Shakespeare Unlimited

Is Shakespeare still Shakespeare even if every word is changed? While Shakespeare’s work is often hailed for its universality, its meter, metaphor, and wordplay pose special challenges for translators. How do you convey the rhythm and spirit of Shakespeare’s words in a language that follows fundamentally different rules? Author and translator Daniel Hahn explores these questions in his book, If This Be Magic: The Unlikely Art of Shakespeare in Translation. He interviews translators from around the world, providing unique perspectives on Shakespeare’s language and impact. Some of Shakespeare’s best-known lines can prove the most difficult to capture, like Henry V’s “We few, we happy few, we band of brothers.” Even something seemingly simple like Lady Macbeth’s “Are you a man?” may be tricky to translate when the word “man” carries different connotations in different languages. In this episode, Hahn dives into the challenges and rewards of translating Shakespeare, exploring not only what is lost in translation, but also what is gained.

What is it like to create a Shakespeare play that’s never been written—and will never be performed again? The Improvised Shakespeare Company is a long-running ensemble that performs entirely unscripted plays in the style of Shakespeare. Founded in Chicago in 2005, the company has spent two decades building a devoted following through performances in the United States and internationally. In this episode, Blaine Swen, the company’s founder, and Ross Bryant discuss how their performances take shape in real time, beginning with a single audience-suggested title and unfolding into a full-length play that will never be repeated. Drawing on techniques from long-form improvisation and a deep familiarity with Shakespeare’s language, structure, and themes, the ensemble creates stories that balance poetry, comedy, spontaneity, and lots of fun. They reflect on what makes Shakespeare particularly well-suited to improv, from his larger-than-life characters and emotional intensity to the flexibility of his language and cultural references. They also explore the mechanics of their process—how they listen, build on each other’s ideas, and embrace mistakes as opportunities—and why committing fully to the moment often leads to the most surprising and meaningful results. From the Shakespeare Unlimited podcast. Published April 6, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Voice Trax West in Studio City, California. Web production was handled by Paola García Acuña. Transcripts are edited by Leonor Fernandez. Final mixing services were provided by Clean Cuts at Three Seas, Inc. Ross Bryant is a writer/performer from North Carolina. Ross is a performer on Dropout.tv and can be seen regularly at the Upright Citizen’s Brigade Theater in Los Angeles. Ross also tours the country and performs monthly at The Largo in LA with The Improvised Shakespeare Company. Ross began performing in Chicago where was a member of the resident cast of The Second City Mainstage. Ross is a writer for Mystery Science Theater 3000, and has co-written original television pilots for Pop TV, Warner Bros and the Showtime network. TV credits include The Good Place (NBC), Crashing (HBO), and I Think You Should Leave (Netflix). Ross also the host of the horror/comedy/improv podcast Push the Roll with Ross Bryant. Instagram: @rossbb Blaine Swen is the creator and director of The Improvised Shakespeare Company®. He is a writer/actor based in Nashville where you can catch him in the two-person improvised musical Erica & Blaine. Blaine also performs regularly in Chicago where the Chicago Reader named him the “Best Improviser in Chicago.” His iO Chicago credits include the two-person group Blessing with Susan Messing and the one-person improvised musical BASH! Additional Chicago stage credits include Chicago Shakespeare Theater, Chicago Symphony Orchestra, Pegasus Players Theatre, The Back Room Shakespeare Project, and The Second City. He has appeared on Dropout.tv and has developed original pilots with NBC, Universal Cable Productions, and Pop TV. You can hear him as Arnor the Warrior on the podcast Hello, from the Magic Tavern. Blaine also has a PhD in philosophy from Loyola University, Chicago. Instagram: @blaine_swen

Joe Papp was responsible for some of modern American theater's most iconic institutions: New York City's free Shakespeare in the Park. The Public Theater. The whole idea of "Off-Broadway." We spoke with Los Angeles Times film critic Kenneth Turan about Papp's life and work, from his hardscrabble childhood, through the frightening era of Joe McCarthy, to the founding of Shakespeare in the Park and the Public. Ken's epic oral history of the early years of the New York Shakespeare Festival and the Public Theater, "Free for All: Joe Papp, the Public, and the Greatest Theater Story Ever Told," published in 2009. He spent untold hours with Papp and also talked with New York politicians, Broadway producers, and seeming everyone else who helped Papp make Shakespeare in the Park a reality, including actors James Earl Jones, George C. Scott, Meryl Streep, Kevin Kline, Colleen Dewhurst, Tommy Lee Jones, and a Staten Island car-wash employee who would go on to play Romeo under the name of Martin Sheen. Ken is interviewed by Barbara Bogaev. From the "Shakespeare Unlimited" podcast series. Published August 7, 2018. © Folger Shakespeare Library. This podcast episode, "This Green Plot Shall Be Our Stage," was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Ben Lauer is the web producer. We had technical help from Lauren Cascio and Nick Bozzone at Formosa Commercials recording studio in Santa Monica, California.

In 2011, Ben Steinfeld and Noah Brody, co-directors of New York’s Fiasco Theater, were invited to an assisted living facility and nursing home just outside New York City to work with its residents on a production of "A Midsummer Night’s Dream." Because it was The Lillian Booth Actors Home—a facility filled with retired singers, actors, dancers and musicians—Ben and Noah expected to work with a group of seasoned Broadway professionals. While there were some, the cast they finally assembled was largely anything but. Ben and Noah were invited on this adventure by filmmakers Jilann Spitzmiller and Hank Rogerson, who turned the process into a documentary called Still Dreaming. We talk about the experience with Ben Steinfeld and Hank Rogerson. Hank Rogerson is a filmmaker who, with Jilann Spitzmiller, produced Still Dreaming. Ben Steinfeld is co-artistic director of Fiasco Theater. He co-directed, with Noah Brody, the Lillian Booth Actors Home’s production of "A Midsummer Night’s Dream." Hank and Ben are interviewed by Barbara Bogaev. From the "Shakespeare Unlimited" podcast series. Published July 24, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, “A Dream Past the Wit of Man,” was produced by Richard Paul. Garland Scott is the associate producer.

What did everyday life look like for women throughout Tudor society? A new social history, "The Hidden Lives of Tudor Women by Elizabeth Norton," introduces us not only to the restrictions, but also to some of the surprising freedoms that touched these women’s lives. Hear the stories of remarkable women who owned businesses, stood up to kings, and lived independently. Elizabeth Norton is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published July 10, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, Talkest Thou Nothing but of Ladies?, was produced by Richard Paul. Garland Scott is the associate producer.

“How is it possible for a whole country to fall into the hands of a tyrant? That’s a deeply unsettling question that Shakespeare grappled with again and again.” Stephen Greenblatt’s new book, "Tyrant," explores tyranny in Shakespeare’s plays. In the 100th episode of Shakespeare Unlimited, we talk with the eminent Shakespeare scholar about characters like Richard III and Macbeth; how societies allow tyranny to pop up; and how and why Shakespeare used its depiction in his work to stir the audiences of his time. Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University. "Tyrant" was published in 2018 by W. W. Norton & Company. Greenblatt is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published June 26, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, "He Affects Tyrannical Power" was produced by Richard Paul. Garland Scott is the associate producer.

Over the course of three summers in the 1950s, Arthur Lithgow, Meredith Dallas, and a troupe of actors they’d gathered performed every single one of Shakespeare plays, in rep, at the Antioch Shakespeare Festival, also known as Shakespeare Under the Stars, at Antioch College in Yellow Springs, Ohio. This podcast episode brings together the children of the festival’s founders to talk about their fathers’ work and its legacy: Tony Dallas, Robin Lithgow, and the Emmy, Grammy, and Tony Award-winning actor John Lithgow. John, Robin, and Tony are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published June 12, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, "I Live to Speak My Father’s Words," was produced by Richard Paul. Garland Scott is the associate producer.

In 2012 the Royal Shakespeare Company staged the first-ever, high-profile, all-black British Shakespeare production, "Julius Caesar," set in Africa. The actor who played Brutus, Paterson Joseph, recently wrote a book about the experience called "Julius Caesar and Me: Exploring Shakespeare’s African Play." Paterson Joseph is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published May 29, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, "Bear It, As Our Roman Actors Do," was produced by Richard Paul. Garland Scott is the associate producer.

London in the time of William Shakespeare was a city in the midst of a phenomenal metamorphosis. During the course of Shakespeare’s professional life, the city experienced a meteoric transition, rocketing from the capital of the hinterlands to a cosmopolitan city on its way to becoming the capital of the western world. Stephen Alford, a professor of early modern British history at the University of Leeds and the author London's Triumph: Merchants, Adventurers, and Money in Shakespeare’s City, is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published May 15, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, Wander Up and Down to View the City, was produced by Richard Paul. Garland Scott is the associate producer.

Nearly 30 people were killed in May 1849 when fans of American actor Edwin Forrest rioted inside and outside New York’s Astor Place Opera House during a performance by Forrest’s rival, the British actor William Charles Macready. Barbara Bogaev interviews Heather Nathans and Karl Kippola about the riot. From the Shakespeare Unlimited podcast series. Published May 1, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, His Headstrong Riot Hath No Curb, was produced by Richard Paul. Garland Scott is the associate producer.

Hear Sir Ben Kingsley, Earle Hyman, Liev Schreiber, James Earl Jones, Stacy Keach, Estelle Parsons, and others open up about their experiences with Shakespeare’s plays. Actor/director Melinda Hall interviewed these actors (and others), as well as writers, directors, linguists, and even a Holocaust survivor for her web-video series "How Shakespeare Changed My Life." She is interviewed here by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published April 17, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, "Mine Honor, Yea, My Life Be Thine," was produced by Richard Paul. Garland Scott is the associate producer.

