immersive MixersDolby Atmos Market CorrectionNavigating Cheap Atmos MixesAtmos In Modern CarsMixing Rock In SurroundStereo Versus Immersive TechniquesDeveloping New Tracking MethodsMatt's RANT!: Think BiggerLinks and Show Notes:WCA #388 with Will KennedyMatt Wallace on WCABrad Wood on WCACredits:Guest: Will KennedyHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck SmithVideo Interview

In this episode, Matt welcomes mastering engineer Steve Kitch. Steve shares his journey from early music programming on home keyboards and classical piano training to building a worldwide mastering practice from his studio in Devon, UK. They discuss the transition from transferring DAT tapes to CDs, being an early adopter of online file delivery, and the evolution of a professional audio career through self-taught exploration and technical curiosity.In This Episode, We Discuss:Full Time MasteringDevon Studio LocationClassical Piano TrainingEarly Keyboard SequencersHiFi Technical UpbringingSound On SoundSelf Taught EducationDAT Tape TransfersOnline Mastering PioneerGoogle AdWords StrategiesSupermarket Shift WorkWebsite Design SoftwareGlobal Client ReachDigital Audio EvolutionMatt's RANT!: The Small ThingsLinks and Show Notes:Steve Kitch’s Site: AudiomasterRelated Episode: WCA #593 with Katie Marie RichardsCredits:Guest: Steve KitchHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode, Matt welcomes mastering engineer and artist Amar Lal of Oakland’s Macro Sound. Amar shares his journey from the New York DIY scene and touring with Big Ups to a corporate role at Sennheiser and his eventual return to independent studio ownership. They discuss the benefits of an all-digital mastering workflow, the "Active Listening Club" philosophy, and how Amar maintains career longevity through work-life balance and photography.In This Episode, We Discuss:Mastering Engineer RolesOakland Studio LocationShared Building BenefitsEarly Childhood CanadaChildhood Piano LessonsExperimental Music SceneCircuit Bending GearHigh School RecordingNew York EducationTouring Big UpsFacing Career BurnoutCorporate Sennheiser ExperienceLaunching Macro SoundHome Studio LogisticsOakland Artistic CommunityAll Digital MasteringActive Listening ClubBalancing Personal LifePassion For PhotographyArtistic Practice PhilosophyMastering Room AcousticsLocal Community TiesRemote Working ModelsStudio Business Logistics<span class="ql-ui" conten

In this episode of Working Class Audio, Matt welcomes producer, engineer, and multi-instrumentalist Katie Marie for a deep dive into her 30-year career journey, moving from a rural UK trailer to world-class studios. They discuss the transition from solo artistry to a supportive production role, the philosophy of professional growth, and maintaining a healthy mindset around the business of music.In This Episode, We Discuss:Producer And Multi-instrumentalist BackgroundLeaving School At FifteenSelf-taught Musical FoundationsEarly Four-track Recording ExperimentsTransitioning From Solo ArtistManaging Performance AnxietyRelocating From Devon To AustinMentorship At Blue Rock StudioSharing Process Via Live StreamsTransitioning To North CarolinaMorning And Afternoon Life StagesGrowing Wider Rather Than TallerCollaborating With Christie LenéeOvercoming A Poverty MindsetCharging Based On ValueSelling The Human ExperiencePrioritizing Songs Over GearAdapting To New EnvironmentsLinks and Show Notes:Katie M

In this episode of Working Class Audio, Matt welcomes back producer, engineer, mixer Ronan Chris Murphy (King Crimson, Steve Morse, Terry Bozzio, Tony Levin) to talk about being a pro audio nomad, falling trees, and and anchor points.In This Episode, We Discuss:World TravelFalling TreesLanguageBeing a Respectful HumanAnchor POintsDebtLinks and Show Notes:Ronan's SiteMatt's Rant: Passion for AudioCredits:Guest: Ronan Chris MurphyHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes mixing and mastering engineer Tyrone "Cross Bone T" Harris who shares his journey from a young music enthusiast in London to a professional mixing and mastering engineer.In This Episode, We Discuss:Musical Roots and Early InfluencesThe Journey into Music ProductionCuriosity and Learning in MusicEarly Experiences with TechnologyFirst Steps in Radio and EducationNavigating Challenges in Music EducationTransitioning to Professional EnvironmentsLive Sound Experiences and GrowthThe Art of Live Sound EngineeringNavigating the Music Industry as a Young ProfessionalHealth Challenges and Career AdaptationTransitioning