About this episode
THE DROPOUT cinematographer, Michelle Lawler , shares her unique opportunities and challenges while filming on location for the hit Hulu series about Elizabeth Holmes and Theranos. Michelle and Go Creative Show host, Ben Consoli , discuss how character development affects cinematography, using 200 astera tubes to light an office, tips for creating eyelights, and so much more. Subscribe Now! What you will learn in this episode Cinematography appeal to THE DROPOUT (01:57) How reality can affect cinematography (06:00) The role of a pilot cinematographer (09:14) Using 200 astera tubes to light an office (11:43) How character development motivates cinematography (20:20) Why Cooke lenses are so good (26:30) Using Leica lenses to create a modern look (30:18) Shooting on stage vs. shooting on location (37:19) Using very intentional camera movement (40:30) Limited lighting options for office interiors (46:50) Using a pizza box bounce for eyelights (48:53) Cramming 5 weeks of prep for 4 episodes (54:19) And more! Go Creative Show is supported by: Filmmaker's Academy - Master Your Craft Use code GOCREATIVE10 for 10% off a membership Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links THE DROPOUT IMDb THE DROPOUT trailer THE DROPOUT on Hulu Leica Summilux-C Lenses Follow Our Guest Michelle Lawler's IMDb Michelle Lawler's Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram Follow Connor Crosby (producer) Ignition Visuals' website Ignition Visuals' Instagram Follow Dave Siegel (sound mixer) Dave Siegel's website