About this episode
“There are two good episodes of Chloe in ‘Dance Moms’ and this is one of them,” says Christi of the final episode of Season 1. In this episode, the girls and their moms are still in L.A., (although there is a “pickup” scene that is filmed in Studio B back in Pittsburgh and everyone had to pretend otherwise.) Chloe is chosen to portray the younger version of singer Lux in Lux’s music video, “It’s Like Summer.” This was really a competition between Chloe and Paige, and as Christi points out, Paige received high praise from producers and more camera time than even Chloe in the video’s final cut. Yet Dance Mom producers made it seem like another rivalry between Chloe and Maddie to amp up the drama. Kelly and Christi finally find an “abbey” they like. They talk about visiting The Abbey, a West Hollywood institution and wonder, not for the first time, how a group of moms from suburban Pittsburgh ever found themselves in such a crazy situation. Back then, reality stars didn’t think to brand themselves or utilize social media the way they do now. Only a few years later, other cast members like JoJo Siwa, capitalized on the mistakes and missed opportunities of the show’s original core cast. Kelly and Christi continue to share hilarious anecdotes about being recognized in their early days of fame, when people still thought they knew the ladies from the bank or from church, but we’re still waiting to hear the story about naked pizza. Quotes “Abby uses one of my favorite quotes, the one that reminds me of the night I got roofied: It’s every man for himself.’ She said that when I got roofied.” (13:37-13:48 | Christi) “It’s really unfortunate that Chloe and I are featured a lot in this episode’s interviews because these are the worst interview looks Chloe and I have ever had so far.” (22:47-22:59 | Christi) “We had the bows before JoJo had the bow-bow.” (24:49-24:51 | Christi) “Melissa looks like she’s from ‘Little House on the Prairie’ in these episodes, except with fake boobs.’ (34:19-34:26 | Christi) “We weren’t of that era. Now, when people get cast on shows they think, ‘How can I have this be on my social media? How can I leverage this? How can I brand this like JoJo with the bows?’ We had bows in every episode but JoJo had someone to brand her. And she was three years later, and watched us so she knew what to expect.” (39:13-39:37 | Kelly and Christi) “No one knew what to do with us or our kids. It was just a totally different thing. Now, if you’re on TV you can say, ‘Here’s a link to my outfit.’ Then we just thought, ‘What isn’t dirty. What can I put on my body and just crawl into the dance studio and get through the day. We were not like that. The world wasn’t like that.” (40:52-41:19 | Christi) “The kids spent 24/7 together, you didn’t really want to be in an argument with each other.” (42:42-42:48 | Kelly) “I know everyone in the audience says, ‘You could have called and met with the producer Seven.’ No, I couldn’t. Just like I couldn’t go and meet with an acting coach because I was on a TV show, and I could only do what they allowed me to do.” (43:57-44:14 | Kelly) “Let’s drink in honor of the kidnapper van. I wish it would kidnap me.” (47:43-47:48 | Kelly and Christi) Hosted on Acast. See acast.com/privacy for more information.