to Home Studio WorkBuilding a Client Base in a Niche MarketPhilosophy on Life and Overcoming ObstaclesThe Importance of Small Wins and MotivationLinks and Show Notes:CBT's SiteMatt's Rant: Sonic CitizensCredits:Guest: Tyrone "Cross Bone T" HarrisHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes producer/engineer/mixer and archivist, Phillip Broussard who has worked with the Red Hot Chili Peppers, Slipknot, System of a Down, and many moreIn This Episode, We Discuss:Texas upbringingJobs in Gulf Coast refineriesFirst studio internships in AustinHouston and AustinKingsway Studio in New OrleansPrioritizing vibe over gearRelocating to Los AngelesManaging Teatro in OxnardCollaboration with Rick RubinHandling limited recording budgetsSkills in reading the roomBalancing career and family lifeNegotiating rates and invoicingAudio archiving and session restorationNetworking to find new musicLinks and Show Notes:Phillip's SiteTrina Shoemaker on WCADave Schiffman on WCAMatt's Rant: Inspiration and ImaginationCredits:Guest: Phillip BroussardHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcome musician/songwriter/producer/engineer Mitch Easter known for his work on the early R.E.M. records as well as his work with the db's, Game Theory, and Marshal Crenshaw as well as his own band Let's Active.In This Episode, We Discuss:Background and UpbringingEarly Interest in RecordingDrive-In StudioFidelatorium RecordingsBalancing Multiple RolesCollaboration with Don DixonThe Music Industry and the Indie EcosystemInfluences and InspirationsViews on RetirementLinks and Show Notes:YouTube versionMitch's SiteMatt's Rant: Creating OpportunityCredits:Guest: Mitch EasterHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes engineer/mixer Joe Costa who has worked with Ben Folds. Sara Bareilles, William Shatner and many more.In This Episode, We Discuss:Ordering Lunch with William (Bill) ShatnerWorking with Ben FoldsMixing from HomeMoving to NashvilleBerklee School of MusicReading the RoomLinks and Show Notes:Joe On Instagram @costa71Watch the Interview on YouTubeMatt's Rant: Know Your ValueCredits:Guest: Joe CostaHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Producer, engineer, artist, and professor Willie Green returns to WCA to chat with Matt about about his new studio adventure and much more! Willie has worked with renowned artists such as Armand Hammer, The Roots, The Alchemist, and Wiz Khalifa.In This Episode, We Discuss: The Green House Expands! Physical Media Marketing Strategies for Creative Spaces Daily Patterns and Balancing Responsibilities Adapting to Client Needs and Studio Management Business Strategy InnovationLinks and Show Notes:Willie Green’s WebsiteMatt's Rant: Which music industry do you work in?Credits:Guest: Willie GreenHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

This is part 2 of a discussion Matt had with multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.In This Episode, We Discuss:ManagementNetworking: Building Relationships for SuccessCultural Transition: From Canada to the U.S. Music SceneThe Rush Connection: Networking and OpportunitiesNavigating the World of Immersive Audio TechnologiesFuture Plans and Networking in NashvilleLinks and Show Notes:Part 1 InterviewRich's SiteMatt's Rant: Auto PilotCredits:Guest: Richard ChyckiHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes mixing engineer, producer and composerJade Alysse Berry, whose path to mixing was sparked by a life‑changing health event and a deep love for music. Jade shares practical insights on creativity, collaboration, and setting clear boundaries with clients.In This Episode, We Discuss:How a health crisis redirected Jade’s career toward audio engineeringChallenges and politics of the music industryCollaborative dynamics with partner Bob Horn The creative process of mixingSetting boundariesUnderstanding client expectationsEffective communicationLinks and Show Notes:Jade on InstagramMatt's Rant: The Home StudioCredits:Guest: Jade Alysse BerryHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Matt is joined by grammy winning engineer Tom Camuso who has worked with Lenny Kravitz, Blondie, Steve Earl as well as a number of commercial, television and film projects. Tom is also the Chief Engineer at The Les Paul Recording Studio in Holly wood.In This Episode, We Discuss:Preserving Les Paul's LegacyLos Angeles vs. New YorkCracking the Preservation CodeWeatherEducationLibrary of CongressLinks and Show Notes:Tom's SiteLes Paul StudioMatt's Rant: Economic ReevaluationCredits:Guest: Tom CamusoHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Matt is joined by multi-platinum mixer and engineer Richard Chycki whose clients include such rock royalty as Rush, Aerosmith, Dream Theater, Skillet, Mick Jagger, Alice Cooper, Pink and many more.In This Episode, We Discuss:NAMM ExperienceCurrent State of Immersive AudioMoving to Nashville: Reasons and PlansEarly Musical Journey and Transition to EngineeringThe Shift from Musician to EngineerAdapting to Technological Changes in AudioThe Future of Atmos and Immersive AudioArtist Reactions to Immersive MixingThe Evolution of Atmos TechnologyLearning from Major ArtistsNavigating the Music IndustryFinancial Strategies in Music ProductionThe Importance of NetworkingMixing Classic Records in AtmosLinks and Show Notes:Rich's SiteMatt's Rant: The ExpensesCredits:Guest: Richard ChyckiHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Matt welcomes Grammy Nominated producer /engineer/mixer Joel Weldon Willis.In This Episode, We Discuss:Building a Home StudioEarly Experiences in Music ProductionTransitioning to Freelance and Indie Music SceneCreative Approaches to Music ProductionNavigating Financial Challenges in the StudioRecording Techniques and Live SessionsLessons Learned in the StudioFreelancing and Renting Studio SpacesCommunity and Collaboration in Music ProductionBalancing Promotion and AuthenticityThe Impact of Grammy NominationsAdapting to Client Needs and CommunicationRemote MixingHandling Criticism and Professional GrowthThe Importance of Collaboration Over CompetitionLinks and Show Notes:Joel's SiteMatt's Rant: InspirationCredits:Guest: Joel Weldon WIllisHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Matt welcomes Producer /engineer/mixer and film composer Sanford Parker. As an artist he’s performed and released albums with extreme heavy and industrial bands like Black Cross Hotel, Corrections House, Mirrors for Psychic Warfare and Minsk. Throughout the years he’s collaborated with members of Sonic Youth, Ministry, Napalm Death and Neurosis as well as producing and mixing albums for Darkthrone, Voivod, Brutal Truth, Pelican, YOB, Hide, Youth Code, Wovenhand, Rwake, Local H and many others. TakeawaysSanford opened his studio in March 2020, just before the pandemic.He prefers working with independent artists and punk music.Chicago's music scene is affordable compared to other major cities.Managing overhead is crucial for running a successful studio.Sanford transitioned to mixing in the box for efficiency.He values genuine relationships with artists over bureaucracy.The pandemic shifted his work focus back to mixing.The flexibility of working remotely with clients.Learning to navigate financial discussions with bands.Independent music often allows for quicker decision-making.Links and Show Notes:Sanford's SiteMatt's Rant: Your JourneyCredits:Guest: Sanford ParkerHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back GRAMMY-winning recording engineer and producer Steve Chadie live from the AudioScape booth at NAMM 2026 to talk about recording bands. Steve has worked with WIllie Nelson, Los Lonely Boys, Wilco, and the Supersuckers.In This Episode, We Discuss:Mic placement and monitoring.The bleedBand dynamicsFood and energy levelsExpectationsCreative ruts.Being invisibleHeadphone mixesLess substance abuseLinks and Show Notes:Steve on WCA #245Steve on WCA #487Steve's SiteMatt's Rant: The PeopleCredits:Guest: Steve ChadieHost/Engineer/Producer: Matt BoudreauEditing: Anne-Marie PleauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

Matt welcomes producer/engineer/composer Fran Cathcart. Fran having just moved to the Bay Area from New York recounts his journey in studio ownership, working with Herbie Hancock, and facing down serious challenges that would make most throw in the towel, yet he still keeps going.In This Episode, We Discuss:Studio OwnershipHerbie HancockEarly Digital RecordingDivorceCovidGetting SuedStressMoving to the Bay AreaLinks and Show Notes:Fran's SiteMatt's Rant: Client CommunicationCredits:Guest: Fran CathcartHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Mastering Engineering Joe Caithness. Joe has worked on mastering the soundtrack music for games such as Borderlands, and Tekken, the soundtracks for the Netflix movie Close, bands such as Don Martin 3 and Palooka 5.In this episode we discuss Pro Audio Minimalism.In This Episode, We Discuss:Pro audio minimalism focuses on efficiency and workflow.Post-pandemic, many have