FACT AND FICTION: THE RECOUNTING OF WWII WITH JAMES HOLLAND (ON WRITING)

Suddenly I was distracted by this amazing roar...and I turned to the umpire and I said 'What is that?' absolutely dumbstruck by this vision and sound and he said 'That's a Spitfire' A BETTER PEACE welcomes James Holland, internationally acclaimed and award-winning historian, writer, and broadcaster. A familiar and trusted face appearing in numerous WWII documentaries, James is also the author of over two dozen books and novels. He joins Michael Neiberg in the studio to discuss how he began writing, where he finds his passion and the immense pleasure he derives from interviews and research that have made him a highly sought after subject matter expert. In this episode Holland explains to the listener how a chance encounter with a Supermarine Spitfire lead him back to his childhood fascination with WWII and his first novel about the Battle of Britain. Neiberg interviewed Holland at the new U.S. National World War II Museum in New Orleans last year. Michael Neiberg (L) and James Holland (R) in front of WWII themed artwork at the Higgins Hotel adjacent to the National World War II Museum in New Orleans. James Holland is an internationally acclaimed and award-winning historian, writer, and broadcaster. The author of the best-selling historical novels, he has also written nine works of historical fiction. He regularly appears on television and radio, and has written and presented the BAFTA-shortlisted documentaries. Michael Neiberg is the Chair of War Studies at the U.S. Army War College. The views expressed in this presentation are those of the speakers and do not necessarily reflect those of the U.S. Army War College, U.S. Army, or Department of Defense. Photo Description: Ray Hanna at the controls of his famous Spitfire MH434 at the Flying Legends of 2005 Photo Credit: Bryan Fury75 at French Wikipedia. Other releases in the "On Writing" series: BEYOND VIETNAM: SUNK COSTS IN PRESIDENTIAL STRATEGYEXPLOITING THE VOID: THE PSYCHOLOGY OF MODERN PROPAGANDA(ON WRITING)COLONELS WRITING FOR COLONELS (RE-RELEASE)ON WRITING: MILITARY AUTHORS AND THE HARDING PROJECT (RE-RELEASE)FIGHTING TOGETHER: THE CANADIAN-AMERICAN PARTNERSHIP IN WORLD WAR II(ON WRITING)THE SCHOLAR AND THE STRATEGIST:SIR HEW STRACHAN(ON WRITING)COLONELS WRITING FOR COLONELSON WRITING: MILITARY AUTHORS AND THE HARDING PROJECTUNDERSTANDING RUSSIAN CULTURE: JADE McGLYNN(ON WRITING)CHINA’S SHIFTING HISTORY: STEPHEN PLATT (ON WRITING)UNDERSTANDING CHINA THROUGH ITS RECRAFTED PAST: RANA MITTER (ON WRITING)WRITING ON A DEADLINE: SHASHANK JOSHI (ON WRITING)REAGAN AS THE PEACEMAKER: WILL INBODEN(ON WRITING)RUSSIAN IMPERIAL HISTORY-THEN AND NOW: ALEXANDER MIKABERIDZE(ON WRITING)TAKING COMMAND: TAMI DAVIS BIDDLE(ON WRITING)HOW TO WRITE THE HISTORY THAT HASN’T ENDED: IAN ONA JOHNSON(ON WRITING)AS TIME GOES BY: UNDERSTANDING FREE & VICHY FRANCE (ON WRITING)SHIFTING MENTAL GEARS: PHILIP CAPUTO (ON WRITING)GENERAL HISTORY: H.R. McMASTER (ON WRITING)WHEN A GENERAL WRITES FOR THE GENERALIST (ON WRITING)THE VALUE OF WRITTEN THOUGHT: STEPHEN VOGEL (ON WRITING)TWO AUTHORS UNDER THE SAME ROOF (ON WRITING)THE MORE BEAUTIFUL QUESTION: ALEXANDRA RICHIE (ON WRITING)FACT AND FICTION: THE RECOUNTING OF WWII WITH JAMES HOLLAND (ON WRITING)THE U.S. ARMY IN THE 20TH CENTURY: AN INTERVIEW WITH BRIAN LINN (ON WRITING)LIBERATION FROM THE POINT OF VIEW OF THE LIBERATED (ON WRITING)PARIS 1919: A CONVERSATION WITH MARGARET MACMILLAN (ON WRITING)THE CHALLENGES OF WRITING BIOGRAPHIES (ON WRITING)FINDING “WOW” MOMENTS (AND OTHER WRITING TIPS FOR SENIOR LEADERS) (ON WRITING)THE ART OF WRITING HISTORY (ON WRITING)