About this episode
The third episode of our season on the awesome movie year of 1969 features the year’s biggest flop, Carl Reiner’s The Comic . Directed and co-written by Carl Reiner and starring Dick Van Dyke, Michele Lee and Mickey Rooney, The Comic was inspired by Van Dyke’s love of silent film comedians. The contemporary reviews quoted in this episode come from Roger Greenspun in The New York Times ( https://www.nytimes.com/1969/11/20/archives/comic-and-desperados-on-double-bill.html ), Jack Goff in The Hollywood Reporter ( https://www.hollywoodreporter.com/movies/movie-news/comic-review-movie-1969-1254978/ ), and Pauline Kael in The New Yorker . Visit https://www.awesomemovieyear.com for more info about the show. Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @Awesomemoviepod You can find Jason online at http://goforjason.com/ , on Facebook at https://www.facebook.com/JHarrisComedy/ , on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedy You can find Josh online at http://joshbellhateseverything.com/ , on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleed You can find our producer David Rosen’s Piecing It Together Podcast at https://www.piecingpod.com , on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod . You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason , signalbleed and bydavidrosen . Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosen All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.com Please like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring the Cannes Film Festival Palme d’Or winner, Lindsay Anderson’s If … .