adapted to home studios.Stripping down gear can lead to better productivity.Quality of work is not determined by the amount of gear.The bell curve illustrates the journey of audio engineers.Social media can exacerbate gear obsession.It's important to focus on skills rather than equipment.Minimalism can reduce stress in the creative process.Finding balance in audio engineering is crucial.Personal interests outside of audio can influence spending. Being debt-free allows for better control over finances.Intentional communication can streamline workflows and reduce confusion.Minimalism in workflow can lead to increased efficiency.Decluttering can help identify unnecessary subscriptions and expenses.Applying minimalism to business practices can enhance focus and productivity.The thrill of the hunt can lead to unnecessary clutter if not managed.Intentional equipment purchases can prevent buyer's remorse.Every purchase has a domino effect on workflow and finances.Embracing whimsy can make minimalism enjoyable and fulfilling.Sharing resources can benefit others and reduce personal clutter.Links and Show Notes:Joe's SiteJoe on WCA #329Matt's Rant: Credits:Guest: Joe CaithnessHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Producer, Mixer & Mastering Engineer Justin Gray. Based in Toronto, Canada, Justin has worked on projects for Snoop Dogg, Brandy, Nicky Youre, Mother Mother, Arkells, Jamie Fine, Lola Brooke, Upsahl, and The Sheepdogs.In this conversation, Justin Gray discusses his album 'Immersed', exploring the creative process, technical aspects of immersive audio, and the importance of community and collaboration in music production. He shares insights on funding, marketing strategies, and the role of social media in promoting his work. The discussion also touches on the challenges of balancing family life with artistic pursuits and the significance of believing in oneself as an artist.In This Episode, We Discuss:Innovative immersive audioEarly surround experimentsCommunity-driven collaborationCanadian arts fundingValue of physical mediaSocial media promotionImpact of recognitionBalancing family supportBelief in the workEngineer and artistLinks and Show Notes:Justin's Site Links to all streaming PlatformsBand CampImmersive Audio AlbumJustin on WCA #451Matt's Rant: Fo

In this episode of Working Class Audio, Matt welcomes back producer, engineer, mixer, multi-instrumentalist, singer and, songwriter, Alan Evans. Alan is of course well known as a member of his band Soulive. He's also been a past guest on WCA #133 and 328.Matt Boudreau and Alan Evans reflect on the past year and share insights on creativity, health, and the music industry. They discuss the importance of recharging creatively, embracing technology, and maintaining a healthy lifestyle to ensure longevity in their careers. The duo also emphasizes the significance of simplicity in music production, the role of album artwork, and the power of community and connection in fostering creativity. As they look ahead to 2026, they express excitement for new projects and the journey of self-discovery in their artistic endeavors.In This Episode, We Discuss:Reflections on the past yearCreativity and staying inspiredRecharging creativelyHealth, wellness, and career longevitySimplicity in music productionThe role and value of album artworkCommunity and connection as creative fuelLooking ahead to 2026New projects on the horizonSelf-discovery through artistic workLinks and Show Notes:Al's SiteOrb AudioMicrocosm AudioAl on WCA #133Al on WCA #328Matt's Rant: What's Inspiring MeCredits:Guest: Alan EvansHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back producer Michael Beinhorn who has worked with The Red Hot Chili Peppers, Soundgarden, Herbie Hancock, Korn, Marilyn Manson, Weezer, Ozzy Osbourne, Hole, Cuco, Aerosmith & Violent Femmes. Michael originally appeared on WCA #029 back in 2015. In This Episode, We Discuss:Music productionRemote productionPre-productionMusic critiqueMainstream musicAI in musicUnique voicesMusic industryCreativity in musicMusic technologyArtist developmentRisk-taking in musicMusic analysisRecording industryListening setupCollaborationLinks and Show Notes:Michael's SiteMichael on WCA #029Matt's Rant: Auto PilotCredits:Guest: Michael BeinhornHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes mixer, producer, engineer, writer, and performer Stephen DeAcutis. Stephen has worked with Vanilla Fudge, Gladys Knight, Travers and Appice, Corey Glover, and Cyndi Lauper.In This