About this episode
Synopsis These days, no one is surprised if a popular film generates a series of sequels or even prequels, but back in the 1830s the idea of a composer coming up with a sequel to a symphony must have seemed a little odd. But that odd idea did pop into the head of French composer Hector Berlioz. In 1830, Berlioz had a huge hit with his Symphonie Fantastique . That Fantastic Symphony told a story through music, based on the composer’s own real-life, unrequited love for a British Shakespearian actress. The story ends badly, with our hero trying to end it all with a dose of opium, which, while not killing him, does produce, well, “fantastic” nightmares in which he is condemned to death for killing his beloved who reappears at a grotesque witches’ sabbath. That seems a hard act to follow, but two years later, Berlioz produced a musical sequel: Lelio, or the Return to Life , which premiered in Paris on today’s date in 1832. In this, our hero awakes from his drug-induced nightmare, and, with a little help from Shakespeare and a kind of 10-step arts-based recovery program, rededicates his life to music. Berlioz intended the original and the sequel to be performed together as a kind of double-feature. Alas, while audiences thrill to the lurid Symphonie Fantastique , they tend to drift during the admirable, but rather boring rehab sequel, which is rarely performed. Music Played in Today's Program Hector Berlioz (1803-1869): Fantasy on Shakespeare’s ‘The Tempest’ from Lelio London Symphony ; Pierre Boulez, conductor; Sony 64103