Fleshing Out All of Your Characters, Including the Antagonists

In today's Books with Hooks , Carl y and CeC e each review two query letters, in the process discussing overexplaining and taking the readers out of the scene; leaning into your scene from a reader’s perspective; having a very clear idea of the major dramatic question that is specific to the protagonist’s plot journey; prioritizing a character's interiority over their noticing other characters’ reactions to things; avoiding head-hopping; ensuring specific details are where they need to be placed; starting in the right place; making sure your character has a goal of some sort in the opening pages; connecting with zingy social commentary in a story; and integrating setup within the action of the story. After which, Bianc a chats with Richard Osman , multi-million copy bestselling author of The Thursday Murder Club series, about why his novels have appealed to such a wide demographic; how he came up with his premise; why he chose the POV structure for the novel that he did; writing social commentary subtly; techniques for making readers connect with so-called unlikeable characters. Find us on our socials: Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra Instagram: @biancamarais_author @carlywatters @cece_lyra_agent @ the_shit_about_writing Facebook: @tsnotyaw Website: www.biancamarais.c om and www.theshitaboutwriting. Richard can be found at @richardosman on Twitter. Leftie's podcast can be found at: https://leftie-aubes-writing-podcast.simplecast.com/ Our Sponsors: * Check out Quince: https://quince.com/tsnotyaw * Check out Rosetta Stone and use my code TODAY for a great deal: https://www.rosettastone.com * Check out Wayfair: https://www.wayfair.com Advertising Inquiries: https://redcircle.com/brands