Classical Breakdown

Music can be just as much of a historical document as letters or legislation, and we see that directly in this episode with music by Bonds written in 1963. John Banther and Evan Keely show you what to listen for, how Bonds adapts a well-known melody, the historical context, and more.

There is so much more to this humble concerto than you realize, because the context of hearing a trumpet do something unheard of before has been lost. We show you what made this concerto possible, how Haydn was revolutionary, and why each recording is a little bit different.

Another listener request! John Banther and Bill Bukowski explore the life of Leos Janacek and look at 2 specific subjects to understand this composer's original sound, speech melodies and modality.

John Banther and James Jacobs discuss Mozart's Eine Kleine Nachtmusik and performing it at gigs, which for James reaches into the hundreds at weddings! Plus, we enjoy a full performance with the Berlin Philharmonic.

You know the opening of this work through its countless use in movies, commercials, and even popular music. But do you know the underlying philosophy that inspired Strauss? John Banther and Evan Keely show you how themes transform from beginning to end in an effort to reach the Übermensch!

Let's enjoy two iconic Wagner preludes in two larger-than-life recordings featuring the Royal Concertgebouw Orchestra and conductor Bernard Haitink!

This composer's life was tumultuous and sometimes straight out of a soap opera. John Banther and Evan Keely explore what led him to opera, his initial success and failures, his bigoted "Judaism in Music" essay, and how his Ring Cycle changed everything.

Listen to Ralitza Patcheva and Sam Post in their latest recording, featuring a rhythmic reimaging of JS Bach. If you missed last week's episode, listen afterwards to learn all about this project from beginning to end. Music provided by (c) Acis Productions LLC. All rights reserved

JS Bach was experimental, and that spirit has carried on into the 21st century with composers and pianists like Sam Post and Ralitza Patcheva. While Bach was experimenting with using all 12 major and minor keys at a single keyboard, Sam Post's rhythmic reimagining brings together elements that didn't exist in Bach's time.

The first symphonies came from a place of insecurity, but his 3rd exudes confidence from the first note to the last. John Banther and Evan Keely show you what to listen for in Brahms' orchestration, how he uses compositional tools to create new melodies, sonata form basics, and the rivalry that took place the night of the premiere.

A hallmark of tyranny is its desire to control and stifle creative expression. In this episode, in memory of Lubna Alyaan, John Banther and Evan Keely explore three 20th-century composers, what happened to them, and select works that demand your attention.

Jessie Montgomery and John Banther discuss her popular works, her time writing for the Chicago Symphony Orchestra, the Blacknificent 7 composer group, and her early artistic influences.

Enjoy this performance after listening to the previous episode all about Carnival of the Animals by Saint-Saens. (Elephant image: By Muhammad Mahdi Karim)

One of the most endearing works in music was also hidden for years because the composer worried about his reputation. John Banther and Evan Keely explore the world of animals, how Saint-Saëns brings them to life, and why you have to play bad to sound good!

Different audiences have different tastes, and you can't always serve them the same dish. If Verdi wanted his grand operas to be staged in Paris, he needed to include ballet. In this bonus episode, we'll hear two ballet sections from two different operas, sometimes composed decades later.

This composer wrote operas almost exclusively, and his 19th-century success and popularity are hard to grasp even today. John Banther and Linda Carducci explore his life, his upward rise, the tragedies, and how he provided the sound for Italy's "Risorgimento!"

This concerto is one of the most daunting in the repertoire, and almost every big soloist aims to lay down their interpretation. But what makes this work so difficult? Is it the written music or is it something else? John Banther and Evan Keely show you what to listen for, how Sibelius does things differently, a moment from a masterclass, and what went wrong in the premiere.

In the episode on Emilie Mayer's life and music, we briefly discussed her wonderful writing for cello, and we get to experience it firsthand in this bonus episode. Juilliard Graduate student, Grace Mockus, is working on publishing her critical edition of Emilie Mayer's Cello Sonata in D minor! After listening to this, you can find more performances of Grace Mockus on YouTube.