Antony Sher talks about his experiences with the Royal Shakespeare Company and his roles as Lear in 2016, Falstaff in 2013, and Richard III in 1984. In preparing for these roles, Sher kept meticulous diaries, which he later published as books— "Year of the King" for Richard, "Year of the Fat Knight" for Falstaff, and now "Year of the Mad King," which chronicles his experiences with the most grueling role Shakespeare ever wrote for an older actor. Sher is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published April 3, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, "Go Get It Ready," was produced by Richard Paul. Garland Scott is the associate producer.

Independent scholar Dennis McCarthy and Lafayette College English professor June Schlueter say they have discovered a major new source for Shakespeare’s Richard III, Henry V, Henry VI, Part II, and at least eight other plays. The scholarly world continues to investigate and debate these new claims, which, if proved true, would be a once-in-a-generation find. On this podcast episode, McCarthy and Schlueter discuss how they used plagiarism-detecting software to analyze a nearly-450-year-old unpublished manuscript called A Brief Discourse of Rebellion and Rebels by a man named George North, finding multiple instances of matches with passages in Shakespeare plays. Published March 20, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, Put Your Discourse into Some Frame, was produced by Richard Paul. Garland Scott is the associate producer.

Actor Derek Jacobi talks about his remarkable career, including advice he received from Richard Burton, a disappointing rejection by the Royal Shakespeare Company, sharing the stage with Laurence Olivier, performing King Lear in 2010, his collaborations with Kenneth Branagh, and a struggle with paralyzing stage fright that drove him away from the theater for two years in the 1980s. He was interviewed by Barbara Bogaev. This is Part 2 of a two-part interview. Published March 6, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode “O, For A Muse Of Fire!”  was produced by Richard Paul. Garland Scott is the associate producer.

Renowned actor Derek Jacobi talks about the Shakespearean role for which he is best known, Hamlet. Beginning at the Edinburgh Fringe in 1957, Jacobi has acted this role on stage nearly 400 times, and as you can imagine, he’s devoted hours to thinking about Hamlet’s words, Hamlet’s motivations, and the best way to play the role. Derek Jacobi was interviewed by Barbara Bogaev. This is the first of a two-part interview. From the Shakespeare Unlimited podcast series. Published February 20, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Do not saw the air with your hands, thus,” was produced by Richard Paul. Garland Scott is the associate producer.

Bernard Cornwell, a bestselling writer of historical fiction such as the Sharpe series, has turned to the world of the Elizabethan theater. His newest novel, Fools and Mortals, is a tale of love, intrigue, opulence, and violence, all narrated by William Shakespeare’s brother Richard. Bernard Cornwell was interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published February 6, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Masters, Here Are Your Parts” was produced by Richard Paul. Garland Scott is the associate producer.

Orson Welles is perhaps most famous for his panic-inducing radio adaptation of The War of the Worlds and the award-winning film Citizen Kane. For his entire life though, Welles's obsession was Shakespeare. He produced and starred in Shakespeare plays on Broadway and directed and starred in multiple versions of Shakespeare's work on film, including Chimes at Midnight. Our guest is Michael Anderegg, the author of Orson Welles, Shakespeare, and Popular Culture. From the Shakespeare Unlimited podcast series. Published January 23, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, “A Rescue, a Rescue!” was produced by Richard Paul. Garland Scott is the associate producer.

Getting audiences interested in Romeo and Juliet might be easy. But what about those more unfamiliar Shakespeare plays? Here’s an insider’s take on marketing and promotion at America’s Shakespeare festivals and theaters. Our guests are Katie Perkowski, Director of Marketing at the Alabama Shakespeare Festival in Montgomery, Alabama; Jeff Fickes, who is Communications Director at the Seattle Shakespeare Company; and Emma Corey, Director of Marketing and Communications at the Hudson Valley Shakespeare Festival in Garrison, New York. All three are part of the Folger’s Theater Partnership Program. They are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published January 9, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, “There is the Playhouse Now, There Must You Sit” was produced by Richard Paul. Garland Scott is the associate producer. For more information, show credits, and transcript: https://www.folger.edu/shakespeare-unlimited/marketing

Sixteenth-century theater companies used a variety of physical and sensual staging effects in their productions to create a full-body experience for playgoers: fireworks hissing and shooting across the stage, fake blood, fake body parts, the smell of blood and death, and more. Farah Karim-Cooper and Tiffany Stern are the editors of a 2013 collection of essays, Shakespeare’s Theatre and the Effects of Performance, written by themselves and nine other theater historians. Tiffany Stern is a Professor of Shakespeare and Early Modern Drama with the University of Birmingham’s Shakespeare Institute at Stratford-upon-Avon. Farah Karim-Cooper is Head of Higher Education and Research at Shakespeare’s Globe in London. Tiffany and Farah are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published December 13, 2017. © Folger Shakespeare Library. All rights reserved. This podcast episode, Awake Your Senses, was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had production help from Cathy Devlin and Dom Boucher at the Sound Company in London and Paul Luke and Andrew Feliciano at at Voice Trax West in Studio City, California.