Episode, We Discuss:Owning Your TimeEmbracing Old and NewCelebrating the New GenerationSolving Audio ProblemsWorking From HomeCommunicating with MusiciansGetting It Right At The SourcePerforming LiveLinks and Show Notes:Stephen's SiteStephen on InstagramMatt's Rant: Staying PositiveCredits:Guest: Stephen DeAcutisHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes mastering and lathe cutting engineer Natalie Bibby who works at AIR Studios in the U.K.. Natalie has worked with Kraftwerk, Bring Me The Horizon, Lola Young, Jimmy Eat World, The Vaccines, Lewis Capaldi, GIRLI, and CATTYShe's also led a world-class mastering workshop at Peter Gabriel’s Real World Studios, UK.In This Episode, We Discuss:Early musical influencesStarting in recording & mixingUniversity training & goalsMetropolis internship lessonsMoving into masteringLive cuts & direct-to-discHalf-speed mastering overviewLearning & mentorship insightsAIR StudiosValue of attended sessionsManaging client expectationsHybrid mastering workflowsHow mastering engineers listenCommon mixing problemsMusic Producers GuildChallenges for studiosAIR’s cutting reputationVinyl cutting processMastering vs. cuttingAmerican mastering mystiqueLinks and Show Notes:AIR StudiosMusic Producers GuildMatt's Rant: How we present ourselvesCredits:Guest: Natalie BibbyHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back guitarist, producer, and mixing/mastering engineer Alex Crescioni to talk about Extreme Metal production. Alex is known for his work with Burton C. Bell, Deverauxx, and Siglos.In This Episode, We Discuss:Extreme MetalTechniquesSoundsRoom ToneBusinessSurvivalLetting GoLinks and Show Notes:Alex’s SiteAlex on LinkedinAlex on InstagramAlex on WCA #333Matt's Rant: Spread the WorkCredits:Guest: Alex CrescioniHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back producer/engineer/mixer and record label owner Don Setaro. Matt and Don get into a deep dive discussion of the re-issue process for former Pavement drummer, Gary Young's album "Hospital For The Chemically Insane". Former WCA guests Dan Johnson and Justin Perkins chime in to talk about their role in the process. Enjoy.In This Episode, We Discuss:PavementGary YoungDetective WorkRestorationTape RescueMastering from CDRe- IssueKeeping the VibeLinks and Show Notes:Gary on BandcampIAC RecordsMatt's Rant: StructureCredits:Guest: Don Setaro /Dan Johnson/Justin PerkinsHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back producer/engineer and mixer Ken Sluiter to delve into the intricate process of stereo rebuilds for Atmos mixing. They discuss the challenges of finding and organizing original material, the importance of matching to comparison masters, and the unique aspects of each project. Ken shares insights on the ingestion process, the role of research in understanding original recordings, and the potential of AI tools in audio restoration. The discussion also touches on the future of mixing and the evolving landscape of music production. Enjoy.In This Episode, We Discuss:Stereo rebuilds for Atmos mixing.The process involves gathering original assets and recreating mixes.Each project is unique, requiring a tailored approach.Matching to a comparison master is crucial for accuracy.Researching the original recording can provide valuable insights.AI tools can assist in stem separation but have limitations.Finalizing mixes involves careful listening and adjustments.The future of audio mixing may involve more AI and technology.Understanding the original recording process is key to successful rebuilds.Links and Show Notes:Ken on WCA #166Matt's Rant: Music Expo/AES/NAMMCredits:Guest: Ken SluiterHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Dan Johnson of Audio Archiving Services and Catherine Vericolli of Central Audio Archiving to do a deep dive into the world of audio archiving, preservation, and restoration. In This Episode, We Discuss:Analog TapesAnalog MachinesModular Digital MultitracksDAT MachinesDASH MachinesPro DigiRetrospectMezzoLinks and Show Notes:Links to Danhttps://www.audioarchivingservices.com/https://www.workingclassaudio.com/wca-405-with-dan-johnson/Links to Catherine https://www.centralaudioarchiving.com/https://www.workingclassaudio.com/wca-035-with-catherine-vericolli/https://www.workingclassaudio.com/wca-403-with-catherine-vericolli/Matt's Rant: This AI ThingCredits:Guest: Dan Johnson & Catherine VericolliHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back John Cuniberti who produces, engineers, mixes and masters