About this episode
Over the decades, drummers haven’t received a lot of respect…all the jokes…the running gag in “Spinal Tap”…the issues so many groups seem to have finding the right drummer… But there are also those who stand out and are not only admired but worshipped…and not just by music fans, not just by other drummers, not by just other musicians, but by everyone has a chance to hear them play…they’re that good, that special… I’ve been a drummer since I was in high school…I later played in bands and worked as a drum teacher to get my way through university…and I still play today…and you know why?...Neil Peart of Rush… My first exposure to him was a stereo salesman who was demonstrating a pair of speakers by playing “By-Tor and the Snow Dog” from Rush’s “Fly By Night” album…I was immediately sucked into it by Neil’s playing…and when the song gets to those three drum breaks, I was hooked for life… Later, someone played the “Overture” from “2112” for…and that’s when I decided I needed to learn how to play the drums…same thing for millions of other kids… For someone who played so hard and so loud, Neil was the quiet one, the introvert, the reluctant drumming institution…interviews with Neil were rare…meet’n’greets with fans were always handled by Alex and Geddy…it was just understood that Neil didn’t do these things… I’ve probably seen rush in concert more than any other artist…I’ve traveled to different countries to see them…I’ve worked on Rush projects for their record label and their management company…I know all the people behind scenes…I’ve hung out with Alex and worked with Geddy…but I never got a chance to meet Neil… I, like so many others, have unending respect for his abilities as a drummer, a lyricist, and a writer…he was a thinker, articulate, and extremely well-read…he also had a wicked sense of humour… Stay with me as we remember Neil Peart… Learn more about your ad choices. Visit megaphone.fm/adchoices