In 2015, on a state visit to Great Britain, Chinese Premier Xi Jinping called 17th-century Chinese playwright Tang Xianzu the “Shakespeare of the East,” and ever since, the Ministry of Culture for the People’s Republic has made a concerted push to elevate Tang to the status of Shakespeare. This episode explores just who Tang Xianzu was, and – more broadly – looks at what role Shakespeare plays in modern-day China. Our guests, Wei Feng and Alexa Alice Joubin, study the intersection of China and Shakespeare. They are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published November 29, 2017. © Folger Shakespeare Library. All rights reserved. This podcast episode, "I See My Reputation is at Stake," was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We’d like to thank Dr. Ruru Li, Professor of Chinese Theatre Studies at the University of Leeds in Great Britain; writer and journalist Andrew Dickson; Liz Thompson, Philippa Harland and Shihui Weng at the Royal Shakespeare Company; and Paul Hollman at The Dubroom Studio in West Hollywood, California.

Shakespeare and his plays crop up in science fiction in a number of surprising places, from classic stories like Isaac Asimov’s “The Immortal Bard” to TV shows like Star Trek and Doctor Who. And it’s not just these more recent works: a production of Macbeth figures in Mary Shelley’s post-apocalyptic novel The Last Man, written in the 1820s. Our guest on this episode is Sarah Annes Brown, a professor of English Literature at Anglia Ruskin University in Cambridge, England, and co-director of the university’s Centre for Science Fiction and Fantasy. She’s writing a book that looks at representations of how Shakespeare’s plays are performed in the future. Sarah Brown is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published November 14, 2017. © Folger Shakespeare Library. All rights reserved. This episode, "I Shall Tell You a Pretty Tale," was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California and Roger Chatterton at Kite Recording Studio in Cambridge, England.

The author of the Patrick Melrose novels talks about adapting the story of one of Shakespeare’s most dysfunctional families for the Hogarth Shakespeare series. In Edward St. Aubyn’s version of “King Lear,” called “Dunbar,” Lear becomes a media mogul whose evil daughters have locked him away in a psychiatric hospital. Edward St. Aubyn is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published November 1, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “Th’ Untented Woundings of a Father’s Curse,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Andrew Feliciano and Evan Marquardt at Voice Trax West in Studio City, California and Paul Reuest at Argot Studios in New York.

Two literary scholars discuss Shakespeare’s influence on the politics, history, and literary culture of East Africa. Edward Wilson-Lee, the son of white wildlife conservationists, spent his childhood in Kenya and now teaches Shakespeare at the University of Cambridge in England. Over the past few years he has spent extended periods back in Kenya, as well as in Tanzania, Uganda, Ethiopia, and South Sudan, researching his book, Shakespeare in Swahililand. Ngũgĩ Wa Thiong’o, the renowned Kenyan playwright, novelist, dissident, and social activist, grew up in Kenya when it was still a British colony and is now a Distinguished Professor of Comparative Literature at the University of California, Irvine. His most recent work is the memoir Birth of a Dream Weaver. Ngũgĩ and Edward were interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published October 3, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “The Language That I Have Lived In,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Barbara Caldwell at the University of California  Irvine, Evan Marquardt at Voice Trax West in Studio City, California, and Roger Chatterton at Kite Recording Studio in Cambridge, England.

How do actors breathe life into Shakespeare’s texts? How do they take language that’s centuries old and make it sound so real and immediate? Barry Edelstein, the Erna Finci Viterbi Artistic Director at The Old Globe in San Diego, is one of the nation’s most experienced Shakespeare directors. Join him for an abbreviated version of Thinking Shakespeare Live!, his master class for acting that pulls back the curtain on the rehearsal room. From the Shakespeare Unlimited podcast series. Published September 19, 2017. © Folger Shakespeare Library. All rights reserved. This episode Speak The Speech, I Pray You, As I Pronounced It was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Justin Waldman, Associate Artistic Director at The Old Globe, and from Andrew Feliciano and Evan Marquardt at Voice Trax West in Studio City, California, and Kurt Kohnen at KPBS in San Diego.

In his one-man show "Cry Havoc!" actor Stephan Wolfert, a US Army veteran, draws together lines in Shakespeare’s plays spoken by soldiers and former soldiers—including Macbeth, Othello, and Richard III. He puts those words to the task of explaining the toll that soldiering and war can take on the psyches of the men and women who volunteer for military duty. He is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published September 5, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “To the Battle Came He,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Beth Emelson, Associate Artistic Producer of Folger Theatre; Eric Tucker, Artistic Director of Bedlam; Melissa Kuypers at NPR-West in Culver City, California; and from Ray Cruz at Hawaii Public Radio.

