About this episode
Emmy Award®-nominated Director Philip Barantini and fellow nominees — including cinematographer Matthew Lewis and the sound team of James Drake, Jules Woods, Rob Entwistle, and Kiff McManus — join us this week to discuss the making of “Adolescence,” Netflix’s hit limited series. Nominated for thirteen Primetime Emmy Awards, including Outstanding Limited or Anthology Series, the show’s four episodes were each filmed as single, continuous takes, creating a gripping real-time experience for viewers — and offering some unexpected advantages for the filmmakers. “For Netflix, it was very different for them because… they're very limited in what notes you can give. You can't say, ‘I think that scene needs to move to a different location’ or whatever. It's literally got to be performance notes… And so, they were fantastic. Netflix were just amazing, really, really amazing partners.” —Philip Barantini, Director, Executive Producer, “Adolescence” Joining today’s conversation: - Philip Barantini, Director, Executive Producer - Matthew Lewis, Director of Photography, Camera Operator - James Drake, Supervising Sound Editor, Re-Recording Mixer - Jules Woods, AMPS, CAS, Re-Recording Mixer - Rob Entwistle, AMPS, Production Sound Mixer - Kiff McManus, AMPS, Production Sound Mixer Be sure to check out “Adolescence,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos® . Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .