About this episode
World War II begins to reveal the gulf between Louella’s conservative but essentially business-minded politics, and Hedda Hopper’s virulent right-wing fervor. These differences — and the glee with which Hopper would destroy lives to shore up political power and further her ideology — come through loud and clear in the stories of two controversies: the casting of Gone with the Wind, and the paternity trial of Charlie Chaplin. Meanwhile, Louella shows her devotion to Hearst by using her power to cripple Citizen Kane . To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices