I Like Your Work: Conversations with Artists

Lisa Solomon is a studio artist that moonlights as a college professor and illustrator/graphic designer. Profoundly interested in the idea of hybridization (sparked from her Hapa heritage), Solomon's mixed-media works and large installations revolve thematically around domesticity, craft, and personal histories. She often fuses "wrong" things together--recontextualizing their original purposes, and incorporating materials that question the line between ART and CRAFT. She also is focused on bridging the gaps between being creative, living creatively, and making a living as a creative.She received her BA in art from UC Berkeley and her MFA from Mills College. She has exhibited and works with galleries both nationally and internationally, is in numerous private and public collections, and is continually tweeking artworks in her backyard studio. She resides in Oakland, California with her husband, a teenager, two kitties, a three legged pit-bull, a dachshund mutt and many, many spools of thread. She is the author of - A Field Guide To Color - a workshop work-a-long watercolor journal on color theory and the follow up The Color Meditation Deck, a historical book on Crayola crayons, Knot Thread Stitch, the Illustrator for 20 Ways to Draw a Chair and Draw 500 Everyday Things. Her latest book is Art, Craft, Color is published by HardieGrant. She is also an instructor on CreativeBug. LINKS: www.lisasolomon.com @lisasolomon Artist Shoutout: publisher @hardiegrantusa https://publishing.hardiegrant.com/en-us Bridget Watson Payne * @watsonpayne https://bridgetwatsonpayne.com Christine Buckton Tillman * @christinebucktontillman www.christinebucktontillman.com Libby Black * @libblack www.libbyblack.com Jen Hewett * @jenhewett www.jenhewett.com Risa Iwasaki Culbertson * @Risa_Iwasaki_Culbertson Ana Bianchi * @analovescolor www.analovescolor.com Sonya Philip * www.100actsofsewing.com Robert J. Bosscher * @rjbosscher www.risaculbertson.com Jen Duffin / Nova Mercury Design * @novamercury Robert Mahar * @robert_mahar www.robert-mahar.com Crystal Bodven / Crystallized Cookies @CrystallizedCookies www.crystallizedcookies.com Dana Williams-Johnson @callmedwj www.yardsofhappiness.com Kanako Abe * @abemanatee www.kanakoabe.art Rash

Kyle Hackett's paintings explore race, class, and social standing through approaches to self-representation and the constructed image. Hackett (b. Still Pond, MD) earned his MFA from the LeRoy E. Hoffberger School of Painting at Maryland Institute College of Art and his BFA in Fine Arts from the University of Delaware. He has received numerous honors and awards, including the DC Commission on the Arts and Humanities Artist Fellowship, the Civil Society Institute Fellowship at the Vermont Studio Center Residency, the Ruth Katzman Scholarship at The League Residency in New York, and Best in Show at the 2014 Bethesda Painting Awards Exhibition. His work has been featured in publications such as New American Paintings, The Washington Post, HuffPost, Aesthetica Magazine (UK) and is published in the British Library. Hackett received a Mayoral Salute from the City of Baltimore for his solo exhibition "Rate of Contingency." Recent exhibitions include The Ruth Borchard 2025 Self Portrait Prize (UK); The Herbert Smith Freehills 2024 Portrait Award Exhibition at the National Portrait Gallery (London, UK); "Revisit/Reimagine" at the Banneker-Douglass-Tubman Museum (Annapolis, MD) and "Circular Narratives" at Vinegar Projects (Birmingham, AL). Hackett's work is represented by Goya Contemporary Gallery (Baltimore, MD). His work is part of collections at Ethan Cohen Gallery (New York) the DC Commission on the Arts and Humanities, Capital One Lounge at Washington Dulles International Airport, the Soho House Art Collection, among others. Hackett is Assistant Professor and co-director of the MFA Studio Art Program at American University (Washington, DC). "My work explores race, class, and social standing through approaches to self-representation and the constructed image. Inspired by nineteenth- and twentieth-century portraiture and precarious modes of depiction, I deconstruct ideas of secure identity and fixed painting techniques through subtexts of the staged, self-aware portrait. Referencing contraptions, braces, or postures from early photography that might objectify and hold a sitter in place, I relate image-making, inflection, and fixedness to concepts of double consciousness. A connected body of work involves vanitas still-life paintings created from discarded self-portrait reference photographs. Quickly compressed, twisted, fixed, bound, doubled, and hung, the discarded images take on new forms. Meanwhile, the slower process of making each painting becomes a living record and reflection on the initial need to discard the reference. Within this process, my work combines the power dynamic and politic of the picture plane. I examine how authenticity, self-referential source materials and painting methods can articulate systems of identity, representation, and contemporary power structures within and against the conventions of historical genres, such as portrait painting. I highlight how constructing images can construct new relations to serve

Beck Lowry (New Haven, Connecticut, 1980) is a mixed-media artist whose intricate, wall-hung abstractions explore themes of protection, labor, and lineage. Lowry's work has been exhibited at Yossi Milo and Morgan Lehman Gallery, New York, NY; Elijah Wheat Showroom, Newburgh, NY; Headstone Gallery, Kingston, NY; Fred Giampietro Gallery and Ely Center for Contemporary Art, New Haven, CT; and Delaware Contemporary, Wilmington, DE. Lowry was a 2024-25 resident of the Sharpe-Walentas Studio Program, Brooklyn, NY; and has participated in residencies at Interlude, Kingston, NY; and Millay Arts, Austerlitz, NY. Their work has been covered in Artforum, New American Paintings, Maake Magazine, Art Speil, Galerie, and Two Coats of Paint. Works by Lowry are held in the public collections of Southern Connecticut State College, New Haven, CT, and Gateway Community College, New Haven, CT. Lowry holds a Bachelor's Degree in Economics and a Certificate in African Studies from Smith College, Northampton, MA. The artist lives and works in Connecticut. Installation of a large sculpture with Deanna Evans Projects for Main Window Dumbo. On view 24/7 from the sidewalk until March 22nd at Main Window Dumbo, 1 Main Street, Brooklyn. Closing Reception: Sunday, March 22 from 1-3pm.-- NADA NYC with Morgan Lehman Gallery (May 13–17) -- The Aldrich Decennial (large group show of Connecticut artists) at the Aldrich Contemporary Art Museum, June 7, 2026 to January 10, 2027 LINKS: becklowry.com @becklowry I Like Your Work Links: Apply to the Chautauqua School of Art Residency Program: art.chq.org Join Patreon: https://www.patreon.com/c/ILikeYourWork Apply to be a Studio Visit Artist: https://www.ilikeyourworkpodcast.com/submitwork Pre-order our catalog: https://www.ilikeyourworkpodcast.com/resources Have a ques

Richard Raiselis is a Boston-based painter known for his perceptive urban landscapes that explore the act of seeing within everyday environments. His work frequently focuses on the city of Boston—its rooftops, streets, power lines, clouds, and architecture—often viewed from unusual vantage points such as high windows or rooftops. Through careful observation and subtle shifts in perspective, Raiselis transforms ordinary scenes into meditations on light, structure, and visual perception. Raiselis is Associate Professor Emeritus at the Boston University College of Fine Arts, where he taught painting for over three decades before retiring in 2025. His long tenure at Boston University shaped generations of artists while allowing him to develop a studio practice deeply rooted in observation of the surrounding city. His paintings have been exhibited widely and are included in exhibitions at institutions such as the National Academy of Design in New York, the San Francisco Museum of Modern Art, the Butler Institute of American Art, and the New Britain Museum of American Art, among others. Working primarily in oil on linen, Raiselis approaches painting as a form of visual reporting, capturing the subtle drama of light, weather, and shifting urban space. His work demonstrates how sustained attention to ordinary places can reveal unexpected complexity and beauty. LINKS: gallerynaga.com " aria-disabled="true">@rraiselis I Like Your Work Links: Apply to the Chautauqua School of Art Residency Program: art.chq.org Join Patreon: https://www.patreon.com/c/ILikeYourWork Apply to be a Studio Visit Artist: https://www.ilikeyourworkpodcast.com/submitwork Pre-order our catalog: https://www.ilikeyourworkpodcast.com/resources Have a question you want Erika to discuss in a mini episode? Email it to [email protected] with the subject "mini eps" Join Erika in Italy at Umbria Contemporary Arts this Summer: <a href= "https://www.umbriacontemporaryarts.com/product-page/the-symbolic-landscape-ins

Dion Johnson (b. 1975, Bellaire, OH) is based in Los Angeles, CA. Johnson received a BFA from The Ohio State University and an MFA from Claremont Graduate University. He has participated in numerous solo and group exhibitions across the United States. His solo exhibitions include: Scott Richards Contemporary Art, San Francisco, CA; L.A. Louver, Venice, CA; Contemporary Art Matters, Columbus, OH; Western Project, Los Angeles, CA; Bentley Gallery, Phoenix, AZ; and Stux Gallery, New York, NY. His group exhibitions include: Roberts Projects, Los Angeles, CA; L.A. Louver, Venice, CA; PRJCTLA, Los Angeles, CA; Holly Johnson, Dallas, TX; and De Buck Gallery, New York, NY. He recently curated "excite" an exhibition of Southern California abstract painting at Peter Mendenhall Gallery, Pasadena, CA. His work has been reviewed and featured in The New York Times, Los Angeles Times, Artnews, and Artforum, among others. Johnson serves as Assistant Chair of Foundation Studio at Otis College of Art and Design. Dion Johnson's paintings synthesize his experience of Southern California's natural and urban landscapes, architecture, lifestyle and the region's exciting history of influential visual art movements. In a recent interview with Ed Schad, Curator at The Broad in Los Angeles, Johnson reflects "Sometimes, my paintings are like abstract places informed by personal experiences. Layers of colors may allude to my view of the San Gabriel Mountains bathed in magenta light at sunrise, and aerodynamic shapes in a composition may suggest my peripheral perspective during a bicycle ride." LINKS: http://www.dionjohnsonstudio.com " aria-disabled="true">@dion_johnson_ " aria-disabled="true"> " aria-disabled="true">Contemporary Art Matters - https://contemporaryartmatters.com " aria-disabled="true">Scott Richards Contemporary Art - https://www.srcart.com " aria-disabled="true">L.A. Louver - https://lalouver.com Artist Shoutout: June Edmonds @juneeecee Heather Gwen Martin @heathergwenmartin Christopher Pate @chrispate Kristopher Raos @kristopher_raos Michael Reafsnyder @michaelreafsnyder Phillip K. Smith III @phillipksmith3 Liat Yossifor @liatyossifor I Like Your Work Links: Apply to the Chautauqua School of Art Residency Program: art.chq.org Join Patreon: https://www.patreon.com/c/ILikeYou