records for many artists including most notably Joe Satriani, Sammy Hagar, The Dead Kennedys, and Chicken Foot. John originally appeared WCA #005 back in 2014 and returns to do a deep dive into his OneMic recording concept. -EnjoyIn This Episode, We Discuss:OneMic SeriesDynamicsAcousticsPlacementTempo2 Track as Multi-TrackRibbon MicsLinks and Show Notes:OneMIc on YouTubeJohn's SiteShiny Eyes StudioMatt's Rant: Focus of Your AttentionCredits:Guest: John CunibertiHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes Grammy Winning producer/engineer/mixer Gena Johnson who has worked with Chris Stapleton, Jason Isbell, Brandi Carlile, and John Prine. Enjoy.In This Episode, We Discuss:Leave your ego at the doorMake people feel comfortableListen to the artistLabels are business partnersWord of mouth workFeminine energy in productionWomen in the industryClassical voice training for 12 yearsInternship at Welcome 1979Learned tape machines and solderingAssisting at Nashville studiosFirst number one recordWorking at RCA Studio ARewiring Studio A intensivelyMentor Michael Wagner's influenceChampions Vance Powell and Daryl ThorpWalls painted with glitterKeep overhead lowGood attorney and manager combinationLinks and Show Notes:Gena's WebsiteGena on InstagramVance Powell on WCA<a href="https://www.work

In this episode of Working Class Audio, Matt welcomes back engineer/producer electrician, Mike Blodgett to discuss electricity and pro audio! In This Episode, We Discuss: Isolated Grounds Isolation Transformers Ground Rods Power Conditioners Apartment Power Home Studio Power Electrical Safety Links and Show Notes: Mike on WCA #348 Matt's Rant: How You Listen Credits: Guest: Mike Blodgett Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back engineer/producer electrician, Mike Blodgett to discuss electricity and pro audio! Enjoy.In This Episode, We Discuss:Isolated GroundsIsolation TransformersGround RodsPower ConditionersApartment PowerHome Studio PowerElectrical SafetyLinks and Show Notes:Mike on WCA #348Matt's Rant: How You ListenCredits:Guest: Mike BlodgettHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back engineer/producer and 3D audio geek, Hans-Martin Buff to discuss mixing Peter Gabriel's I/O as well as his own project Tearjerkers.  In This Episode, We Discuss: Tearjerkers Peter Gabriel Real Word Studios Binaural Mixing ATMOS Format Haters Links and Show Notes: Pure Audio Streaming: Immersive Audio Album: Link tree Album: Youtube Siren Video: Audiomovers Apple:  Illusonics  Neumann Rime Virtuoso:  Waves NX:  Matt's Rant: Focused Discussion Credits: Guest: Hans-Martin Buff Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back engineer/producer and 3D audio geek, Hans-Martin Buff to discuss mixing Peter Gabriel's I/O as well as his own project Tearjerkers. In This Episode, We Discuss:TearjerkersPeter GabrielReal Word StudiosBinaural MixingATMOSFormat HatersLinks and Show Notes:Pure Audio Streaming:Immersive Audio Album:Link tree Album:Youtube Siren Video:Audiomovers Apple: Illusonics Neumann RimeVirtuoso: Waves NX: Matt's Rant: Focused DiscussionCredits:Guest: Hans-Martin BuffHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes Engineer, Producer, Mixer Steve Dierkens. In this conversation, Steve shares his journey from as a succesful enginer working in film in California to a professional audio engineer and producer living in Canada. He discusses his early influences, the transition to a professional career, and the lifestyle changes that came with moving to Canada. Steve reflects on the challenges of building a studio, the importance of family, and the reevaluation of his career goals. He emphasizes the need for joy in music production and offers insights into financial perspectives in the audio profession. The conversation also touches on remote collaborations, social media challenges, and the definition of success and happiness in the industry. In This Episode, We Discuss: Career path shift Family-driven choices Moved to Canada Studio-building challenges Joy in work Financial balance Valued client relationships Global collaborations Social media pressure Redefining success Links and Show Notes: Steve and Chris Selim's Podcast Matt's Rant: More on Streaming vs Physical Media Credits: Guest: Steve Dierkens Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes Engineer, Producer, Mixer Steve Dierkens. In this conversation, Steve shares his journey from as a succesful enginer working in film in California to a professional audio engineer and