She didn't have a typical upbringing like other composers, and forged her own way with private teachers and determination. John Banther and Evan Keely explore the wide range of repertoire she composed, from symphonies to songs, and look at events that changed the trajectory of her life and career.

This, the only orchestral output from Clara Wieck, might be one of the few 19th-century concertos written by a teenager that still occupies the concert stage today, and its popularity is only increasing. Join hosts John Banther and Linda Carducci to explore its youthful origins, characteristics of her writing, the size of her hands, and her big concert premiere.

For a limited time, we can enjoy a recent live performance of Adolphus Hailstork's An American Port of Call. Ken David-Masur conducts the Milwaukee Symphony Orchestra in this performance, and after this you can find more on the MSO YouTube page!

Hailstork has been writing music and teaching for over 5 decades, and his work has documented in music major American moments, from the bicentennial, 9/11, George Floyd, and even infrastructure. John Banther and Evan Keely explore his life, studies with Boulanger, his military experience, and look at 3 works from orchestral to choral that demonstrate his style.

Death has been depicted in music to console, frighten, warn, and entertain for over 400 years. In fact, the most quoted motif about death is also the oldest, and you know it intimately whether you realize it or not! John Banther and Evan Keely take you on a deathly trip over 10 works and a bonus.

I'm excited to bring you more from Xuefei Yang with these three performances taken from her YouTube channel (where you will find plenty more performances!). In this episode, we hear:John Williams (guitarist/composer) - When The Birds ReturnChangjun Xu - Sword DanceJerome Kern - Smoke gets in your eyes

I'm excited to bring you more from Xuefei Yang with these three performances taken from her YouTube channel (where you will find plenty more performances!).  In this episode, we hear: John Williams (guitarist/composer) - When The Birds Return Changjun Xu - Sword Dance Jerome Kern - Smoke gets in your eyes Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

She is one of today's great living guitarists, and in this episode, she tells us all about her new album Chapeu Satie. Xuefei explains how she approaches transcribing and arranging for the guitar, why she chose to include flute and voice, and performs a work from her new album at the end, too!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

She is one of today's great living guitarists, and in this episode, she tells us all about her new album Chapeu Satie. Xuefei explains how she approaches transcribing and arranging for the guitar, why she chose to include flute and voice, and performs a work from her new album at the end, too!

Beethoven pushed the symphonic form in a new direction with this heroic work that sounds larger than the sum of its parts. John Banther and Evan Keely show you what to listen for, how it pushed boundaries in 19th-century music, the famous Napoleon dedication, and more!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Think you can play the triangle? Think again! In our biggest episode yet, we explore the big world of percussion with Chris DeChiara. Using composers from Beethoven to Ozzy Osborne, he demonstrates over a dozen instruments and shares insider secrets as to what goes on in the back row. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Who doesn't love more music? Starting this season, we'll be releasing occasional bonus episodes. We kick it off with a great performance of a suite from Ravel's ballet Daphnis and Chloe. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

This composer had way more impact on the 20th century than you realize! Join us as we celebrate his life at 150 and look at how he achieved this unique sound, why he was kicked out of school twice, and enjoy a performance of his string quartet. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

It's the final episode of Season 6, and per tradition, it's an episode with recommended summer listening. Thank you very much for listening, rating, and sharing the podcast as it continues to grow year after year with your help! In this episode, there 4 albums to explore, taking us on a journey to ancient cities, flirtatious oboe playing, an emotional rollercoaster, and more!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