Next year, 2018, is the 100th anniversary of Leonard Bernstein’s birth. To honor him, we’re taking a look at the creation of "West Side Story," Bernstein’s most significant contribution to the world of Shakespeare. To help us out, we’ve invited in two guests with extensive knowledge. Mark Horowitz is archivist for the Leonard Bernstein Collection at the Library of Congress—nearly 400,000 items, including music manuscripts, letters, photographs, audio and video recordings, fan mail, and even some of the maestro’s old batons. Nigel Simeone has produced two books on Bernstein, "Leonard Bernstein: West Side Story" (2009) and "The Leonard Bernstein Letters" (2013). Nigel and Mark are interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published August 23, 2017. © Folger Shakespeare Library. All rights reserved. This podcast episode, "Juliet Appears Above, At A Window" was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Eric Engler, the Summer News Operations Intern at NPR in Washington, from Sheryl Cannady at the Library of Congress, and from Jono O'Neill at Yellow Bean Studios in Leicester, England.

How and what did the Elizabethans eat? The kitchens of Shakespeare’s time looked very different from our kitchens today, and that’s not all that has changed when it comes to habits of diet, food preparation, and especially, the way food is served. In this episode, noted food historian Francine Segan leads listeners through a recipe for a salmon pie from the 1600s. She is interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published August 8, 2017. © Folger Shakespeare Library. All rights reserved. This podcast episode, "What Say You To A Piece Of Beef and Mustard?" was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer.

“Is it Shakespeare, or is it hip-hop?” British poet, rapper, and educator Kingslee James Daley, who goes by the stage name Akala, likes to recite a passage and then challenge his audience with this question. Since 2009, under the auspices of his “Hip-hop Shakespeare Company,” Akala has been going to community centers, prisons, and schools in immigrant and underserved communities, using the tools of hip-hop to spread an understanding of the relevance of Shakespeare’s poetry. Akala is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published July 25, 2017. © Folger Shakespeare Library. All rights reserved. This podcast episode, "The Poet’s Pen Turns Them to Shapes," was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Joe Philip at Covered PR, from Mariama Abudulai, and from Ryan Pate at the Dub Room Studio in Los Angeles.

'Will,' the new series on TNT, tells stories derived from what we often call Shakespeare’s “lost years”—the time before he made a name for himself as a writer. The series takes advantage of that gaping hole in Shakespeare’s biography to weave an intricate and exciting tale of art, strife, death, love, poetry, and violence in Elizabethan England. Executive producer/writer Craig Pearce and executive producer/director Shekhar Kapur tell us about adapting Shakespeare's biography—or lack thereof—into a new television show with a punk rock aesthetic. Pearce and Kapur are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published July 12, 2017. © Folger Shakespeare Library. All rights reserved. This podcast episode, “We'll Tell Tales” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. Special thanks Martine Resnick, Scott Radloff, Heather Crawford, and Kristin Boos at TNT; Tony Ward, Sharon Bowe, Ruth Waites, Pete Smith, and Alison Atkey at the BBC in London; Melissa Kuypers and Peter Stenshoel at NPR-West in Culver City, California; as well as Shekhar Kapur’s assistant, Rhiannon Allen, and Craig Pearce’s assistant, Angus Wilkinson.

In 2012, the Donmar Warehouse presented an all-female production of "Julius Caesar," directed by Tony Award nominated director Phyllida Lloyd and starring Harriet Walter. The production was set in a womens' prison, and was the first of a trilogy of all-female productions that the Guardian would call “one of the most important theatrical events of the past 20 years.” Director Phyllida Lloyd tells us about the productions, from conception to production. She is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published June 27, 2016. ©Folger Shakespeare Library. All rights reserved. This podcast episode, “We Are Governed With Our Mothers' Spirits” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Chris Charles at the Sound Company in London.

Twenty-first-century wizardry meets the seventeenth-century kind in a Royal Shakespeare Company production of "The Tempest" with digital effects created by The Imaginarium, a performance-capture company that’s best known for movie and video game animations. RSC Artistic Director Gregory Doran and Ben Lumsden, Imaginarium’s head of studio, are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published June 13, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “My So Potent Art,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from the RSC head of press, Philippa Harland; from Ed Walker at Sounding Sweet studios in Stratford-Upon-Avon, Marcia Caldwell and Melissa Kuypers at NPR-West in Los Angeles, and Chris Charles at The Sound Company in London. Enjoy the podcast? Please consider leaving a review.

Tracy Chevalier, author of "Girl With a Pearl Earring," takes on the tragedy of "Othello" in her latest novel, part of the Hogarth Shakespeare series. But in a twist, she moves the action to a public elementary school playground in Washington, DC, in the early 1970s. The book, titled "New Boy," uses its distinctive setting to explore issues of discrimination, betrayal, alienation, and jealousy. In this episode, Tracy talks about the book, her inspirations, and the challenges of working with, and under the shadow of, Shakespeare. Tracy Chevalier was interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published May 31, 2017. © Folger Shakespeare Library. All rights reserved. This podcast episode, "The Property of Youth and Maidhood," was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Melissa Marquis as NPR in Washington and Angie Hamilton-Lowe at NPR-West in Culver City, California.

In 2014, Shakespeare’s Globe in London sent a group of actors on a two-year tour to perform "Hamlet" all around the world. They finished on the 400th anniversary of Shakespeare’s death in 2016, after having traveled 193,000 miles and performed in 197 countries. Dominic Dromgoole, the Globe’s Artistic Director at the time, has written a book about the tour called "Hamlet Globe to Globe." Tom Bird is the Globe’s Executive Producer who managed the tour from London and also traveled to 19 of the countries that "Hamlet" visited. They are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published May 16, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “So Many Journeys,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Cecily Meza-Martinez at NPR in Washington, Neal Roush at NPR in New York and Gareth Wood at The Sound Company in London.

What exactly counts as a Shakespeare adaptation? And why bother in the first place? In this podcast episode, we talk with three writers who have wrestled with these questions. Craig Wright is a TV writer and showrunner whose play, Melissa Arctic, a retelling of "The Winter’s Tale" set in rural Minnesota, premiered at Folger Theatre in 2004 and went on to play across the country. Chris Stezin’s play "Mac, Beth," which just ended a run at DC’s Keegan Theater, involves a businessman and his PR executive wife plotting to kill the CEO of Duncan Enterprises. Washington Post humor columnist Alexandra Petri’s new play "Tell My Story" – Hamlet in the world of online fan fiction – opens this summer as the next work by the DC playwrights collaborative The Welders. They are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published May 3, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “It Is A Copy Out Of Mine” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Casey Vandeventer and from Cecily Meza-Martinez at NPR in Washington and Leo Delagula at NPR-West in Culver City, California.

To commemorate the 400th anniversary of Shakespeare’s death in 2016, Chicago mobilized the city’s cultural and administrative resources in an unprecedented way. Barbara Gaines, founder and Artistic Director of Chicago Shakespeare Theater, reflects on the "Shakespeare 400 Chicago" anniversary celebration. She was interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published April 18, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “In This City Will I Stay” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Hannah Kennedy and Alida Szabo at Chicago Shakespeare Theater, Collin Ashmead-Bobbitt at WBEZ in Chicago, and Jake Gorsky and Jeff Peters at the Marketplace studios in Los Angeles.

Shakespeare is famous today thanks in no small part to two members of his acting company, John Heminge and Henry Condell, who published a collection of his plays seven years after his death. Lauren Gunderson has written a new play called "The Book of Will" that portrays Heminge and Condell, along with their families and everyone involved in gathering and creating the First Folio. From the Shakespeare Unlimited podcast series. Published April 4, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “You That Survive, And You That Sleep In Fame,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Melissa Marquis at NPR in Washington and Monty Carlos at KQED in San Francisco.

You can find Shakespeare in all sorts of places, including the Fox TV series "Empire." From its very beginning, "Empire" has fashioned itself on the plot of "King Lear." And that's not the only Shakespeare connection to the program, as Ilene Chaiken, showrunner and executive producer for "Empire," explains. She was interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published March 22, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “The world in empire,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Jeff Peters at the Marketplace studios in Los Angeles.

In 2015, a new musical called "Something Rotten!" opened on Broadway. The plot: Two brothers living in England in 1595 have had their playwriting careers upended by the arrival of a new guy from Stratford upon Avon. Wayne and Karey Kirkpatrick, brothers who co-wrote the music and lyrics for Something Rotten!, are our guests on this episode of Shakespeare Unlimited. They are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published March 7, 2017. © Folger Shakespeare Library. All rights reserved. This episode, “Play On,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Cameron Adkins at WPLN in Nashville and Brian Allison at the Marketplace studios in Los Angeles.

A few months ago, Oxford University Press decided that in the New Oxford Shakespeare, the plays Henry VI, Parts 1, 2, and 3 would no longer be listed as having been written by Shakespeare alone. Instead the title pages will say: “By William Shakespeare and Christopher Marlowe.” To discuss how this kind of author attribution happens, we have Folger Director Michael Witmore and Eric Rasmussen, chair of the English department at the University of Nevada, Reno. They’re interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published February 21, 2017. © Folger Shakespeare Library. All rights reserved. “As if a Man Were Author if Himself” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Michele Ravera at radio station KUNR in Reno, Brian Allison and Jeff Peters at the Marketplace Studios in Los Angeles, and Melissa Marquis at NPR Headquarters in Washington.