Jared Linge received a classical education in Drawing & Painting and Art History at the Laguna College of Art and Design. After eight years of experience working in contemporary art on both coasts, he founded High Noon in New York's Lower East Side in 2017 with an interest in exhibiting under-represented artists. He has curated over 70 exhibitions throughout his career, focusing on work that is grounded in art historical context with an emphasis on craft and hybrid practices. In addition to his work as a gallerist, he is a regular faculty member at the NYC Crit Club, a collaborative alternative to academic art programs, centering peer dialogue and mentorship within an inclusive artist community. High Noon advocates a gallery model that is collaborative and artist-centered. Today, the gallery's roster is comprised of emerging talent as well as established artists collectively belonging to major collections such as MoMA, the Broad, LACMA, The Metropolitan Museum of Art, and others. In the fall of 2024, the gallery moved to a new permanent location in New York's TriBeCa neighborhood. LINKS: highnoongallery.com " aria-disabled="true">@highnoongallery https://www.ilikeyourworkpodcast.com/product-page/the-way-we-re-not-winter-exhibition-catalog-2025 I Like Your Work Links: Apply to the Chautauqua School of Art Residency Program: art.chq.org Join Patreon: https://www.patreon.com/c/ILikeYourWork Apply for our Spring Open Call: Deadline February 15: https://www.ilikeyourworkpodcast.com/submitwork Pre-order our catalog: https://www.ilikeyourworkpodcast.com/resources Have a question you want Erika to discuss in a mini episode? Email it to [email protected] with the subject "mini eps" Join Erika in Italy at Umbria Contemporary Arts this Summer: https://w

As we begin a new year, we're revisiting one of our most encouraging conversations on I Like Your Work—my interview with artist, author, and educator Lisa Congdon. Lisa's story is a powerful reminder that there is no single timeline for becoming an artist. She didn't begin pursuing art seriously until later in life, and her career unfolded through persistence, curiosity, and a deep commitment to learning. In this episode, Lisa shares what it was like to start later, how she built confidence in her work, and how she navigated the fears and doubts that often accompany a creative path. This conversation is especially meaningful to revisit in January, a time when many of us are reflecting on where we are, where we want to go, and whether it's "too late" to begin or begin again. Lisa's honesty and generosity offer reassurance that growth happens in its own time, and that showing up consistently matters more than starting early. In this episode, we discuss: Starting an art career later in life Letting go of comparison and imagined timelines Building confidence through practice and curiosity Creating a sustainable creative life Giving yourself permission to evolve Whether you're just starting out, returning to your studio after time away, or questioning your path, this episode offers encouragement and perspective for the year ahead. LINKS: https://lisacongdon.com/ Follow Lisa on Instagram @lisacongdon Lisa's books: Art, Inc: The Essential Guide for Building Your Career as an Artist Find Your Artistic Voice: The Essential Guide to Working Your Creative Magic (Art Book for Artists, Creative Self-Help Book) A Glorious Freedom: Older Women Leading Extraordinary Lives I Like Your Work Links: Apply to the Chautauqua School of Art Residency Program: art.chq.org Join Patreon: <a class="c-link" href="https://www.patreon.com/c/ILikeYourWork" target="_blank" rel="noopener noreferrer" data-stringify-link= "htt

Artist residencies play an important role in supporting creative development, professional growth, and sustained studio practice. This episode offers insight into artist residencies through the lens of Chautauqua Visual Arts, alongside practical guidance for artists preparing strong, thoughtful applications. Chautauqua Visual Arts offers two distinct residency experiences, each designed to support artists at different stages and working styles. The Faculty-Led Six-Week Residency is designed for emerging/student artists seeking an immersive, structured experience. The program features accomplished visiting faculty who lead classes, lectures, and critiques, providing sustained mentorship, professional dialogue, and a cohort-based learning environment. Artists develop their work within a supportive community while engaging in critical exchange and guided exploration. The Self-Directed Two-Week Residency with Studio Visits supports artists seeking focused studio time within a self-directed framework. This residency offers space to work independently, complemented by studio visits during the second week that provide feedback, conversation, and connection while preserving autonomy in the artist's practice.Both residencies include dedicated studio space, a vibrant community of artists, and access to world-class lectures and performances at Chautauqua—creating an environment that supports focus, reflection, and creative growth.In this episode, I also share practical application insights drawn from my years reviewing applications which includes: 1. Demonstrate an understanding of the residency program Strong applications show a clear understanding of the residency's structure, location, and values. Artists are encouraged to apply to programs that align with how they work. For example, artists seeking a city-based experience may not be a good fit for a rural residency, and vice versa. Thoughtful consideration of fit strengthens both the application and the residency experience. 2. Submit strong, well-documented images of your work Clear, well-lit, and accurately documented images remain one of the most important components of any application. High-quality images allow reviewers to engage fully with the work and understand the artist's practice. 3. Treat project proposals as a reflection of studio practice When applications ask what an artist plans to work on during the residency, the question often reflects a broader consideration: whether the artist knows how to work independently, structure their time, and sustain a studio practice. Clear, realistic responses demonstrate preparedness rather than fixed outcomes. 4. Allow adequate time when requesting references When requesting a letter of reference, giving ample notice is essential. Thoughtful timing allows references to write strong, detailed letters that meaningfully support an application. I Like Your Work Links: Apply to the Chau

We're revisiting one of my favorite conversations from the archive with painter John Walker, an episode that feels just as relevant now as when it first aired. In this conversation, John reflects on what it means to stay with the work over decades, how a painting practice evolves over time, and the quiet discipline required to keep showing up to the studio. We talk about the deeply meaningful realities of a life devoted to making art. As we move into a new year, this episode feels like the perfect reminder that sustainable creative lives aren't built overnight they're built through intention, consistency, and returning again and again to what matters most.Goals Giveaway To celebrate this rerelease and the new year, I'm offering a free Goal Workbook to anyone who joins I Like Your Work on Patreon. The workbook is designed to help you clarify what you want from your creative life this year without burnout, hustle culture, or unrealistic pressure. Join Patreon to receive the Goal Workbook: https://www.patreon.com/c/ILikeYourWork Whether you're setting intentions for the year or simply needing encouragement to keep going, I hope this conversation meets you where you are. LINKS: https://johnwalkerpainter.com/index.php https://www.alexandregallery.com/john-walker I Like Your Work Links: Thank you to our Sponsor, the 2026 Canopy Program: Apply by January 14th at thecanopyprogram.com Pre-order our catalog: https://www.ilikeyourworkpodcast.com/resources Have a question you want Erika to discuss in a mini episode? Email it to [email protected] with the subject "mini eps" Apply to the Chautauqua School of Art Residency Program: art.chq.org Join Erika in Italy at Umbria Contemporary Arts this Summer: https://www.umbriacontemporaryarts.com/product-page/the-symbolic-landscape-instructor <p id="3n9c81447" clas

In this New Year episode of I Like Your Work, I talk about doing the next thing in your art practice by following what genuinely lights you up — even when it means making a change. I share why I chose to refocus my energy on teaching, creating courses, and building spaces for artists, and how that clarity led me to an exciting move to Patreon. This shift makes it easier for more artists to access professional practice support, classes, and conversations in a way that's flexible, affordable, and rooted in real studio life. I Like Your Work Links: https://www.patreon.com/cw/ILikeYourWork/home Thank you to our Sponsor, the 2026 Canopy Program: Apply by January 14th at thecanopyprogram.com Pre-order our catalog: https://www.ilikeyourworkpodcast.com/resources Have a question you want Erika to discuss in a mini episode? Email it to [email protected] with the subject "mini eps" Apply to the Chautauqua School of Art Residency Program: art.chq.org Join Erika in Italy at Umbria Contemporary Arts this Summer: https://www.umbriacontemporaryarts.com/product-page/the-symbolic-landscape-instructor Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast <a class="UjWKl D81Ee" href= "https://www.ilikeyourworkpodcast.com/submitwork" target="_blank" rel="noopene

In this mini episode of I Like Your Work, I talk about why waiting to feel "ready" or confident keeps so many artists stuck and how planning your artistic year while feeling afraid can actually be the most honest place to start. This episode is for artists who: Feel overwhelmed when thinking about the year ahead Struggle with creative fear, doubt, or perfectionism Want to plan their art practice without burning out Are ready to make work even when clarity hasn't arrived yet You don't need to eliminate fear to move forward. You can do it afraid. I share simple, grounded ways to think about creative planning, goal setting, and staying connected to your work—without pressure, hustle, or unrealistic expectations. Whether you're planning a new year, a new body of work, or just trying to show up consistently, this episode offers a steady place to begin. I Like Your Work Links: Thank you to our Sponsor, the 2026 Canopy Program: Apply by January 14th at thecanopyprogram.com Pre-order our catalog: https://www.ilikeyourworkpodcast.com/resources Have a question you want Erika to discuss in a mini episode? Email it to [email protected] with the subject "mini eps" Apply to the Chautauqua School of Art Residency Program: art.chq.org Join Erika in Italy at Umbria Contemporary Arts this Summer: https://www.umbriacontemporaryarts.com/product-page/the-symbolic-landscape-instructor Join the Works Membership! https://theworksmembership.com/ <p id="itffg1452" class="CIF