producer living in Canada. He discusses his early influences, the transition to a professional career, and the lifestyle changes that came with moving to Canada. Steve reflects on the challenges of building a studio, the importance of family, and the reevaluation of his career goals. He emphasizes the need for joy in music production and offers insights into financial perspectives in the audio profession. The conversation also touches on remote collaborations, social media challenges, and the definition of success and happiness in the industry. Enjoy.In This Episode, We Discuss:Career path shiftFamily-driven choicesMoved to CanadaStudio-building challengesJoy in workFinancial balanceValued client relationshipsGlobal collaborationsSocial media pressureRedefining successLinks and Show Notes:Steve and Chris Selim's PodcastMatt's Rant: More on Streaming vs Physical MediaCredits:Guest: Steve DierkensHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes Grammy winning Mixer, Producer, & Mastering Engineer Jon Rezin who has worked with Natalia Jimenez, One Direction, Andy Grammer, BoA, and Santana. In This Episode, We Discuss: Working Remotely in Ohio Mixing Saving Time Skills Network Building Relationships The Masked Singer American Idol Links and Show Notes: Jon's Site Jon on Instagram Matt's Rant: Streaming vs Physical Media Credits: Guest: Jon Rezin Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes Grammy winning Mixer, Producer, & Mastering Engineer Jon Rezin who has worked with Natalia Jimenez, One Direction, Andy Grammer, BoA, and Santana.In This Episode, We Discuss:Working Remotely in OhioMixingSaving TimeSkillsNetworkBuilding RelationshipsThe Masked SingerAmerican IdolLinks and Show Notes:Jon's SiteJon on InstagramMatt's Rant: Streaming vs Physical MediaCredits:Guest: Jon RezinHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Recording and Mixing Engineer Steve Genewick. Steve gives us the full behind the scenes look into the making of the new Spinal Tap record “The End Continues”. From the initial phone call to the release of the record and movie we get into the details. In This Episode, We Discuss: Initial Phone Call Where to Record Setup Mics, Preamps, etc.. Mixing Mixing in ATMOS WIG Day! In The Box Cracking Up Links and Show Notes: The time code software Download the Input List! Steve’s site Link to the record on Apple Music WCA #070 with Al Schmitt & Steve Genewick WCA #324 with Steve Genewick WCA Live from NAMM 2024 Matt’s Rant: Perfection Credits: Guest: Steve Genewick Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Recording and Mixing Engineer Steve Genewick. Steve gives us the full behind the scenes look into the making of the new Spinal Tap record "The End Continues". From the initial phone call to the release of the record and movie we get into the details. In This Episode, We Discuss:Initial Phone CallWhere to RecordSetupMics, Preamps, etc..MixingMixing in ATMOSWIG Day!In The BoxCracking UpLinks and Show Notes:The time code softwareDownload the Input List!Steve's site Link to the record on Apple MusicWCA #070 with Al Schmitt & Steve GenewickWCA #324 with Steve GenewickWCA Live from NAMM 2024Matt's Rant: PerfectionCredits:Guest: Steve GenewickHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes Jordan Lonn, Head Audio Engineer at the Gallo Center for the Arts in Modesto, California. The venue hosts a wide range of performances, including musical acts such as Joss Stone, Joan Osborne, and the Count Basie Orchestra, as well as musical theater and stand-up comedy. In This Episode, We Discuss: Guitar Center Dropping Out Of College Paying Dues Sustained Energy Failing Kidney's Health Epiphany Home Town Gig FOH Gallo Center Links and Show Notes: Gallo Center for The Arts Matt's Rant: Acting Territorial Credits: Guest: Jordan Lonn Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes Jordan Lonn, Head Audio Engineer at the Gallo Center for the Arts in Modesto, California. The venue hosts a wide range of performances, including musical acts such as Joss Stone, Joan Osborne, and the Count Basie Orchestra, as well as musical theater and stand-up comedy.In This Episode, We Discuss:Guitar CenterDropping Out Of CollegePaying DuesSustained EnergyFailing Kidney'sHealth EpiphanyHome Town GigFOHGallo CenterLinks and Show Notes:Gallo Center for The ArtsMatt's Rant: Acting TerritorialCredits:Guest: Jordan LonnHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Grammy Nominated producer, engineer, and mixer Travis Ference as well as multi-instrumentalist, sound designer and audio engineer Kerry Rose to talk all about backing up and archiving audio.  