Starting in the 1930s, people began sending letters asking for advice on love and romance to Verona, Italy—addressed to Juliet. In 2014, a lovelorn Canadian high school teacher traveled to Verona over summer vacation to volunteer as one of “Juliet’s secretaries.” The experience changed his life—and his perspective on Shakespeare’s star-crossed lovers. From the Shakespeare Unlimited podcast series. Published February 7, 2017. © Folger Shakespeare Library. All rights reserved. “Any man that can write may answer a letter” was produced by Richard Paul. Garland Scott is the Associate Producer. It was editing by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Jeff Muller at Alchemy Studios in Calgary, Alberta and Jake Gorsky and Jeff Peters at the Marketplace Studios in Los Angeles.

When we think of Shakespeare in the American West, Hollywood immediately comes to mind, but this podcast also takes us back to the California Gold Rush and the Americans who brought Shakespeare with them when they flooded westward. Stephen Dickey, a senior lecturer in the English Department at UCLA and the curator of “America’s Shakespeare: The Bard Goes West,” is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published January 24, 2017. © Folger Shakespeare Library. All rights reserved. “The West Yet Glimmers With Some Streaks Of Day” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had technical help from Brian Allison and Jeff Peters at the Marketplace studios in Los Angeles.

Since 2002, Gregory and Jeffery Ameen Qaiyum, better known as G.Q. and J.A.Q – the Q Brothers – have been using hip-hop to adapt and update the plays of William Shakespeare. At the time we recorded this podcast, their show Othello: The Remix was running off-Broadway at the Westside Theater. They were interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published January 10, 2017. © Folger Shakespeare Library. All rights reserved. “Something Then In Rhyme” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. We had help from Alana Karpoff and Rachael Singer of the theater management company, Jeffrey Richards Associates; Angie Hamilton Lowe at NPR-West in Culver City, California; and Devin Mellor & Camille Smiley at NPR in New York.

Since 2002, a major organization in Stratford-upon-Avon, the Shakespeare Birthplace Trust, has supported an archaeological dig on the former grounds of a house called “New Place.” New Place was one of the biggest houses in Stratford when Shakespeare was a boy. Once he became a wealthy and famous playwright, he bought it. When he wasn’t in London, he lived there with his family until his death, 19 years later, in 1616. The dig has revealed some tantalizing clues about how the Shakespeare family lived their lives – what they ate, how they cooked what they ate, and – as you’ll hear – how they worked and played. Kevin Colls is Archaeological Project Manager at the Centre of Archaeology at Staffordshire University in Stoke-on-Trent. Nic Fulcher of the Shakespeare Birthplace Trust is the Assistant Project Manager at New Place. They were interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published December 13, 2016. © Folger Shakespeare Library. All rights reserved. “Now will I lead you to the house” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had technical help from Andy Grier at Sounding Sweet studios in Stratford-upon-Avon and Melissa Marquis, the Coordinating Producer for News Operations at NPR in Washington. http://www.folger.edu/shakespeare-unlimited/new-place-house-archaeological-dig

While print sales of adult fiction are down in the last decade, the juvenile market – which includes young adult literature or "YA" – has actually gone up 40 percent. In this episode, two YA authors talk about their writing, their audience, their inspirations, and the role that Shakespeare plays in all of it. Molly Booth’s first novel, "Saving Hamlet," was published in 2016 by Disney-Hyperion. It tells the story of an American teenager who time-travels back to Shakespeare’s Globe during the original production of "Hamlet." Ryan North, best known as the creator of Dinosaur Comics, is the author of two titles that take a “Choose Your Own Adventure” approach to Shakespeare. "To Be Or Not To Be" was originally self-published in 2013 and was Kickstarter's most-funded publishing project at the time. His second, "Romeo and/or Juliet," was published by Riverhead Books in 2016. Ryan and Molly are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published November 29, 2016. © Folger Shakespeare Library. All rights reserved. “The Quick Fire of Youth” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had technical help from Thomas Devlin at WGBH in Boston, Gord Richards at Oak Recording Studio Toronto, and Jeff Peters at the Marketplace studios in Los Angeles. http://www.folger.edu/shakespeare-unlimited/ya-novels-ryan-north-molly-booth

There are a surprising number of characters in Shakespeare who propose or ask or even demand that someone tell their life’s story. (Think of Hamlet’s dying words to Horatio: “And in this harsh world draw thy breath in pain / To tell my story.”) While that may not seem surprising on the face of it – Shakespeare was a storyteller after all – this idea of re-imagining your life so that it tells a story was not a common one in Shakespeare’s time. In this episode of Shakespeare Unlimited, Harvard University’s Stephen Greenblatt expands upon the talk he gave earlier this year for the Folger Institute’s Shakespeare Anniversary Lecture Series, about how Shakespeare shapes characters and narratives. He also explores how the French Renaissance writer Montaigne influenced Shakespeare, and how Shakespeare pushed back on some of Montaigne’s ideas. Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University. He is the author of – among other books – "Will in the World: How Shakespeare Became Shakespeare" and "The Swerve: How the World Became Modern." Professor Greenblatt was interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published November 15, 2016. © Folger Shakespeare Library. All rights reserved. “Teach him how to tell my story” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Professor Greenblatt's assistant, Aubrey Everett; from Anna Steinbock in the Harvard Office of Public Affairs & Communications and from Jeff Peters and the staff of the Marketplace studios in Los Angeles. http://www.folger.edu/shakespeare-unlimited/stephen-greenblatt