Lydia Jenkins Musco's work has been exhibited in galleries and public spaces throughout the United States. With an MFA from Boston University and a BA from Bennington College, her artistic practice has been shaped by international experiences, including stone carving studies in Italy and participation in art symposia in Norway, South Korea, and China. Musco's work has earned recognition through awards including two Pollock-Krasner Foundation Grants, a Joan Mitchell Foundation MFA Grant, and an Edward F. Albee Residency Fellowship, among others. Her work has been featured in exhibitions including the 43rd Annual Peace Exhibition in Nagasaki, Japan, the International Print Center in New York, and numerous outdoor sculpture exhibitions nationwide. Musco has contributed to the art community through academic roles, serving as a lecturer in sculpture at Boston University and a visiting assistant professor at Davidson College. Musco lives and works in Royalston, Massachusetts. "I interpret the world into a vocabulary of objects with weight and mass that can be viewed from all sides, that help me explore the connections and intersections of elements. Basic construction materials like concrete and wood — ubiquitous and often used in humble ways we take for granted — offer me a path to honesty through their fundamental simplicity. Two groups of work are currently in progress, Logarithmus and Unconformity. The Unconformity series began as an investigation into perception and place, a reflection of the landscape of the woodlands of Massachusetts. In geology, an unconformity refers to a break in time, a boundary between rocks caused by erosion or a pause in sediment accumulation. Investigating the environmental changes accumulating in the landscape over the course of a year, each sculpture is an unconformity, a break in time, capturing a moment, holding it still, and documenting the changing color, light, and forms of a single place. The Logarithmus series explores navigation, inspired by the Chip Log, an early nautical instrument for gauging speed. The form of these sculptures is derived from the geometry of a circle's quadrant. The resulting shape, somewhat vulnerable due to its accessible interior, becomes an exploration of pathfinding, with all its inherent hope and uncertainties. With the guarantee of detours and missteps, my goal is to keep moving forward with curiosity. These objects are built from the ground up, echoing the process of memory or landscape formation. Like geological strata, each layer both influences and is influenced by those adjacent to it, above and below, side by side. Bound by gravity only, they are built in movable sections that can be dismantled and reconstructed. Each reassembly tells a new story, revealing how intention and environment reshape our understanding, making the familiar strange and the static dynamic." LINKS: lydiamusco.co

If you've been watching the Miami energy from afar and wondering what it all means for your studio practice, this episode gives you the trends, themes, and takeaways that actually matter for artists.In this episode, Erika covers: • The big-picture trends shaping Miami Art Week 2025: – Institutional validation and residencies becoming more influential – The shift toward sustainable careers and long-term practice – Experiential installations dominating many fairs – Latin American and Caribbean artists in the spotlight – The ongoing market correction and what collectors are looking for • A breakdown of the key fairs: – Art Basel Miami Beach: What's new, what curators are paying attention to, and how residencies fit into this year's programming – NADA: Emerging artists, experimental work, and themes like climate fiction + myth/memory – Untitled Art Fair: Thoughtful curation and a special focus on reflection-based work – SCOPE Miami Beach: Where Erika is speaking this year on sustainable artist careers and the power of residencies – Additional satellite fairs: Design Miami, Aqua, Art Miami + Context, Satellite, Prizm Erika also shares: • How the fairs are highlighting conversations around artist support, sustainability, and community • A grounded takeaway for artists who aren't in Miami: how to move your career forward from your own studio Whether you're at the fairs, following along online, or simply curious about the current art-world landscape, this episode gives you the quick, real insights behind the images. I Like Your Work Links: Thank you to our sponsor, Sunlight Tax. Make Taxes Easier and Stash an Extra $152k in Your Savings Free Class: sunlighttax.com/ilikeyourwork Right now, listeners of I Like Your Work can get this free artists' tax deduction guide by going to sunlighttax.com/ilikeyourworkguide Pre-order our catalog: https://www.ilikeyourworkpodcast.com/resources Have a question you want Erika to discuss in a mini episode? Email it to [email protected] with the subject "mini eps" Apply to the Chautauqua School of Art Residency Program: art.chq.org Join Erika in Italy at Umbria Contemporary Arts this Summer: https://www.umbriacontem

In this episode, Erika explores how observation, travel, and memory shape artistic practice, inspired by her upcoming class in Italy, The Symbolic Landscape. Drawing from Corot's plein air studies and Goethe's Italian Journey, she reflects on how artists discover themselves through what they see—whether in a distant landscape or a simple daily moment. The episode invites listeners to make space for beauty and reflection, wherever they are, and to see art as both a return to the world and a way to transcend it. The Symbolic Landscape- Class in Italy Dates: May 10 - May 24 Early Registration Discount: A 20% discount applies if Payment In Full is made before December 2nd, 2025. I Like Your Work Links: Thank you to our sponsor, Sunlight Tax. Make Taxes Easier and Stash an Extra $152k in Your Savings Free Class: sunlighttax.com/ilikeyourwork Right now, listeners of I Like Your Work can get this free artists' tax deduction guide by going to sunlighttax.com/ilikeyourworkguide Thank you to our Sponsor, the 2026 Canopy Program: Join an info session with Founder and Executive Director Catherine Haggarty and apply by January 14th at thecanopyprogram.com Pre-order our catalog: https://www.ilikeyourworkpodcast.com/resources Have a question you want Erika to discuss in a mini episode? Email it to [email protected] with the subject "mini eps" Apply to the Chautauqua School of Art Residency Program: art.chq.org Join Erika in Italy at Umbria Contemporary Arts this Summer: https://www.umbriacontemporaryarts.com/produ

Gail Spaien (b. 1958, Hartford, Connecticut) is an American artist and educator based in Maine. Her studio practice centers around the idea that a painting is a site of connection; an object that transmits emotion from one person to another. She is of a lineage of artists who think craft and beauty shape and build a more relational world. Spaien has been the recipient of numerous fellowships, including the Ucross Foundation (2024), Varda Artist Residency Program, Djerassi Foundation Resident Artists Program, Millay Colony for the Arts, and the Skowhegan School of Painting and Sculpture. She has received grant funding from the Lillian Orlowsky and William Freed Foundation, the Maine Arts Commission, and the New Hampshire Charitable Foundation. Her work has been featured in solo exhibitions, including Taymour Grahne Projects, Dubai, UAE(2025); Mrs. Gallery, NY (2025); Nancy Margolis Gallery, NY; Taymour Grahne Projects, London, UK; Ogunquit Museum of American Art, Ogunquit, ME; Ellen Miller Gallery, Boston, MA; and Colby College Museum of Art, Waterville, ME. Group exhibitions include Berggruen Gallery, San Francisco, CA; Taymour Grahne Projects, London, UK; Center for Maine Contemporary Art, Rockland, ME; 1969 Gallery, NY; studio e, Seattle, WA; Provincetown Art Association and Museum, Provincetown, MA; University of New Hampshire Museum, Durham, NH; Institute of Contemporary Art, Portland, ME; Portland Museum of Art, Portland, ME; and the DeCordova Museum, Lincoln, MA. Spaien received her MFA from the San Francisco Art Institute and BFA from the University of Southern Maine. After thirty years as faculty at the Maine College of Art and Design, she is full-time in the studio. "Inspired by my geographic location and the landscape that surrounds me, the images in my paintings are of observed and imagined places where one can be in relationship with others, the world, and the self. They celebrate the beauty of everyday acts and the quiet rhythms of daily life. They are compact reductions of lived experiences and permeable arenas of contemplation. The way I make my work is a performance of slowness. Created through repetitive handcraft, marked by decorative patterning, flattened space, and subtly skewed perspectives, my paintings reflect the intimacy of their making. Blending still life with landscape, often depicting a unification between the interior and exterior, spectators of my paintings become inhabitants of a world in slower motion. Composing an idealized counterpoint, I suggest that slowness and attention to the rhythms of an ordinary day is a form of quiet resistance and renewal. My source material ranges from the animated movies of Hayao Miyazaki and Walt Disney to the symbolism of Dutch Still Life paintings. I reference quilts, samplers, mourning paintings, Japanese embroidery, early American wooden furniture, wooden boats, and the architecture of simple cottages. The meditative and precise quality of paint-by-numbers, wh

In this episode, I'm diving into open calls including what jurors look for when reviewing applications, and why the description box is crucial for providing context about your artwork. I'm also sharing practical tips on how artists can use detailed descriptions to make their submissions stand out and highlighting resources for artists to improve their application process.   I Like Your Work Links: Thank you to our sponsor, Sunlight Tax.  https://www.sunlighttax.com     Apply for our Winter Exhibition: Deadline is November 15: https://www.ilikeyourworkpodcast.com/submitwork   Pre-order our catalog: <a href= "https://www.ilike