In This Episode, We Discuss: 3-2-1 System Best Practices & Considerations Insurance & Liability Personal Experiences  Travis's Altadena Fire Experience Kerry's Nevada City Fire Scare Scorched Earth Remote/Cloud Storage Challenges with Cloud Offsite NAS Methodology Over Tools Links and Show Notes: Watch Duty App  GMRS Radios Documentary on Paradise Backblaze Sync.com Neofinder Synology NAS OWC Travis online Matt's Rant: The Many Hats We Wear Credits: Guest: Travis Ference and Kerry Rose Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Grammy Nominated producer, engineer, and mixer Travis Ference as well as multi-instrumentalist, sound designer and audio engineer Kerry Rose to talk all about backing up and archiving audio. Enjoy.In This Episode, We Discuss:3-2-1 SystemBest Practices & ConsiderationsInsurance & LiabilityPersonal ExperiencesTravis's Altadena Fire ExperienceKerry's Nevada City Fire ScareScorched EarthRemote/Cloud StorageChallenges with CloudOffsite NASMethodology Over ToolsLinks and Show Notes:Watch Duty App GMRS RadiosDocumentary on ParadiseBackblazeSync.comNeofinderSynology NASOWC<a href="https://www.travisference.com/" rel="noopener noreferrer"

In this episode of Working Class Audio, Matt welcomes engineer and producer Moses Schneider. The Berliner is responsible for some of the most successful records of recent years. The Beatsteaks achieved their breakthrough in the German charts under his direction. His other productions include Tocotronic, Fehlfarben, Dendemann, Kreator and others. In 2008, Schneider was nominated for the German music award Echo for his work on "Kapitulation" by Tocotronic and "Limbo Messiah" by the Beatsteaks. In 2018 and 2022 he was nominated for the German music Award "Preis für Popkultur" as "favorite Producer".  In This Episode, We Discuss: Hansa Studios The Pixies Gil Norton Gordon Raphael New York Berlin Disco Powder Gentrification Obscuring Audio Links and Show Notes: Moses on Instagram Moses website Matt's Rant: Walking.....yes walking Credits: Guest: Moses Schneider Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes engineer and producer Moses Schneider. The Berliner is responsible for some of the most successful records of recent years. The Beatsteaks achieved their breakthrough in the German charts under his direction. His other productions include Tocotronic, Fehlfarben, Dendemann, Kreator and others. In 2008, Schneider was nominated for the German music award Echo for his work on "Kapitulation" by Tocotronic and "Limbo Messiah" by the Beatsteaks. In 2018 and 2022 he was nominated for the German music Award "Preis für Popkultur" as "favorite Producer". In This Episode, We Discuss:Hansa StudiosThe PixiesGil NortonGordon RaphaelNew YorkBerlinDisco PowderGentrificationObscuring AudioLinks and Show Notes:Moses on InstagramMoses websiteMatt's Rant: Walking.....yes walkingCredits:Guest: Moses SchneiderHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Ady Parzentny. Adrian Parzentny is a German‒Polish music producer, audio engineer, and creative adventurer. With over 13 years of travel and music production experience, Adrian has recorded traditional musicians across Morocco, the Sahara Desert, and beyond — often in remote villages, mountain ranges, and DIY setups built inside vans and hotel rooms. In This Episode, We Discuss: Barcelona move Audio Nomad book Studio connections Modeling Freelance audio Travel recording Gear philosophy Artist support Music mediums Authentic living Intuition guides Links and Show Notes: Get the book!  Listen to Ady on WCA #468 Matt's Rant: More Discipline Credits: Guest:  Ady Parzentny Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, Matt welcomes back Ady Parzentny. Adrian Parzentny is a German‒Polish music producer, audio engineer, and creative adventurer. With over 13 years of travel and music production experience, Adrian has recorded traditional musicians across Morocco, the Sahara Desert, and beyond — often in remote villages, mountain ranges, and DIY setups built inside vans and hotel rooms.In This Episode, We Discuss:Barcelona moveAudio Nomad bookStudio connectionsModelingFreelance audioTravel recordingGear philosophyArtist supportMusic mediumsAuthentic livingIntuition guidesLinks and Show Notes:Get the book! Listen to Ady on WCA #468Matt's Rant: More DisciplineCredits:Guest: Ady ParzentnyHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith