The AwardsWatch Podcast

2d ago

Oscar pre-season is in full swing and nothing says that more than the annual Oscar shortlists , which expand to 12 categories this year, adding Casting and Cinematography. On episode 320 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello break down the morning's shortlist announcement, discussing what surprised, what was snubbed and how it impacts the Oscar races overall. 12 categories for the 98th Academy Awards were announced this morning: Animated Short Film, Casting, Cinematography, Documentary Feature Film, Documentary Short Film, International Feature Film, Live Action Short Film, Makeup and Hairstyling, Music (Original Score), Music (Original Song), Sound and Visual Effects. Leading the way with eight mentions apiece were Sinners and Wicked: For Good . Both films made the cut in the exact same categories: Casting, Cinematography, Makeup and Hairstyling, Score, two in Song, Sound and Visual Effects. Frankenstein came in with six: Casting, Cinematography, Makeup, Score, Sound and Visual Effects. Up next, with five mentions apiece were F1 and One Battle After Another but possibly one of the day's biggest surprises was the huge showing for Spain's Oscar entry and Cannes Grand Prize winner Sirāt . Also earning five spots on the shortlist, it showed up in International Feature, Sound and Score as was relatively easy to predict, but also in Casting and Cinematography. The Academy added two new shortlists this year. Well, one new one and one returning after several decades. The much-anticipated new Casting category that debuts this season brought contenders like The Secret Agent , Sentimental Value and Weapons but shockingly didn't have room for Wake Up Dead Man , the third in the Knives Out trilogy packed with a hearty ensemble. Cinematography is back on the menu after a 46-year absence with finalists that included the major players like Sinners , One Battle After Another and Hamnet but also Ballad of a Small Player , Die My Love , Nouvelle Vague and Song Sung Blue to the table. We focus a good deal of time on these new categories but also look to how sound and film editing are often in sync, if this means Wicked: For Good is back, if Hamnet might be in trouble, what the hell is Veni Verdi and much more. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h1m. We will be back in next week for a review of the last big film of the year, Avatar: Fire and Ash . Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

4d ago

On episode 319 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Mark Johnson, and Josh Parham to go back five years and take a look at the 93rd Academy Awards, covering the films of 2020. On this retrospective, the AW team take one last trip to the past for the year to talk about the pandemic year of cinema that saw one of the worst Oscar telecasts of all time. Baffling decision after another, the night ended on a sour note instead of one of celebration for Nomadland winning the top prize and Chloé Zhao becoming the second female director to win Best Director. Still, even with the ceremony being so divisive, the year presented plenty of films the team wanted to highlight and discuss over the course of changing the Academy's nominations, with films such as The Nest, Tenet, Miss Juneteenth, Never Rarely Sometimes Always, Clemency, Dick Johnson is Dead, I'm Thinking of Ending Things , The Father, Sound of Metal, Minari, Judas and the Black Messiah, and more. In their in-depth discussion, the AW team talked about the film year of 2020, briefly discuss talk about Nomadland as a Best Picture winner, how this year is full of celebrities that are problematic or "cancelled" and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of eight nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 2h41m. We will be back in next week for a review of the last big film of the year, Avatar: Fire and Ash . Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Dec 11

No one is having as much fun making films as Rian Johnson. Over the course of the last twenty years, Johnson has delivered some of the most original, bold, entertaining films, dazzling audiences with noir mysteries, a sci-fi action thriller, and a journey to a galaxy far far away. But in his latest three pictures, Johnson has crafted his own IP, creating a new cinematic detective series with the help of one of the biggest movie stars on the planet, Daniel Craig. The director, alongside his famed actor and a crew of regular collaborators over the course of his career, delivered the smash hits Knives Out in 2019 and Glass Onion in 2022, whodunit mysteries following the cases of Detective Benoit Blanc. Known for the hilarious tone, massive ensemble casts, and immaculate third act resolutions, the first two entries of the franchise were widely acclaimed by audiences and critics, leading to Johnson landing two Oscar nominations for his screenplays. With the third entry in the Knives Out franchise, the director (in his own words) takes us "back to church" with a mystery centered around Reverend Jud Duplenticy (Josh O'Connor), a new priest who is framed for the murder of an another priest from a small parish in upstate New York. In trying to clear his name, Blanc hears of the case and is willing to assist Father Jud in clearing his name and getting the heart of who committed this horrible crime. In my review out of the Toronto International Film Festival, I raved about the film, calling it "the best entry in the Knives Out franchise to date" and also stating "Johnson and company pull out all the stops to create a dark, tense, comical, sharply-written mystery that sticks the landing." It's an entry that is not only darker, but seems more personal than ever for Johnson, as Wake Up Dead Man dabbles in ideas of faith, wickedness, revenge, spitefulness, how dangerous our world is, and how we need forgiveness more than ever if we are to heel as a species. In my recent, extensive, spoiler-filled discussion with the writer-director, we spoke about Johnson's approach to this entry, when he knew he was going to enter the world of the gothic mystery, and working with Craig on their third film together. We also spoke about collaborating with the new cast, the social, political, religious themes found at the center of the film, as well as his film and literary inspirations for Wake Up Dead Man , as well his thoughts on modern cinema, the importance of celebrating cinema, and if he could get a director to confess their secrets to him, who would he select and why. It's a more serious conversation than the last time Johnson and I spoke when Glass Onion was coming out, but that's a prime example of not just the tonal versatility found within the Knives Out , but also within the person its creator. Insightful, lively, introspectively honest, Rian Johnson is a real original and there aren't many left in Hollywood who are like him. Music: A Minor Omission, Nathan Johnson