Gwen Strahle is a painter living and working in northeast CT. She teaches at the Rhode Island School of Design. She shows her work at Nancy Devine Gallery in RI. Strahle has received several awards including the Connecticut Artist Fellowship, the Purchase Prize from the American Academy of Arts and Letters, the Guggenheim Fellowship, and an Honorarium from the Drawing Center. Strahle earned her MFA from Yale University in 1983. "I have been making paintings of objects arranged on my studio table for over forty years. Many of the objects in my work have been with me for the entirety of that time. The objects are painted both from life and from memory: bud vases, shells, pitchers, and glasses. Each of these objects is a kind of vessel, and I often think about what is inside of an object- the fullness of something empty in appearance. The objects are personified in the paintings, and I have become emotionally invested in them; they are part of my family. Over the years, they have changed and aged with me as I paint them into each image. I have created a hierarchy of icons using these familiar objects that can grow and change depending on their arrangement from one painting to the next. That dynamic relationship between objects is important to me. The covered table under the set-up serves as the canvas, or as the painting itself. Its flat surface is raised up for the viewer, with the malleability of a blank slate that allows objects to emerge from and be pushed back into the surface of the table—like a garden bed. It represents the painted world in which my objects can exist. Twenty years ago, I began to add my own silhouette to the paintings, which has recently turned into a shadow, and it presides over the still-life, and is in turn embraced by it. It made sense for that figure to be my own body, or my own shadow, as I am the one experiencing my relationship to the still-life, with these objects. This transparent form can dissolve across the objects and the table. My process involves moving the objects around the image, eliminating and adding as I work through each painting. My paintings come together slowly, sometimes over the course of months or years before I find resolution in the composition. In the practice of painting, I seek the feeling of being present in the world. The slowness allows for this." LINKS: gwenstrahle.com @gwenpaints I Like Your Work Links: Thank you to our sponsor, Sunlight Tax. Taxes for Humans is the clearest, kindest, funniest tax book you've ever read. It's as generous as you are. Pre-Order by Nov 11 to get a discount AND instant access to Hannah's course. Go to <a class="c-link" href="http://sunlighttax.com/bonus" target="_blank" rel="noopener noreferrer" data-stringify-link= "http://su

In this episode, I touch on mystery in art—the space between knowing and not knowing that drives us to create and share Philip Guston's essay "Faith, Hope, and Impossibility". Faith, Hope, and Impossibility- Philip Guston "There are so many things in the world—in the cities—so much to see. Does art need to represent this variety and contribute to its proliferation? Can art be that free? The difficulties begin when you understand what it is that the soul will not permit the hand to make. To paint is always to start at the beginning again, yet being unable to avoid the familiar arguments about what you see yourself painting. The canvas you are working on modifies the previous ones in an unending, baffling chain which never seems to finish. (What a sympathy is demanded of the viewer! He is asked to "see" the future links.) For me the most relevant question and perhaps the only one is, "When are you finished?" When do you stop? Or rather, why stop at all? But you have to rest somewhere. Of course you can stay on one surface all your life, like Balzac's Frenhofer. And all your life's work can be seen as one picture—but that is merely "true." There are places where you pause.Thus it might be argued that when a painting is "finished," it is a compromise. But the conditions under which the compromise is made are what matters. Decisions to settle anywhere are intolerable. But you feel as you go on working that unless painting proves its right to exist by being critical and self-judging, it has no reason to exist at all—or is not even possible. The canvas is a court where the artist is prosecutor, defendant, jury, and judge. Art without a trial disappears at a glance: it is too primitive or hopeful, or mere notions, or simply startling, or just another means to make life bearable. You cannot settle out of court. You are faced with what seems like an impossibility—fixing an image which you can tolerate. What can be Where? Erasures and destructions, criticisms and judgments of one's acts, even as they force change in oneself, are still preparations merely reflecting the mind's will and movement. There is a burden here, and it is the weight of the familiar. Yet this is the material of a working which from time to time needs to see itself; even though it is reluctant to appear. To will a new form is inacceptable, because will builds distortion. Desire, too, is incomplete and arbitrary. These strategies, however intimate they might become, must especially be removed to clear the way for something else—a condition somewhat unclear, but which in retrospect becomes a very precise act. This "thing" is recognized only as it comes into existence. It resists analysis—and probably this is as it should be. Possibly the moral is that art cannot and should not be made. All these troubles revolve around the irritable mutual dependence of life and art—with their need and contempt

Madge Evers (b. 1961, Norwalk, CT) explores the transformative cycles of dormancy, decay, and ecstatic growth in plant life. Her work combines alternative photography, mushroom spores, and painting to depict landscape details and imagined flora. Evers earned a BA from Suffolk University in Boston and an MA from the University of Rhode Island. Her work has been exhibited at the New Britain Museum of American Art (CT), Danforth Museum of Art (Framingham, MA), Brattleboro Museum and Art Center (VT), and the Zero Art Fair (New York, NY), among others. In 2024, she curated and exhibited in the group show *Biomorph* at Split Level Gallery (Northampton, MA) and presented her third solo show at ECA Gallery (Easthampton, MA). Recent artist residencies include Chautauqua Arts (2024), Cill Rialaig (Kerry, Ireland, 2023), Oak Spring Garden Foundation (Upperville, VA, 2023), Kinney Center for Interdisciplinary Renaissance Studies at UMass Amherst (2022), and Eastern Frontier Educational Foundation (Jonesport, ME, 2022). Evers was a Massachusetts Cultural Council Artist Fellowship Finalist in Photography (2021) and made Photolucida Critical Mass top 200 (2019). Evers currently lives and works in western Massachusetts. Her book about the cyanotype process will be published by Storey in 2026. "My work features native and introduced flora foraged from different landscapes, along with imagined botanical elements. Working primarily on paper, I use various materials and processes, including mushroom spores, cyanotype, painting, collage, and book making. I began adapting and experimenting with mushroom spore prints as an art medium in 2015. The cyanotype—an alternative photographic process pioneered by botanist Anna Atkins in 1843 —provides flexibility for revision and repair in my practice. Spore printing and cyanotype photograms connect me to the cyclical transformations of plant life: growth, decay, and dormancy. I believe nature's interdependent systems offer a restorative framework for humans, and possibly humanity." LINKS: madgeevers.com @_sporeplay Artist Shoutout: Michael Abrams, michaelabramsart.com, @michael.abrams.art Jean Larson, www.jeanlarson.com, @jeanlarsonartist Fritz Horstman, fritzhorstman.com, @fritzhorstman Malaika Ross, www.malaikaross.com, @malaikaross_studio Laurie Olinder, www.laurieolinder.com, laurieolindertextiledesign Stephen DiRado, stephendirado.com, @stephenphotodirado Dale Rio, www.dalerio.com, @dale.rio.photography I Like Your Work Links: Thank you to our sponsor, Sunlight Tax. Taxes for Humans is the clearest, kindest, funniest tax book you've ever read. It's as generous as you are. Pre-Order by Nov 11 to get a discount AND instant access to Hannah's course. Go to <a class="c-link" href="http://sunlighttax.com/bonus

Hannah Cole is a tax expert who specializes in working with self-employed people, especially creative and mission-driven ones. A long-time working artist herself, she's helped tens of thousands of self-employed people skill up with accessible tax and money education, through her Money Bootcamp program, tax workshops from Florida to Alaska, and on the Sunlight Tax podcast. Her forthcoming book, Taxes for Humans: Simplify Your Taxes and Change the World When You're Self-Employed, is the most funny and empowering tax guide you'll ever read. Hannah is the founder of Sunlight Tax. LINKS: Taxes for Humans is an essential read for all freelancers, creatives, and ⁠ self-employed people seeking to understand, take control of, and reduce stress surrounding their tax.⁠ ⁠ It's here, ready for pre-order.⁠ ⁠ It ships in November, in time for holiday gifts for all your freelance friends and family. ⁠ ⁠ Pre-Order Hannah's book: Taxes for Humans https://www.sunlighttax.com/book https://www.sunlighttax.com @sunlighttax @sunlighttax on Youtube & @sunlighttax on TikTok Artist Shoutout: Peter Glenn Oakley: https://www.instagram.com/peter_glenn_oakley/?hl=en https://artsuite.com/collections/peter-oakley?srsltid=AfmBOop0A_aYaKIr8NNn72UCb346Lghnf-OAY41VnHYh11Kl33VGDbKe I Like Your Work Links: Pre-order our catalog: https://www.ilikeyourworkpodcast.com/resources Have a question you want Erika to discuss in a mini episode? Email it to [email protected] with the subject "mini eps" Apply to the Chautauqua School of Art Residency Program: art.chq.org Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: <a class="UjWKl D81Ee" href="https://www.youtube.com/@ilikeyour

Joe Wardwell is currently a Professor of Painting at Brandeis University (Waltham, MA) and is the founder the Brandeis-in-Siena program. He received a Bachelor of Arts in Art History, and a Bachelor of Fine Arts in Painting from the University of Washington (Seattle, WA). He received a Master of Fine Arts in Painting from Boston University (Boston, MA). Currently on view, Wardwell has a large-scale wall drawing, "Hello America: 40 Hits from the 50 States," commissioned for the renovation of building 6 at MASS MoCA in North Adams, MA. In 2022, he completed his first large scale public art project for the Boston Public Library, Roxbury Branch. Wardwell has also completed large scale installations for the Institute of Contemporary Art Boston, the Ogunquit Museum of American Art, citizenM Hotels, Facebook Inc., and the Children's Hospital of the King's Daughters in Norfolk, VA and the Cape Cod Museum of Art. His paintings and drawings have been exhibited at the Museum of Fine Arts, Boston, the DeCordova Sculpture Park and Museum (Lincoln, MA), the Rollins Museum and the Institute of Contemporary Art Boston, and Wardwell's work is in the permanent collection of each. Wardwell has been a recipient of the Massachusetts Cultural Council Grant for Painting and was awarded the Distinguished Alumni Award from the School of Creative Arts at Boston University. In addition to numerous group exhibitions throughout the region, Wardwell has held solo exhibitions in New York, New Haven, Boston, Seattle, and Montreal. His work has been reviewed by Art Forum, Art in America, the Boston Globe, The Seattle Times, Boston Magazine, as well as many other publications. Wardwell lives with his family in the Jamaica Plain neighborhood of Boston, his studio is in Dorchester, MA, and is represented by the LaMontagne Gallery. LINKS: joewardwell.com @joe_wardwell I Like Your Work Links: Thank you to our Sponsor, Rise and Repaint. Ever wish your biggest career questions actually had answers? Like — Am I pricing my art right? or What do galleries and curators really want to see? That's exactly what you'll find inside the Rise and Repaint Network — built for women and non-binary artists. You'll connect with galleries, plan exhibitions, and learn how to price your work with confidence, all while being supported by a global artist community.And because you're a listener, you get first dibs before the public — plus a discount with code ILYW25. But hurry, doors close October 17th. Visit <a class="c-link" href="http://riseandrepaint.com/" target="_blank" rel= "noopener noreferrer" data-stringify-link= "http://riseandrepaint.

In this mini episode of I Like Your Work,  I'm talking about the myths and limiting beliefs that often hold artists back. I'm also exploring the importance of building stability and confidence as an artist by challenging outdated tropes and taking small, proactive steps toward the life and practice you want.   I Like Your Work Links: Thank you to our Sponsor, Rise and Repaint. Ever wish your biggest career questions actually had answers? Like — Am I pricing my art right? or What do galleries and curators really want to see? That's exactly what you'll find inside the Rise and Repaint Network — built for women and non-binary artists. You'll connect with galleries, plan exhibitions, and learn how to price your work with confidence, all while being supported by a global artist community.And because you're a listener, you get first dibs before the public — plus a discount with code ILYW25. But hurry, doors close October 17th. Visit riseandrepaint.com today.    Have a question you want Erika to discuss in a mini episode? Email it to [email protected] with the subject "mini eps"    Apply to the Chautauqua School of Art Residency Program: art.chq.org

Susan Klein is an artist living in Charleston, SC. Recent exhibitions include I Should Have Been a Pair of Ragged Claws at the Wassaic Project, A Window Scrubbed for the Moon at Asya Geisberg Gallery, NYC, and Volcano Lovers at Frontviews, Berlin. Klein is a 2020-2021 recipient of a Pollock-Krasner Foundation Grant. Other awards include an Artist-in-Residence at the Dunedin School of Art in New Zealand, a Hambidge Center Residency, Watershed Center for Ceramics Art Residency, Wassaic Project Residency, residency at the International Studio and Curatorial Program, a full fellowship to the Vermont Studio Center, an Ox-bow Artist-in-Residence Summer Fellowship, an Otis College of Art and Design Summer Residency, and residency at Arteles Creative Research Center in Finland. Klein received her MFA in 2004 from the University of Oregon, a BFA in 2001 from the University of New Hampshire, and studied art at NYU from 1997-99. She is an Associate Professor of Art and Chair of the Art Department at the College of Charleston. LINKS: susankleinart.com @sklein79 Artist Shout Out: Hannah Barnes, hannahbarnesart.com, @hannahmbarnes Kerri Ammirata, @kerri_ammirata, https://kerriammirata.com Sky Gilkerson, https://www.skyegilkerson.com/, @skyegilkerson Cristina Victor, @sabiaceramics, cristinavictor.com I Like Your Work Links: Thank you to our Sponsor, Rise and Repaint. Ever wish your biggest career questions actually had answers? Like — Am I pricing my art right? or What do galleries and curators really want to see? That's exactly what you'll find inside the Rise and Repaint Network — built for women and non-binary artists. You'll connect with galleries, plan exhibitions, and learn how to price your work with confidence, all while being supported by a global artist community.And because you're a listener, you get first dibs before the public — plus a discount with code ILYW25. But hurry, doors close October 17th. Visit riseandrepaint.com today. Have a question you want Erika to discuss in a mini episode? Email it to [email protected] with the subject "mini eps" Apply to the Chautauqua School of Art Residency Program: <a class="c-link" href= "http://art.chq.org/" target="_blank" r

In this mini episode of I Like Your Work, I explore the superpower artists share: our ability to create alternative spaces and community. From non-traditional classrooms and DIY galleries to zines and podcasts, these platforms expand the art ecosystem. As artists, our superpower is creating the spaces we wish existed. When we act, we make room for others, build community, and keep the art world vibrant.   I Like Your Work Links: Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say "hi" on Instagram

Sam King has exhibited at galleries, artist-run spaces, and universities across the country, including The Painting Center (NYC), Unrequited Leisure (Nashville), Manifest Gallery (Cincinnati), Oneoneone Gallery (Chapel Hill), Laconia Gallery (Boston), The Provincial (Kaleva, MI), Living Arts of Tulsa, MIXD (Rogers, AR), the University of North Carolina Greensboro, the University of Tulsa, Lower Columbia College, and Western Connecticut State University. In 2020, King was a resident of Hambidge Center, supported by the Lee and Margaret Echols fellowship for musicians (he records and performs improvisational, microtonal guitar music under the name Untight). In 2019, he curated Shelters, Monuments, featuring the work of artists Whiting Tennis and Sarah Norsworthy, for The Provincial, an artist-run space in Kaleva, MI. With Christopher Lowrance, King co-founded MW Capacity, a website devoted primarily to painting in the Midwest. With Stephanie Pierce, he co-founded Lalaland, a DIY community projects space in Fayetteville, AR, active 2011-2019. He has also been a resident artist at Vermont Studio Center and Ox-Bow School of Art, an affiliated fellow at the American Academy in Rome, and a recipient of the Arkansas Arts Council's Individual Artist Fellowship. His work is held in a number of public and private collections. King earned a Bachelor Fine Arts degree from the University of Tulsa (2003) and a Master of Fine Arts degree from Indiana University (2005). He resides in Fayetteville, AR, where he serves as an Associate Director of the University of Arkansas School of Art. "Much of the meaning of my work is embedded in its physicality, process, and composition. I am enamored of the material trappings of painting: not just paint and canvas, but staple-holes, tears, creases, and off-cuts, and at times, the artifacts of digital and hybrid formats. My process is improvisational, and I tend to work on a lot of paintings at once. If a painting is not going well (or it was at one point "finished," and no longer seems sufficiently resolved), I take it off its stretchers, cut it up, and use the pieces to start new works. In this way, a single, failing painting might be the germ of five or ten new ones. By alternatingly reinforcing and transgressing conventions of visual perception, I hope to engage, perhaps even implicate, the viewer in the work. I arrived at this method of making art after years of experimentation and interrogation of painting as a vehicle for communication. I rarely seek out source material, in the sense of a specific painting serving to record a particular scene, moment, or emotion, but also, I think of painting in terms of metaphor and embodiment. My work tends to exist in a suspended, liminal state, like something is there to be recognized, reassembled, or decoded. I can't quite say why I started working this way, but I've indulged a persistent, gnawing instinct to rework old paintings for many years, long before they look like

Welcome back to a brand-new season of I Like Your Work! I'm kicking things off by sharing lessons from this summer's  artist residencies at @chq.art! The top three takeaways that we all talk about with residences is time in the studio, creative community, and future opportunities which are powerful benefits of residencies but I want to go beyond and talk about my top three takeaways from the summer: risk,discovery and momentum.   I Like Your Work Links: Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say "hi" on Instagram

Whether you have a week or a weekend, a full studio or just your kitchen table, this episode will guide you through how to create your own DIY summer residency. Erika breaks down how to set your intentions, structure your time, choose a location, and more! This is about honoring your creative work and giving yourself the space you deserve.    In This Episode, You'll Learn: Why DIY residencies are powerful and accessible alternatives How to design your own residency step-by-step   I Like Your Work Links: Thank you to our Sponsor, Creativity Matters Coaching:  Naomi Vladeck & her signature 10-week spring course - Unstoppable! Starting April 28. https://www.creativitymatterscoaching.com/unstoppable   Apply to our Summer Exhibition & Publication at Chautauqua Visual Arts: https://www.ilikeyourworkpodcast.com/submitwork   Join the Works Membership! https://theworksmembership.com/ <p id="itffg1452" class="CIFvi

Taro Takizawa is an artist specializing in printmaking, wall vinyl installations, drawings, and 2D designs. His work blends both Western and Eastern aesthetics, with a deep appreciation for traditional printmaking processes and the art of mark-making. Takizawa is fascinated by the fusion of contemporary studio practices with traditional methods, exploring the boundaries between printmaking and installation art. He earned his BFA with a printmaking emphasis from Central Michigan University and completed his MFA in printmaking at Syracuse University in 2017. Takizawa has exhibited his work both nationally and internationally at prominent venues such as the Fowler-Kellogg Art Center, PARADOX European Fine Art Forum in Poland, ArtPrize 10 at the Grand Rapids Public Museum, LUX Center for the Arts, the China Printmaking Museum, Tyger Tyger Gallery, and Kai Lin Art in Atlanta, GA. He has also participated in several artist residencies, including those at the Saltonstall Foundation for the Arts, Morgan Conservatory, GoggleWorks, and Lawrence Arts Center. Takizawa currently serves as the Assistant Professor of Art at the University of North Carolina (UNC) Wilmington. LINKS: https://cargocollective.com/tarotakizawa @tarotakizawart Artist Shout Out: Michael Dickins (curator) http://www.michaeldickins.com @mdickins at APSU who has been so generous to me since we met. He is generous to everyone. Tyger Tyger Gallery at Asheville, NC who suffered greatly from the flooding. Wishing them luck and strengths and recovery - amazing team amazing space. I Like Your Work Links: Thank you to our Sponsor, Creativity Matters Coaching: Naomi Vladeck & her signature 10-week spring course - Unstoppable! Starting April 28. https://www.creativitymatterscoaching.com/unstoppable Apply to our Summer Exhibition & Publication at Chautauqua Visual Arts: https://www.ilikeyourworkpodcast.com/submitwork Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast <p id="x9u671455" class="CIFvi F607M"

In this episode of I Like Your Work, we're talking about the real-life struggle of balancing all the creative things — your studio practice, admin work, social media, teaching, applications, and more — without burning out. I'll walk you through why balancing projects feels so hard and share 10 clear, actionable strategies to help you bring order, clarity, and momentum back to your creative life.   I Like Your Work Links: Thank you to our Sponsor, Creativity Matters Coaching:  Starting April 7 Naomi is offering her FREE signature 5 DAY mini course - The Artist Accelerator.   Apply to our Summer Exhibition & Publication at Chautauqua Visual Arts: https://www.ilikeyourworkpodcast.com/submitwork   Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast <p id="x9u671455" class="CIFvi F607M" d

Anne Buckwalter is an American painter based in Maine. She was born and raised in Lancaster, PA. She received her BFA from Tyler School of Art in Philadelphia and her MFA from Maine College of Art and Design. A recipient of a 2020-2021 Pollock-Krasner Foundation Grant, a 2020 Idea Fund Grant, and a 2016 Joan Mitchell Foundation Emerging Artist Grant, Anne has been an artist-in-residence at the Galveston Artist Residency, Vermont Studio Center, Studios at Mass MoCA, Hewnoaks Artist Colony, and Banff Centre for Arts and Creativity. Her exhibition history includes the Portland Museum of Art, Portland, ME; Woodmere Art Museum, Philadelphia, PA; Boston University Gallery, Boston, MA; The Painting Center, New York, NY, and others. Her paintings have been highlighted in New American Paintings, Juxtapoz, Hyperallergic, and The New York Times, and included in the collections of the Institute of Contemporary Art Miami; Aishti Foundation, Lebanon; Zuzeum, Latvia; X Museum, Beijing; Art Museum of West Virginia, and Pennsylvania Academy of the Fine Arts. In 2025, she mounted her first institutional solo show, Manors, at the Farnsworth Art Museum in Rockland, Maine. She is represented by Rachel Uffner Gallery (New York, NY), Pentimenti Gallery (Philadelphia, PA), Micki Meng (San Francisco, CA), and Rebecca Camacho Presents (San Francisco, CA). "Anne Buckwalter's creative practice explores female identity and the coexistence of contradictory elements. Inspired by the folk art traditions of her Pennsylvania Dutch heritage, her work arranges disparate objects in mysterious domestic interiors and ambiguous spaces. By imagining obscure narratives that embrace paradoxes, her paintings delve into questions about the body, femininity, sexuality, and desire." LINKS: www.annebuckwalter.com @annebuckwalter I Like Your Work Links: Apply to our Summer Exhibition & Publication at Chautauqua Visual Arts: https://www.ilikeyourworkpodcast.com/submitwork Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast <p id="nslap1457" class="CIFvi F607M" dir="ltr" data-bre

In this episode of I Like Your Work, we dive into the power of not knowing in the creative process. Inspired by the 14th-century mystical text The Cloud of Unknowing, we explore why uncertainty isn't something to fear—it's actually essential to making meaningful art. Artists throughout history have embraced the unknown to create work that surprises, moves, and connects.   What You'll Learn in This Episode: How letting go of control can lead to breakthroughs in your work Three simple ways to embrace not knowing in your studio practice Why trying to define your work too soon can actually limit its potential I Like Your Work Links: Apply to our Summer Exhibition & Publication at Chautauqua Visual Arts: https://www.ilikeyourworkpodcast.com/submitwork   Join the Works Membership! <a class="UjWKl D81Ee" href="https://theworksmembership.com/" target

Ceri Hand is a creative coach, mentor, host of the Extraordinary Creatives podcast, public speaker and the founder of www.cerihand.com, supporting thousands of creatives to make an impact with their work and earn more money doing what they love. Prior to establishing Ceri Hand she was Director of Programmes for Somerset House, responsible for the exhibitions, live events, learning and skills programme across the whole historic site. She successfully helped to build its profile and brand, shaping its reputation as one of the UK's top 10 most visited arts attractions (2.5million visitors annually). Significant highlights include landmark exhibitions such as Mushrooms: The Art, Design and Future of Funghi; Get Up, Stand Up Now: Generations of Black Creative Pioneers; Good Grief, Charlie Brown! Celebrating Snoopy and the Enduring Power of Peanuts; Hassan Hajjaj: La Caravane, in partnership with 1-54 Contemporary African Art Fair; commissioning filmmaker Bradford Young for the annual Film4 Summer Screen programme; Anna Meredith and GAIKA for the ice-rink and Kojey Radical and Little Simz for the outdoor concerts Summer Series. During her time there, she also successfully commissioned artists based within Somerset House Studios including Hannah Perry, Larry Achiampong and GAIKA, as well as commissioning new work for 1:54 AFrican Art Fair, Photo London, British Council International Fashion Showcase, and the London Design Biennale. Throughout her career she's worked with and commissioned new work from thousands of artists including notably: Hans Peter Feldmann, Gary Simmons, Angela Bulloch, Vito Acconci, Pipilotti Rist, Bedwyr Williams, Toby Ziegler, Dexter Dalwood, Chen Chieh-jen, Walid Raad/The Atlas Group, Sophie Jung, Anthea Hamilton, John Akomfrah and Black Audio Film Collective, Christian Jankowski, Apichatpong Weerasethakul, Sissel Tolaas, Shilpa Gupta, Salla Tykka, Candice Breitz, Yang Fudong, Jill Magid, Cory Arcangel, Jeremy Deller Associate Consultant, Contemporary Art Society, London; Director, Ceri Hand Gallery, London/Liverpool; Director of Metal, Liverpool; Director of Exhibitions, FACT, Liverpool; Deputy Director of Grizedale Arts, Cumbria and Director of Make, London. Ceri is currently Chair of Castlefield Gallery, Manchester. LINKS: www.cerihand.com @cerihand I Like Your Work Links: Apply to our Summer Exhibition & Publication at Chautauqua Visual Arts: <a href= "https://www.ilikeyourworkpodcast.com/submi

How do you trust your work? Not by focusing on outcomes. In this episode, we dive into how confidence grows through TRUST, not certainty, and why trusting the creative process is essential. We also discuss HOW to trust your work. Featuring insights from Rebecca Solnit's A Field Guide to Getting Lost, we'll explore how confidence isn't about knowing—it's about trust.   I Like Your Work Links: Apply for a residency at Chautauqua Visual Arts: Chautauqua Visual Arts   Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions <a class="UjWKl D81Ee" href= "https://www.ilikeyourworkpodcast.com/st

Feeling lost in your practice? You're not alone. In this episode, we explore why uncertainty isn't failure—it's part of the artistic process. Drawing from Rebecca Solnit's A Field Guide to Getting Lost, we discuss why the unknown is necessary for growth, how to navigate it, and why embracing being "lost" can actually help you make your best work. Tune in for next week's episode, where we'll explore how to build confidence and trust your work, even when doubt creeps in.   I Like Your Work Links: Apply for a residency at Chautauqua Visual Arts: Chautauqua Visual Arts   Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions <p id="63fye1463" class="CIFv

Susan Lichtman is a figurative painter of domestic spaces, working out of her home studio in southeastern Massachusetts. She received her undergraduate degree from Brown University and an MFA in Painting from Yale University School of Art. Lichtman has had solo exhibitions at Steven Harvey Fine Arts Projects, NY, NY. (2017, 2024); Rose Art Museum, Waltham, MA (2024); Fahrenheit, Madrid, (2022); Gross McCleaf Gallery, Philadelphia, PA (2018) and the Wilson Museum of Hollins University, Roanoke, VA (2017.) Recent group and two person exhibitions have been at Steven Harvey Fine Arts Project, NY ,NY; Nathalie Karg Gallery, NY, NY; Wege Center for the Arts, Fairfield, IA; Chazen Gallery, Providence, RI; Page Gallery, Camden, ME; and Crosstown Arts, Memphis, TN. A recipient of a fellowship from the Massachusetts Cultural Council, she also holds awards from the Louis Comfort Tiffany Foundation and the American Academy of Arts and Letters. A Fine Arts professor at Brandeis University between 1980-2024, Lichtman has also been a visiting artist at numerous universities and art programs. She was the Frances Niederer Artist-in-Residence at Hollins University in 2017, Guest Artist at JSS Civita in 2018 and a faculty member at the Chautauqua Visual Art program in 2024. LINKS: www.Susanlichtman.com @Lichtmansusan Artist Shout out: Steven Harvey Fine Arts Project, NY, NY. Page Gallery, Camden ME.; Nancy Devine Gallery, Warren, RI I Like Your Work Links: Thank you to our sponsors: Naomi Vladeck with Creativity Matters Coaching: Registration for The Fear Less Creator Method Intensive is NOW LIVE This transformational experience for women artists and creators begins on February 24 runs through April 7 2025. Register on https://www.creativitymatterscoaching.com/customtrainingsandtalks Or email her at [email protected] to learn about her early-bird spots! Apply for a residency at Chautauqua Visual Arts: Chautauqua Visual Arts Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: <a class="UjWKl D81Ee" href="https://www.youtube.com/@ilikeyourworkpodcast" target= "_b

Have you ever hesitated to apply for an open call or residency because of self-doubt? Or maybe you've wondered, Is this even worth it? In this episode of I Like Your Work, we're flipping that narrative. Open calls and residencies aren't just about submitting your work—they're about creating opportunities, making connections, and getting your art seen in ways you never imagined. I've heard from so many artists who have had real, tangible opportunities come from being featured in the I Like Your Work Open Call catalog—things like exhibitions, representation, and new collectors. And residencies? They can be game-changers for artists looking to deepen their practice, meet incredible peers, and create work in an inspiring environment. We'll also talk about Chautauqua Visual Arts Residencies—an incredible space for artists to grow, reflect, and push their work forward. And I'm beyond excited to introduce our guest curator for this year's Open Call, Leah Triplett, an amazing curator and writer who brings a thoughtful and engaging eye to contemporary art.If you've been waiting for a sign to put yourself out there—this is it.   What You'll Learn in This Episode: Why open calls and residencies are more than just applications—they're opportunities for transformation How artists have gained career-changing connections from the I Like Your Work Open Call  What makes Chautauqua Visual Arts Residencies such an exciting and valuable experience  Insights from guest curator Leah Triplett, a leading curator and writer shaping contemporary art The importance of believing in your work and stepping into opportunity—despite fear    Apply Today!  I Like Your Work Open Call: https://www.ilikeyourworkpodcast.com/submitwork Chautauqua Visual Arts Residency:  Chautauqua Visual Arts