How does Shakespeare portray girls and girlhood in his plays, and what do those portrayals tell us about life in Elizabethan and Jacobean England? Our guest for this Shakespeare Unlimited episode, Deanne Williams of York University in Toronto, is the author of Shakespeare and the Performance of Girlhood, published in 2014. She is interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published November 1, 2016. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Why, here's a girl!” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had technical help from the News Operations Staff at NPR in Washington, DC. http://www.folger.edu/shakespeare-unlimited/girlhood

Gallaudet University in Washington, DC, is the world’s only university designed to be barrier-free for deaf and hard of hearing students. For more than 150 years, its students have been performing Shakespeare without spoken words. This month, the Folger Shakespeare Library’s nationwide First Folio tour stops at Gallaudet, which also has a companion exhibition called “First Folio: Eyes on Shakespeare,” curated by Jill Bradbury, a Gallaudet English professor. In this podcast she takes us on a tour of the exhibition and of the world of Shakespeare in sign language. Transcript here: http://www.folger.edu/sites/default/files/ShaxUnlimited_Gallaudet_Transcript.pdf Jill Bradbury is interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published October 18, 2016. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Altered much upon the hearing it,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Kaitlin Luna, Gallaudet’s Coordinator of Media and Public Relations. Jill Bradbury’s sign language interpreter during the interview was Loriel Dutton. http://www.folger.edu/shakespeare-unlimited/sign-language-gallaudet

For ten years, Laura Bates, a professor at Indiana State University, taught Shakespeare to a group of inmates considered the worst of the worst – men incarcerated in the solitary confinement unit at Indiana’s Wabash Valley Correctional Facility. These are, for the most part, prisoners considered so dangerous they were kept apart, even from the other prisoners. Every week, Professor Bates would drive out to the prison, make her way over to solitary confinement and sit down in a space in between the cells of these men to discuss Macbeth, Hamlet, Othello and Richard II. She wrote about her experiences in a book titled "Shakespeare Saved My Life: Ten Years in Solitary with the Bard." Laura Bates is interviewed by Barbara Bogaev. This Shakespeare Unlimited episode, "How I May Compare This Prison Where I Live Unto The World" was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. Audio of the inmates Laura worked with was provided by Indiana State’s Video Production Manager, Tracy Ford. It was edited by Ciara Gillan. We had additional help from Mike Paskash and Casey Zakin at WFIU, Indiana Public Media and Bill Lancz at Marketplace Studios in Los Angeles. http://www.folger.edu/shakespeare-unlimited/solitary-prison

The curses associated with the Scottish play. Using a real skull for the Yorick scene in "Hamlet." Over the centuries, these and other fascinating theatrical anecdotes have attached themselves to the plays of William Shakespeare. Many of these stories have been told and re-told, over and over, century after century – with each new generation inserting the names of new actors into the story and telling the story as if it just occurred. So “One night David Garrick was backstage” becomes, “So one night Edmund Kean was backstage” which then becomes, “So one night Richard Burton was backstage.” And so on. Our guest, Paul Menzer, is a professor and the director of the Shakespeare and Performance graduate program at Mary Baldwin College in Staunton, Virginia. His book "Anecdotal Shakespeare: A New Performance History" was published by Bloomsbury Arden Shakespeare in 2015 He was interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published September 20, 2016. © Folger Shakespeare Library. All rights reserved. “Truths Would Be Tales, Where Now Half Tales Be Truths” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had technical help from the News Operations Staff at NPR in Washington, DC. http://www.folger.edu/shakespeare-unlimited/actor-anecdotes

Today, the first collected edition of Shakespeare’s works, printed in 1623, can sell for millions of dollars. But the First Folio wasn’t always valued so highly. In this podcast episode, two experts in the First Folio and the book trade, Adam Hooks and Dan De Simone, chart the rise of the First Folio—how and when this book became a cultural icon with such a dizzying price tag. Adam Hooks is an Assistant Professor in the Department of English at the University of Iowa and author of “Selling Shakespeare: Biography, Bibliography, and the Book Trade.” Dan De Simone is the Eric Weinmann Librarian at the Folger Shakespeare Library. They were interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published September 6, 2016. © Folger Shakespeare Library. All rights reserved. “A Volume Of Enticing Lines” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had technical help from Jim Davies, Chief Engineer at Iowa Public Radio in Iowa City and the News Operations Staff at NPR in Washington, DC. http://www.folger.edu/shakespeare-unlimited/how-first-folio-became-a-star