About this episode
Twenty pounds of headlines plus rants, theories and the odd slice of old hokum: served hot. Which this week involves … … Jimmy Cliff and how his versatility worked against him … the Conjuror? Eyeball Tickler? The Concert in the Egg? Hieronymus Bosch painting or late-period Oasis B-side? … Motown, Jacksons, Beatles, Chili Peppers? What’s the greatest bassline on record? … what you notice watching the new Beatles’ Anthology 4 ... why the leading edge of novelty is the internet … from Eddie Cochran to the Bonzos, Can, Hawkwind, Costello and Stone Roses: the pioneering life of label-boss Andrew Lauder … when did it become impossible to date records by their sound? And when did they stop sounding like glorious accidents? … Joan Armatrading? Carole King? Dido? Which singer-songwriters are legends? … what’s “stuck culture”? … is Tomorrow Never Knows the only one-chord wonder? … the link between Good Times, Another One Bites the Dust and Rapper’s Delight … whalebone corsets, butchers’ knives: Nick Cave and the art of 18th century lyric-writing … “Graham Coxon was a trumpet player and plays the guitar like a trumpet!” Plus birthday guest Kevin Walsh: which musicians are freaks and which cheerleaders? Hear Wilton Felder’s isolated bass on the Jackson 5’s’ I Want You Back’: https://www.youtube.com/watch?v=z91l_lPz1oc Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.