Neil Callander is an artist and an educator. Born in Louisville KY, Neil earned a BFA from Indiana University (2003) and an MFA from Mason Gross School of the Arts at Rutgers University (2006). In 2005 he received a full fellowship to be a resident at Skowhegan School of Painting and Sculpture. After graduate school Neil worked as a painter for the artist Jeff Koons in his New York studio. In 2007 Neil and family left New York City to pursue careers as artists and academics. This decision has offered a tour of the South with time spent in Louisville KY, Starkville MS, and Tuscaloosa AL. Neil and his wife Adrienne are currently professors of Art at the University of Arkansas and live in a household of makers, dogs, and sheep on three acres in Fayetteville AR. Neil has exhibited widely including solo exhibitions at Goose Barnacle (Brooklyn NY), Studio Break Gallery (West Chicago IL), Bowling Green State University (OH), MANIFEST Gallery and Drawing Center (Cincinnati OH), Elon University (NC) and The Kentucky School of Art (Louisville). Group exhibitions include MANIFEST Gallery and Drawing Center (Cincinnati OH), The Huntsville Museum of Art (AL), The Mississippi Museum of Art (Jackson), The New Gallery of Modern Art (Charlotte NC), First Street Gallery (NYC), Washington Art Association (CT) and many others. He has presented on his work and practice at institutes of higher learning including Boston University, UMass Dartmouth, Arkansas State University, and the University of Mississippi. He is a member of ZEUXIS (an association of still life painters based in NYC), and SECAC whose conferences he regularly attends. Recent creative endeavors include participation in Art Week (July 2022) at the fabled family home of painter Fairfield Porter on Great Spruce Head Island in Maine. Neil returned to the island in 2024 and will again in 2025 to facilitate a painting retreat he developed. "Cinema is the king of story-telling. Photography is a much more efficient form of documentation. Music is superior at catharsis. Television and the Internet own propaganda. That leaves painting the domains of materiality and ambiguity. I pack a painting with cultural and personal references and work toward an image that is provocative yet conceptually flexible. As more is added the compositions grow thicker, tighter, and more refined over time – like the tangle of a garden in late summer. The act of viewing my paintings is an unlocking of these internal relationships. Experiencing dense paintings that slowly reveal their nature can help us contend with the pervasiveness of fast-talking, slick images. In a media-riddled world, painting is a stabilizing force." LINKS: neilcallander.com @neil_callander Artist Shout out: 2024 Great Spruce Head Island Painting Retreat pa

Criticism is an inevitable part of being an artist—but not all feedback is worth your energy. In this episode, we dive into the different types of criticism artists receive and how to discern what's constructive, what's just opinion, and what should be ignored altogether. You'll learn: How to tell the difference between valuable feedback and unhelpful noise When to embrace critique and when to let it roll off your back Practical ways to respond to criticism (or not respond at all) How to build confidence in your artistic vision while remaining open to growth Whether you're facing tough critiques from professors, gallery directors, collectors, or the dreaded comment section on social media, this episode will help you develop a strong filter—so you can take in what serves your work and let go of the rest. I Like Your Work Links: Thank you to our sponsors:    Naomi Vladeck with Creativity Matters Coaching: Join the Artist Accelerator    Create Magazine: https://www.createmagazine.co/call-for-art Deadline is February 1   https://www.ilikeyourworkpodcast.com/community   Apply for a residency at Chautauqua Visual Arts: Chautauqua Visual Arts   <d

Sachiko Akiyama received her MFA in sculpture at Boston University and continued her studies at Skowhegan School of Painting and Sculpture. Akiyama lives and works in Portsmouth, NH. Akiyama has had solo exhibitions at Brattleboro Museum (Brattleboro, VT) and Tracey Morgan Gallery (Asheville, NC) and group exhibitions at Dunes Gallery (Portland, ME), Night Gallery (Los Angeles, CA), and Center for Maine Contemporary Art (Rockland, ME). Among numerous honors, Akiyama was awarded a Joan Mitchell Fellowship, an Artist Resource Trust Grant, and residencies at Millay Arts and Ucross. Akiyama's work is represented by Tracey Morgan Gallery. LINKS: sachikoakiyama.com https://www.instagram.com/woodchip47/ Tree at my Window exhibition at Mrs. Gallery in NYC, NY January 18 through March 8 Artist Shout out: Jennifer Caine: https://www.jlcaine.com/ Don Voisine: http://donvoisine.com/ I Like Your Work Links: Sign up for the free class, Do It Afraid - Planning Your Creative 2025: https://theworksmembership.com/freeclass-register-q1/ Thank you to our sponsors: Naomi Vladeck with Creativity Matters Coaching: Join the Artist Accelerator Create Magazine: https://www.createmagazine.co/call-for-art Deadline is February 1 https://www.ilikeyourworkpodcast.com/community Apply for a residency at Chautauqua Visual Arts: Chautauqua Visual Arts Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast <a class="UjWKl D81Ee" href= "https://www.ilikeyourworkpodcast.com/submitwork" target="_blank" rel="noopene

Leah Triplett is a curator and writer, currently serving as the Director of Exhibitions and Contemporary Curatorial Initiatives at the Pennsylvania Academy of the Fine Arts (PAFA). Her writing has appeared in ArtAsiaPacific, ArtNet News, Sculpture, Public Art Dialogue, Flash Art, Hyperallergic, The Brooklyn Rail, and others. As an independent curator, she has organized projects for Abigail Ogilvy Gallery, Boston University Art Galleries, Praise Shadows Art Gallery, and others. She taught critical writing in the painting and sculpture MFA programs at Boston University from 2021 to 2023. She is the 2024 Mary Ann Unger Estate Fellow, researching the artist's late 1970s and early 1980s works. "As a curator and writer, I consider the convergence of craft, performance, new media, materiality, and globalism, using Feminist theory as a framework for my exhibition-making and publishing projects." LINKS: www.instagram.com/leah_triplett I Like Your Work Links: Sign up for the free class, Do It Afraid - Planning Your Creative 2025: https://theworksmembership.com/freeclass-register-q1/ Thank you to our sponsors: Doubworks: https://www.doubworks.com/ Use code LIKE for 20% off of any order of Belgian Linen by the yard. NYC Crit Club Canopy Program: https://www.nyccritclub.com/ Applications for the Canopy Program close January 12 Create Magazine: https://www.createmagazine.co/call-for-art Deadline is February 1 https://www.ilikeyourworkpodcast.com/community Apply for a residency at Chautauqua Visual Arts: Chautauqua Visual Arts Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast <p id="nslap1457" class="CIFv

Welcome to a brand-new year of creativity, inspiration, and fearless action! In this episode, I dive into the transformative power of "doing it afraid." Whether you're starting a new project, setting ambitious creative goals, or facing the ever-present inner critic, this episode will guide you toward embracing fear as a motivator rather than a barrier. I share actionable tips to help you kickstart your creative year with clarity, momentum, and confidence—even if fear is along for the ride. Plus, don't miss the sneak peek into my upcoming free class, Do It Afraid - Planning Your Creative 2025, happening January 22! Learn how to plan meaningful, courageous goals for the year and create a personalized action plan to achieve them. What You'll Learn in This Episode: How to reframe fear as a sign that your work matters. The power of small, consistent actions to build momentum. How to identify and break down creative goals that stretch and excite you. Details about Erika's free class on January 22 to help you plan your most creative year yet. Links and Resources Mentioned:  Sign up for the free class, Do It Afraid - Planning Your Creative 2025: https://theworksmembership.com/freeclass-register-q1/  Follow Erika on Instagram for more creative inspiration: <a class="c-link" href="https://instagram.com/

On this week's mini episode I'm talking about why it's so important to jump first into your creativity even when you're scared.  I Like Your Work Links:    https://theworksmembership.com/freeclass-register-q1/     https://www.thisamericanlife.org/837/transcript       Thank you to our sponsors:    Doubworks: https://www.doubworks.com/ Use code LIKE for 20% off of any order of Belgian Linen by the yard.    NYC Crit Club Canopy Program:  https://www.nyccritclub.com/  Applications for the Canopy Program close January 12   https://www.ilikeyourworkpodcast.com/community   Apply for a residency: https://www.chq.org/  Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Vis

Hillary Waters Fayle is an artist and Assistant Professor at Virginia Commonwealth University, where she directs the fiber/textile program. She has taught embroidery and textile workshops around the world and is an alumna of the Oak Spring Garden Foundation's Artist Residency Program. Her work is in the permanent collections of the AKG Museum in Buffalo, NY, Grace Farms Foundation in New Canaan, CT, the United States Embassy to Sri Lanka, Colombo, the Kalmthout Arboretum & Botanical Gardens in Belgium and is on view at the US Embassies in Algiers, Algeria and Dhaka, Bangladesh. Recent professional projects and publications include collaborations with Domestika, L'Occitane en Provance and the New York Botanical Garden. "My work brings together materials and processes that express the union of humanity and the physical world, most often textile traditions in collaboration with botanical material. The deep historical and lived experience we have with cloth echoes our connection to the botany all around us-both are entwined with our evolution and survival, and they are now so completely integrated into our lives, that they become nearly invisible. Both flora and cloth represent powerful and symbolic connections to place, time, people and our past. Whether stitching, drawing, planting seeds, or harvesting, my hands echo the gestures made by thousands of hands over thousands of years and I feel connected to the lineage of people working with textiles, plants and the land. Stitching, like horticulture, can be functional-- a technical solution to join materials/a means of survival-- or, both can be done purely in service of the soul, lifting the spirit through beauty and wonder." LINKS: www.hillarywfayle.com @hillary.waters I Like Your Work Links: Thank you to our sponsors: Doubworks: https://www.doubworks.com/ Use code LIKE for 20% off of any order of Belgian Linen by the yard. NYC Crit Club Canopy Program: https://www.nyccritclub.com/ Applications for the Canopy Program close January 12 Create Magazine: https://www.createmagazine.co/call-for-art Deadline is February 1 https://www.ilikeyourworkpodcast.com/community Apply for a residency at Chautauqua Visual Arts: Chautauqua Visual Arts Join the Works Membership! <a class="UjWKl

In today's mini episode, I'm chatting about how to reconnect with what really matters in your studio as we approach the busy holiday season and how leaning into your creativity is sometimes the best thing to do.    I Like Your Work Links:    Thank you to our sponsors:    Doubworks: https://www.doubworks.com/ Use code LIKE for 20% off of any order of Belgian Linen by the yard.    NYC Crit Club Canopy Program:  https://www.nyccritclub.com/  Applications for the Canopy Program close January 12   https://www.ilikeyourworkpodcast.com/community   Apply for a residency: https://www.chq.org/  Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say "hi" on <a class="UjWKl D81Ee" href= "https://www.instagram.com/ilikeyourworkpodcast/" target="_blank" rel="noope

On this week's episode, I'm chatting with Hannah Cole of Sunlight Tax about the effect of Hurricane Helene as an artist living in Asheville, North Carolina. Hannah joins me to share how you can prepare yourself as an artist for disasters or emergencies. Hannah Cole is a tax expert who specializes in working with creative businesses and mission-driven solopreneurs. A long-time working artist herself, she's helped tens of thousands of self-employed people skill up with accessible tax and money education, through her Money Bootcamp program, speaking engagements from Florida to Alaska, and on the Sunlight podcast. She is the founder of Sunlight Tax. LINKS: Free class: Make Taxes Easier and Stash an Extra $130k in Your Savings Money Bootcamp program: To make taxes easy and build your funds for the future Use the code LIKE on any Sunlight Tax Class or Bootcamp to save $100 Sunlight Podcast Episodes: Tax Relief You Get for Disaster Losses Emergency Preparedness Checklist: My Takeaways for You Mutual Aid: All the Tax Info You Need Follow Hannah on Youtube and Instagram: @sunlighttax I Like Your Work Links: Apply for a residency at Chautauqua Visual Arts: Chautauqua Visual Arts Join the Works Membership! <a class="UjWKl D81Ee" h

Margaret Jacobs, Akwesasne Mohawk, is an artist, educator and independent curator. A metalsmith who creates fabricated steel sculpture and powdercoated, one-of-a-kind jewelry, her work reflects on kinship to the natural world referencing cultural, historical and personal narratives while exploring the lines of contemporary craft and fine art objects. Overall, her life has been greatly influenced by rural living and her interest in object making stems from her youth in Northern New York and a constant respect for creating, repairing, refinishing and re-making objects that were vital to survival. Her artistic process involves steel fabrication techniques that intermingle traditional blacksmithing tools and techniques--primarily forging and hot forming with a forge--with more present day metalworking fabrication processes. This is a unique process that makes the steel feel alive and organic. Jacobs is a 2024 Teaching Artist Cohort and Rural and Traditional Fellowship recipient; a 2024 Native Arts Fellowship through the NMAI Smithsonian; a 2023 Independent Curators International (ICI) Curatorial Research Fellow and a 2019 recipient of the Artist in Business Leadership Award through the First Peoples Fund. She has participated in several artist residencies including at the Institute of American Indian Arts (IAIA) in Sante Fe, NM and Franconia Sculpture Park in Shafer, MN. Recent exhibitions include solo-shows at the Boise Art Museum in Idaho; Burlington City Arts in Vermont; and Ma's House in Southampton, NY. Jacobs attended Dartmouth College in Hanover, NH where she graduated with high honors for her thesis work and received the Perspectives on Design (POD) award. LINKS: margaretjacobs.com @margaretofsteel Artist Shout Out: Society of Inclusive Blacksmiths, https://www.inclusiveblacksmiths.com/ @inclusive_blacksmiths I Like Your Work Links: Apply for a residency at Chautauqua Visual Arts: Chautauqua Visual Arts Apply for our Winter Exhibition: deadline is November 15 Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: <a class="UjWKl D81Ee" href="https://www.youtube.com/@ilikeyourworkpodcast" target= "_blank" rel= "noo

On this week's mini episode, I'm reflecting on the importance of resilience, kindness, and being mindful of the impact of emotional expressions on those who have experienced trauma, especially in the context of the recent election and the charged emotions surrounding it.     I Like Your Work Links:    https://www.ilikeyourworkpodcast.com/community   Winter Exhibition Deadline: November 15- Apply   Apply for a residency: https://www.chq.org/  Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say "hi" on Instagram

Christine Garvey is an artist, coach, and the founder of A Mighty Practice. Her paintings and installations have been exhibited internationally, including exhibitions with Galerie Circulaire (Montreal), International Print Center (New York), and The Contemporary Austin. Garvey's work has been recognized with a Fulbright Research Grant (2016), a Fellowship from the Vermont Studio Center (2020), and an Artist Relief Grant from The Foundation for Contemporary Arts, United States Artists, and Creative Capital (2021). Over the last 10 years she's coached hundreds of creatives through the ups and downs of their practices. She writes and speaks about ideas that impact contemporary artists, including scarcity, endurance, and financial stability. Her work has been featured in The Creative Independent, Creative Mornings Global, and Brooklyn Magazine. Learn more about upcoming programs at amightypractice.com or christine-garvey.com. LINKS: https://www.amightypractice.com/ https://www.christine-garvey.com/ @christine.garvey @amightypractice I Like Your Work Links: Thank you to our sponsor Sunlight Tax! Artist and tax pro Hannah Cole (of Sunlight Tax) is collecting donations for artists effected by Hurricane Helene in the Asheville, North Carolina area please donate at her paypal: Sunlight Tax LLC Check out Hannah's program: Money Bootcamp Use the code LIKE on any Sunlight Tax Class or Bootcamp to save $100 Apply for a residency at Chautauqua Visual Arts: Chautauqua Visual Arts Apply for our Winter Exhibition: deadline is November 15 Join the Works Membership! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast <p id="nslap1457" class=

On this week's mini episode, I'm chatting about my live class I taught and going over why it's important for artists to set boundaries and how boundaries can fuel creativity by providing more structure and focus.    I Like Your Work Links: Watch the replay of my free live class: Creating Healthy Parameters  Artist and tax pro Hannah Cole (of Sunlight Tax) is raising money to help support artists effected by Hurricane Helene in Asheville, North Carolina area please donate at her paypal: Sunlight Tax LLC Check out Hannah's program: Money Bootcamp Use the code LIKE on any Sunlight Tax Class or Bootcamp to save $100 https://www.ilikeyourworkpodcast.com/community   Winter Exhibition Deadline: November 15- Apply   Apply for a residency: https://www.chq.org/  Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast <a class="UjWKl D81Ee" href= "https://www.ilikeyourw

Don Kimes' work has been included in more than 150 exhibitions internationally, including Biennale Internazionale di Firenze (Florence, Italy); Global Art Fair (Singapore); Rueda Museum (Madrid); Baltimore Museum of Art; Brooklyn Museum (New York); Burchfield-Penney Museum (Buffalo); ExMoenia (Todi, Italy); Living Art (Milan); America Haus (Munich); Casa di Cultura (Villahermosa, Mexico); Rocca Paolina (Perugia, Italy); AU Katzen Museum (Washington, DC); Corcoran Gallery of Art (Washington, DC); National Academy of Design (New York); Denise Bibro, Boom Contemporary, Jim Kempner, Frederieke Taylor, Claudia Carr, Kouros, Stephan Gang, Lucky Strike, NY Studio School, Prince Street, and Arsenal galleries, Ammo Artists Space (all New York City); Washington Project for the Arts, Fondo del Sol Galleries, Hillyer Art Space, Sense Gallery, Elizabeth Robert's Gallery, Constitution Hall (all Washington, DC), and many others. He has received awards to be Scholar in Residence in the Art and Philosophy seminar at the American Academy in Rome; Artist in Residence at SACI in Florence, Italy; to live and work on the Pacific island of Kauai; to spend a year painting near Todi, Italy; a US Department of the Interior award to be artist in residence at Yellowstone; a grant from the Instituto Nacional de Bellas Artes to work in southern Mexico; Eisenhower Foundation support to be a United States Visual Arts representative to the Jurmala Cultural Exchange in the Soviet Union; and studio residency awards from the Millay Foundation; the Assensore di Cultura in Corciano, Italy; the Accademia di Belli Arti in Perugia, Italy, and many others. In 2001 he was a finalist for the position of Chair of the National Endowment for the Arts. In 2018 he was named the inaugural Sonkin-Segal Endowed Chair in the Visual Arts at the the Chautauqua Institution, where he had served as the Institution's first Artistic Director in the Visual Arts for more than three decades. During his tenure there he and his wife, Lois Jubeck, built Chautauqua into one of the most respected summer art programs in America (including the Chautauqua School of Art, establishing and building the Fowler-Kellogg and Strohl Art Centers, and expanding the Chautauqua Visual Arts Lecture series). Previously he taught for ten years at the New York Studio School in Greenwich Village, where he also served as Program Director for six years. In 2019 Kimes and his wife, Lois Jubeck, established the ACI International Artists, Writers and Scholars Residency program in a 500 year old complex in Corciano, Italy. He continues to serve as Artistic Director there. He is also the Senior Professor in the Visual Arts at American University in Washington, DC, where he served as head of the studio art program for 19 of the past 35 years (and department chair for 11 years). He conceived of and then led this program in a successful campaign raising funds to design and build Washington's 130,000 square foot Katzen Arts Ce