About this episode
Today is all about mega presences —performances with so much character, life, and musicality breathed into them by their actors that they seem to haunt an entire film and stick with you long after the credits have rolled and the house lights have come on. And we are thrilled beyond words to be joined by a one-of-one artist, the great Will Oldham! Jumping off from a rather intense skydiving scene in To the White Sea, Will talks to us about how you can craft a performance by drawing on formative experiences and memories of people you once knew. He also tells us about how you can perform for an audience by in some sense becoming the audience, and brings awesome insights to all of the Coens films we cover, often bringing in counterpoint scenes from other films that unlock the richness of the performances. Special thanks to Rebecca Bulnes and her grandmother Maria for helping us with the Spanish translation of a pivotal moment in Blood Simple in a brand new segment called To the White Sea: The Latin Beat . Coens Covered: No Country for Old Men, Fargo, The Man Who Wasn’t There, Blood Simple, The Big Lebowski, Burn After Reading, True Grit, Inside Llewyn Davis Plus: Jackass 3D, Minnie and Moskowitz, Longlegs, One Battle After Another, The Three Burials of Melquiades Estrada Want to join the study group? Follow us on social media , tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. These all really help the show. And join the Discord too! * *You can also support us directly at https://ko-fi.com/tothewhitesea ** For all things TTWS visit tothewhitesea.me