Dec 11

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 130 of the Director Watch Podcast, the boys discuss the next film in their Claire Denis series, Let the Sunshine In (2017). Over the last couple of years, Denis has had a bit of a renaissance with her contemporary work, exploring complex stories with female characters at the forefront, mostly portrayed by the incredible Juliette Binoche. In their first collaboration together, the duo takes us on a journey of a woman who is uncertain in the male relationships she's in, but knows that she wants more than ever to not be alone, forcing herself into situations that aren't healthy. By doing this, they show how heartbreaking it can be to grow old alone without someone to share a life with. Ryan and Jay break down their thoughts on the film, how grateful they are in the relationships they are in, how lonely it must be to grow old without a partner, Binoche's performance, and a couple of fun tangents as well. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h55m. The guys will be back next week to conclude their series on the films of Claire Denis with a review of her film, High Life. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Dec 6

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 129 of the Director Watch Podcast, the boys discuss the next film in their Claire Denis series, White Material (2009). Within the latest film of the Denis series, she heads back to Africa to explore a family drama set in the background of an unstable, unknown country, but as the film plays out, seems to be more interested in what is in the background rather than the characters that are focused on within the film. Instead of making a "white savior" movie, Denis is using this film as a honest, reflective look at her own place within this world as a white woman, commenting on the violent world that surrounds these white characters, and mirrors her own childhood. While it's not her best film, it's her most personal, and a bold piece of filmmaking that isn't looking for a pat on the back, but rather exposing the flaws within power dynamics in a part of the world we will never be able to fix or understand. Ryan and Jay break down their thoughts on the film, Denis' relationship to the source material, the violence in the background of the film, the lingering questions about the open ending, as well as plenty of fun tangents post-Thanksgiving for the boys, highlight some of their favorite films they've been catching up with lately. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h57m. The guys will be back next week to continue their series on the films of Claire Denis with a review of her film, Let the Sunshine In. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Dec 5

It's been a big first week of December with no less than five sets of critics groups announcing winners and nominations as we kick off the next three months of nonstop awards season. On episode 318 I am joined by AwardsWatch Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to break down the awards landscape and more. Before we get into that we have to talk about the other huge piece of news this week and that was yesterday's announcement that Netflix had won the battle to buy Warner Bros and all of its properties, which includes the DC Universe films and HBO/HBO Max. Unsurprisingly, there is no one on the podcast thinks this move is a good idea and sees the Netflix model as intentionally destructive of the theatrical model. Next we move the Critics Choice Awards nominations , announced this morning, where Sinners and One Battle After Another lead the way, where Sentimental Value and Hamnet made comebacks and where Wicked: For Good faltered. Then it's onto the AFI and NBR lists, the New York Film Critics and the Gotham Awards , where Sophia gives her in the room insight of the event. This podcast runs 1h 18m You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Dec 1

On episode 317 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson alongside AwardsWatch contributors Dan Bayer and Josh Parham to go back 30 years and take a look at the 68th Academy Awards, covering the films of 1995. On this retrospective, the AW team take a trip to 1995, where actor Mel Gibson rode off the with multiple Oscars, winning Best Picture for his war epic, Braveheart . While a hit within its own right, it was a bit of a shocking win considering many believed that Apollo 13 was going to take home Oscar's top prize. It's a massive upset that would have ripple effects over the course of Academy history that would have make up wins not just for Ron Howard, but for other nominees in this Oscar field. 1995 is a stacked, incredible year of cinema that the gang tries to reflect a little better than what the Academy nominated with films like Heat, Showgirls, Get Shorty, Clueless, Seven, Before Sunset, Friday, To Wong Foo, Thanks for Everything! Julie Newmar and more getting either mentions, nominations, or wins in the big top eight categories.Maybe one of them wins Best Picture, maybe they don't, you'll have to listen and try not to fall down a flight of stairs to find out. In their in-depth discussion, the AW team talked about the film year of 1995, briefly discuss talk about Braveheart as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 2h47m. We will be back in next week for another retrospective over the 83rd Academy Awards, covering the films of 2010. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Nov 28

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 128 of the Director Watch Podcast, the boys discuss the next film in their Claire Denis series, 35 Shots of Rum (2008). Sometimes when you are planning a series, you don't think about the connections between the directors and their films, so this week is a happy surprise as Denis' 35 Shots of Rum is inspired by Yasujirō Ozu's film Late Spring , a film they covered earlier this year. Following a father-daughter relationship that is challenged by the arrival of a younger man who wants to date the daughter, Denis uses Ozu's masterpiece to reflect the racial, societal changes within France and Japan, as well as the differences between the two co-dependent family members, and the need for both to move on with their lives, no matter how heartbreaking it is. Ryan and Jay breakdown their thoughts on the film, its relationship to Ozu, how each film is different, as well as random thoughts on films from this year, Thanksgiving food, Jay's recent family vacation, and the pull quote that broke the internet this past week. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h50m. The guys will be back next week to continue their series on the films of Claire Denis with a review of her film, White Material. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).