About this episode
The ongoing pandemic has raised big questions about the future of North American cities. For example, we’ve heard for almost a year now that COVID-19 will be the end of cities and the triumph of the suburbs. After all, why would people who could work anywhere choose to live in dense, plague-riddled cities? We’ve published our share of responses to this line of thinking—including articles by Joe Cortight of City Observatory , Joe Minicozzi of Urban3 , and others —but the gloomy predictions keep coming. For years, one person we at Strong Towns have turned to again and again for wisdom on the present and future of cities is Richard Florida . Florida is a researcher and professor at the University of Toronto, the author of numerous books—including the modern classic, The Rise of the Creative Class —and the co-founder of CityLab . Strong Towns president Chuck Marohn invited Florida back to the Strong Towns podcast to talk about the choices facing cities now and after the pandemic. They discuss Florida’s insight that where talent goes, innovation and economic development are sure to follow...and what that looks like in an era of remote work. “Remote work,” Florida says, “gives the knowledge worker a larger portfolio of choices [of where to live].” What cities are best positioned to attract that talent now? They also talk about the future of superstar cities like New York and London, why some cities (Toronto and Minneapolis are examples) are stuck in two worlds, and how the pandemic has widened the socioeconomic gaps between the “privileged third” and everyone else. This conversation is available both as a podcast and on video . Additional Show Notes: Richard Florida (Website) Richard Florida (Twitter) Charles Marohn (Twitter) Watch the conversation on YouTube More Strong Towns content featuring Richard Florida “Richard Florida and the New Urban Crisis” (Podcast) “The Growth Ponzi Scheme, Part 4,” by Charles Marohn (see an overview of The Growth Ponzi Scheme here ) “Recommended Reading: The Great Reset, ” by Charles Marohn