About this episode
During election season, voters hope to glimpse the true selves of presidential candidates. And sometimes, revealing details hide in plain sight. On this week’s On the Media, one reporter sifts through political memoirs for truths about politicians and the people they lead. Plus, in vivid detail, a novelist imagines the private lives of former presidents. [01:00] Host Brooke Gladstone speaks with Carlos Lozada , New York Times Opinion columnist and a co-host of the weekly “Matter of Opinion” podcast. Lozada explains how he mines political memoirs for deeper understanding of our political figures by examining what they include and what they omit. [16:43] Brooke speaks with Vinson Cunningham , author of the novel Great Expectations . Cunningham, who is now a theater critic at The New Yorker, worked on the 2008 Obama campaign and later in the White House. Great Expectations is inspired by that time in his life and the difficult-to-read candidate for the presidency. [35:05] Brooke interviews novelist Curtis Sittenfeld about her exploration of the minds of political figures through fiction, first in American Wife (inspired by Laura Bush) and next in Rodham , which considers what Hilary Clinton’s life would have looked like if she had never married Bill. They discuss the questions that led Sittenfeld to write those novels and why fiction based on real people makes readers so uncomfortable — especially the sex scenes. This show originally aired on our May 3, 2024 program, How to Read a President, with Carlos Lozada, Vinson Cunningham, and Curtis Sittenfeld. Further reading: The Washington Book by Carlos Lozada Great Expectations by Vinson Cunningham American Wife and Rodham by Curtis Sittenfeld Curtis Sittenfeld: ‘People misunderstood the sex scenes in Rodham’ On the Media is supported by listeners like you. Support OTM by donating today ( https://pledge.wnyc.org/support/otm ). Follow our show on Instagram , Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.