About this episode
Spencer Lewis, born 1979 in Hartford, Connecticut, lives and works in Los Angeles. He studied at the Rhode Island School of Design and the University of California, Los Angeles. Known for his gestural paintings on cardboard and jute, Lewis uses flashy bright and colorful notions executed through streaked lines, smears of paint and rough strokes that suggest the impulsive creative process underneath. With chaotic, almost infinite layers, Lewis's canvases conceal and simultaneously unveil a brushstroke, a gesture over the other, stories and moments culminating and accumulating on the painting's densest parts. Despite the apparent unpredictability of Lewis's compositions, they are based on a methodology and structure. Lewis is, in fact, interested in pictorial organization and image-making. Consistently concentrating towards the centre of the canvas, Lewis's brushstrokes frantically tell the different layers of the same narrative. In a podcast recorded live in his LA studio, he and Zuckerman discuss wanting positive things, paint as a fluid object, seeing and feeling distance between ideas, cities, being courageous, finding novelty, what art is really good at, timelessness, how artists want to be free, having an anxious attachment style, why people like complexity, what feels big, the space of color, how and why you need a studio, how to make great paintings, his phrase “for me to make a painting,” how art is still about beauty, remembering that making art will feel bad, and how gratitude works every time!