About this episode
One of this season's earliest new musical openings on Broadway was THE QUEEN OF VERSAILLES, a Kristin Chenoweth led star vehicle with a new score from Stephen Schwartz based on the documentary of the same name. The show, which opened to mixed to negative reviews, has already set an early closing date of January 4th, with online conversation quickly turning to whether or not this show deserved to close and whether it ought to have been more meaningfully supported by the Broadway community. In this candid and detailed review, Mickey-Jo is sharing his thoughts on the misguided musical and why it inherently is still deserving of honest, unfiltered critique. • 00:00 | introduction 03:18 | on Kristin Chenoweth 09:03 | synopsis / overview 14:08 | the biggest problem 19:18 | the material 25:02 | more on the material 30:23 | creative choices 37:00 | final thoughts About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.