About this episode
Yesterday marked the 80th anniversary of the D-Day landings in Normandy. Along with the military commemorations, there was a very special one created in yarn, by hundreds of knitters & crocheters around the globe - The Longest Yarn. Tansy Forster, who has lived in Normandy for over 20 years, was inspired by the Post Box toppers she saw when she traveled to visit Arundel, in southern England. She thought she would have a go at something similar for her garden gate to commemorate this special anniversary. That idea soon morphed to create an 80 metre long yarn masterpiece showcasing scenes from the build up to and of the landings themselves as well as the days immediately after. Tansy, with the help of Facebook, soon enlisted the help of hundreds of makers from around the world to create metre long panels, each with a scene from that time. Not only that, Tansy has written a book about the project too. The Longest Yarn has featured on TV shows and news programmes around the world, and is set for a tour around the UK, then onto the United States before returning to Carentan in Normandy, where it will remain on permanent display. In this episode, we hear from Tansy Forster and from Diane McCoombs and Gill >>> from the North West of England, who contributed one of the metre-long panels to the Longest Yarn. You can find out all about The Longest Yarn on their website . For full show notes for this episode, please visit the Making Stitches website . To join the mailing list for the Making Stitches Newsletter, please click onto this link . The theme music is Make You Smile by RGMusic from Melody Loops . The Making Stitches logo was designed by Neil Warburton at iamunknown . You can support Making Stitches Podcast with running costs through Ko-fi. Making Stitches Podcast is supported by the Making Stitches Shop which offers Making Stitches Podcast merchandise for sale as well as Up the Garden Path crochet patterns created by me & illustrated by Emma Jackson . Making Stitches Podcast is presented, recorded and edited by Lindsay Weston