This work marks a departure from his previous symphonies, which were linked together by vocal music. But what is this? Is this Mahler working through his mortality and uncertainty, or something else? John Banther and Evan Keely show you what to listen for, how Mahler achieves his unique sound, and what it could all mean. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Join us to explore Felix Mendelssohn's life through 4 different aspects of life that separated him from nearly every other composer. John Banther and James Jacobs explore his life, what made him different, and enjoy a full performance of one of his iconic works too!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Verdi considered this character worthy of a Shakespearean tragedy, and he delivers just that! John Banther and Linda Carducci explore Verdi's masterpiece and show you what to listen for, intricacies of the characters and plot, the banned origin story, and so much more. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

You knew this composer before you knew his name, and he has shaped the sound of movies and childhoods for generations. Join us to learn about aspects of his life you didn't know, like his early career and first film scores, influences, nonfilm work, and more!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Few other works in the canon occupy a place like this symphony by Dmitri Shostakovich. John Banther and Evan Keely dive into history as they show you what to listen for, Shostakovich's perilous circumstances, and what clues he could have left for all of us in the music.Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

I have a special update for you on Florence Price because of the hard work of a particular listener and a previous guest. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Ravel wrote something so difficult he couldn't even play it, and he even dared to criticize others' performances! Linda Carducci and John Banther dive into a work that challenges the most virtuosic of soloists, its frightening accompanying poetry, and what exactly makes it so difficult. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Discover contemporary works by living Brazillian composer Clarice Assad that cover chamber music, solo piano, and orchestra. Then Co-Founder Laura Colgate tells us everything we need to know about and how you can benefit from the Boulanger Initiative, which advocates for women and gender-marginalized composers.Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Conductor Steven Fox joins John Banther to talk about this Mass that was overlooked after its premiere in 1893. Fox tells us everything we need to know about a mass, what to listen for, and how Ethel Smyth's mass stands apart. We also touch on her life as she was an aggressive suffragette, women's rights advocate, and openly bisexual composer in the 19th and early 20th centuries.Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

This American composer was a pioneer in electronic music, commissioned works with major orchestras, and did groundbreaking work in musicology connecting music traditions from West Africa to the United States. John Banther and Evan Keely explore 3 of his works and look at his work in musicology that will change how you hear music!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Explore the different emotional aspects of loss, grief, and separation in this orchestral song cycle by Kenedy Center composer-in-residence Carlos Simon. John Banther and Evan Keely explore the text by Rumi, how Simon pairs this directly in the music, and moments to listen for!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Music was used in World War 2 like never before, from propaganda to national pride. John Banther and Evan Keely explore Copland's musical effort to rally a defense for democracy using Abraham Lincoln's timeless words and examine why it was banned from a Presidential inauguration. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

We take a glimpse into the massive world and history of the trumpet! From its use in military battles and physical dangers to beautifully soft moments on the stage, world-renowned trumpeter and teacher Chris Gekker joins John Banther for a wide-ranging discussion on the trumpet, and he plays examples for us too!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

WETA resident cello player James Jacobs joins John Banther for a deep dive into the 6 iconic cello suites by JS Bach. With cello in hand, James demonstrates different aspects of the suites and shows us what to listen for, plus we enjoy a full recording performance of one of the suites at the end!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

One of the most iconic American composers was at one point even considered by some to be "un-American." John Banther and Evan Keely explore Copland's life, works you probably don't know, what influenced him, how he created an "American" sound, and why he was questioned at length in a senate subcommittee hearing in 1953. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

We get a rare opportunity to look at a country's first symphony, and it wasn't written until 1917! John and Evan explore Pejačević's symphony and show you what to listen for, what sets her symphony apart from others of the time, and how WWI directly affected her and this very work. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Few composers were an overnight sensation like Gioachino Rossini! We have 3 musical characteristics of his to show you as we explore his life, travels, his love of food, and why he might have quit at the height of his fame at age 37. Plus, stay with us to the end for the Rossini cocktail!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Why was the premiere a failure, and how did it get back into the repertoire? John Banther and Evan Keely uncover unique characteristics in this concerto, what to listen for, and its beguiling opening!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.